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    <loc>https://corneliamagazine.com/blog/estate-planning-w2spc</loc>
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    <lastmod>2019-08-13</lastmod>
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    <loc>https://corneliamagazine.com/blog/debt-dtecb</loc>
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    <lastmod>2019-08-13</lastmod>
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  <url>
    <loc>https://corneliamagazine.com/blog/tax-hwcek</loc>
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    <lastmod>2019-08-13</lastmod>
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    <loc>https://corneliamagazine.com/blog/retirement-planning-khttr</loc>
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    <lastmod>2019-08-13</lastmod>
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  <url>
    <loc>https://corneliamagazine.com/article-set</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-16</lastmod>
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      <image:title>Archive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/alt-arts-the-plumb</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb - Make it stand out</image:title>
      <image:caption>ENSSSEMBLE, 2025, installation view, the plumb. Photo: Simon S. Belleau.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb - Make it stand out</image:title>
      <image:caption>Kaley Flowers, wedge drip melt slip, 2021. Ceramic, glaze, lustre, metal, epoxy, ash, 11.5 x 4.5 x 6 inches. Courtesy of the artist and the plumb. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/58fc9dd0-f923-48f7-9a91-b3db4684382b/Rufelds_Thirty+cents%2C+fifty+cents_02.JPG</image:loc>
      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb - Make it stand out</image:title>
      <image:caption>Miles Rufelds, “Thirty cents, fifty cents…”, 2020. Silent video, 16:9 (vertical orientation). Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb</image:title>
      <image:caption>Alyssa Alikpala in Coversation with Joys director Danica Pinteric, 2023. Courtesy of Joys and AGAC. Photo: Ryley Remedios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f0e132f3-e249-408a-bda2-1433e58adf7f/IMG_7824.CR2.jpg</image:loc>
      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb - Make it stand out</image:title>
      <image:caption>Processing Session as part of the exhibition, Tunnel Mound Comeback, 2025. Photos: Elena Kirby and Masumi Rodriguez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b6f1265c-dd85-49b8-82bd-9b2660b54a9e/issue+20.png</image:loc>
      <image:title>Archive - Alt-Arts: The Multiplicity of the plumb - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/a-quiet-consciousness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ea65eaf2-9817-4a0a-b90e-e13a5517a00c/Untitled-12.jpg</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Annie MacDonell: interior life, 2025, installation view, two seven two. Courtesy of the artist and two seven two gallery. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c8d2a12b-170b-4a33-83d0-46acb1a14b05/Untitled-5.jpg</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Annie MacDonell: interior life, 2025, installation view, two seven two. Courtesy of the artist and two seven two gallery. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/654ce140-7a62-428a-952c-3cb39aef6bef/_AF_8117.jpg</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Annie MacDonell, Sugar Cubes, 2023, installation view, interior life, 2025, two seven two. Courtesy of the artist and two seven two gallery. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2e938ac2-1748-438b-aa7c-baa81d5b23dc/_AF_8157.jpg</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Annie MacDonell, Sugar Cubes, 2023. Inkjet print, 20 ½ × 13 ½ inches. Courtesy of the artist and two seven two gallery. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f88b00d2-968e-4a6e-bf20-ab61fd2450a7/_AF_8150.jpg</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Annie MacDonell, Untitled, 2012. Inkjet prints, 22 ½ × 30 ½ inches. Courtesy of the artist and two seven two gallery. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/26cbf91e-53ea-4984-af14-510e377ed467/_AF_7745.jpg</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Annie MacDonell, Ego Death Trip, 2023. UV inkjet on aluminum, 60 × 180 × 1 ¾ inches. Courtesy of the artist and two seven two gallery. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/095ebfd5-34de-40e0-8497-15f2e723983f/issue+20.png</image:loc>
      <image:title>Archive - ‘A Quiet Consciousness’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/searching-for-a-new-new-topographics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cca48721-0308-4e1b-a518-bdb2d8803b6a/3417.0153_20170724.jpg</image:loc>
      <image:title>Archive - Searching for a New ‘New Topographics’ in Western New York’s Landscape - Make it stand out</image:title>
      <image:caption>New Topographics: Photographs of a Man-Altered Landscape, 1975, installation view, George Eastman Museum. Courtesy of the George Eastman Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/056bfb67-bf82-4fc5-bd8b-1bb02c2f33b3/3417.0150_20170724.jpg</image:loc>
      <image:title>Archive - Searching for a New ‘New Topographics’ in Western New York’s Landscape - Make it stand out</image:title>
      <image:caption>New Topographics: Photographs of a Man-Altered Landscape, 1975, installation view, George Eastman Museum. Courtesy of the George Eastman Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0cd1f0cc-41b8-493a-8eda-3be49b15268e/3417.0149_20080121.jpg</image:loc>
      <image:title>Archive - Searching for a New ‘New Topographics’ in Western New York’s Landscape - Make it stand out</image:title>
      <image:caption>New Topographics: Photographs of a Man-Altered Landscape, 1975, installation view, George Eastman Museum. Courtesy of the George Eastman Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/42732cb5-19ec-4b6c-9664-515c026ada72/3417.0151_20170724.jpg</image:loc>
      <image:title>Archive - Searching for a New ‘New Topographics’ in Western New York’s Landscape - Make it stand out</image:title>
      <image:caption>New Topographics: Photographs of a Man-Altered Landscape, 1975, installation view, George Eastman Museum. Courtesy of the George Eastman Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ba2d7edc-a1f6-4a99-8871-214ca1586da0/3417.0154_20170724.jpg</image:loc>
      <image:title>Archive - Searching for a New ‘New Topographics’ in Western New York’s Landscape - Make it stand out</image:title>
      <image:caption>New Topographics: Photographs of a Man-Altered Landscape, 1975, installation view, George Eastman Museum. Courtesy of the George Eastman Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b881dc09-48ff-4afb-bdfd-62a1aa15968f/issue+20.png</image:loc>
      <image:title>Archive - Searching for a New ‘New Topographics’ in Western New York’s Landscape - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/pre-degraded-image</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/46511e67-710b-4ed5-ab63-a3b0bb06fe15/06.+BD-Connor+Rothe-003+edit.jpg</image:loc>
      <image:title>Archive - The Pre-Degraded Image - Make it stand out</image:title>
      <image:caption>Connor Rothe, I Felt Your Shape, 2024, installation view, You Made It Feel so Real (please keep your promise), 2024, Blouin Division, Toronto. Courtesy of Blouin Division, Toronto. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2b92e032-6bb0-4575-91c2-e3c280f55720/IMG_5175.jpg</image:loc>
      <image:title>Archive - The Pre-Degraded Image - Make it stand out</image:title>
      <image:caption>I Want You To See This!, 2025, installation view, Xpace Cultural Centre, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/48e9094e-f8a5-4ec7-812f-9fea6f9ce07a/IMG_7335.jpg</image:loc>
      <image:title>Archive - The Pre-Degraded Image - Left: Laaya Tabei, Entwined, 2025. Oil on wood canvas, 3 x 4 inches. Courtesy of the artist. Right: Jake Santos, take care, 2024. Acrylic ink on wood panel, 18 x 24 inches. Courtesy of the artist. Connective Tissue, 2025, installation view, Xpace Cultural Centre, Toronto. Photo: Alison Postma.</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/66d99367-3de0-4429-b15b-e0aa04409384/IMG_7344.jpg</image:loc>
      <image:title>Archive - The Pre-Degraded Image - Make it stand out</image:title>
      <image:caption>Connective Tissue, 2025, installation view, Xpace Cultural Centre, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8ce0a51a-d016-4202-b11f-98da77ea887f/issue+20.png</image:loc>
      <image:title>Archive - The Pre-Degraded Image - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/slipping-into-darkness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7cea6c30-c7c7-415d-b38a-0ddf54ccd9f5/_DSF1976.jpeg</image:loc>
      <image:title>Archive - Slipping into Darkness - Make it stand out</image:title>
      <image:caption>Granville Carroll: Black Serenity, 2025, installation view, CEPA Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/98a4689b-9aa9-4a33-b89a-6f2e8fb71fd6/_DSF1972.jpg</image:loc>
      <image:title>Archive - Slipping into Darkness - Make it stand out</image:title>
      <image:caption>Granville Carroll, Untitled, 2018, installation view, Black Serenity, 2025, CEPA Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a0eadb6a-47ef-4e5d-8cd2-0a88b7867300/_DSF1967_1.jpeg</image:loc>
      <image:title>Archive - Slipping into Darkness - Make it stand out</image:title>
      <image:caption>Granville Carroll: Black Serenity, 2025, installation view, CEPA Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e4e10f8e-bc6b-41d6-8d93-641bcff08d82/_DSF1971.jpeg</image:loc>
      <image:title>Archive - Slipping into Darkness - Make it stand out</image:title>
      <image:caption>Granville Carroll: Black Serenity, 2025, installation view, CEPA Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6654eb1a-8a95-4ac3-a852-d62e18257582/_DSF1964.jpeg</image:loc>
      <image:title>Archive - Slipping into Darkness - Make it stand out</image:title>
      <image:caption>Granville Carroll: Black Serenity, 2025, installation view, CEPA Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8a5b7d2f-8521-4921-a851-3438b394270c/issue+20.png</image:loc>
      <image:title>Archive - Slipping into Darkness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/srs-silk-road-songbook</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/62d2eee6-dc33-4324-8950-4d033c60c138/Issyk-Kul+still2.jpg</image:loc>
      <image:title>Archive - SRS - Millie Chen &amp; Arzu Özkal, SRS (Silk Road Songbook), 2025. Digital video (still), color, sound, 22 minutes. Courtesy of the artists. Issyk-Kul, Kyrgyzstan</image:title>
      <image:caption>Infinity drawing during Kindergarten Church at Agatha’s. Photo: Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/591d9d81-57c2-48d8-be7e-6471a69fbe6e/Entry+HW+Chen+10-2568200.jpg</image:loc>
      <image:title>Archive - SRS - Make it stand out</image:title>
      <image:caption>Millie Chen &amp; Arzu Özkal: SRS (Silk Road Songbook), 2025, installation view, Hallwalls Contemporary Arts Center. Courtesy of the artists. Photo: Biff Henrich. Istanbul, Turkey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6c7c7012-d260-47b5-91f5-b38a7373102e/Entry+HW+Chen+10-2568207.jpg</image:loc>
      <image:title>Archive - SRS - Make it stand out</image:title>
      <image:caption>Millie Chen &amp; Arzu Özkal: SRS (Silk Road Songbook), 2025, installation view, Hallwalls Contemporary Arts Center. Courtesy of the artists. Photo: Biff Henrich. (L to R): Parkent, Uzbekistan and Chubar, Iran</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f0e49d93-ee0c-4ef1-97e7-7f475a503617/Istanbul+still1.jpg</image:loc>
      <image:title>Archive - SRS - Make it stand out</image:title>
      <image:caption>Millie Chen &amp; Arzu Özkal, SRS (Silk Road Songbook), 2025. Digital video (still), color, sound, 22 minutes. Courtesy of the artists. Istanbul, Turkey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fea8e4f8-6567-4f70-b48c-513f8b15d7b8/Parkent+still6.jpg</image:loc>
      <image:title>Archive - SRS - Make it stand out</image:title>
      <image:caption>Millie Chen &amp; Arzu Özkal, SRS (Silk Road Songbook),(video still), 2025. Digital video (still), color, sound, 22 minutes. Courtesy of the artists. Parkent, Uzkekistan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/73c5bdb0-96be-443e-b0d6-95d0acddaad5/issue+20.png</image:loc>
      <image:title>Archive - SRS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-20</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e6a328d9-1709-4213-94cc-490fe8474d8f/cornelia20-1.jpg</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/40cc4014-bfe2-430e-a570-7ccce989182a/issue+20.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/747e1e41-e14b-4774-8d5a-4385d8ea23cf/corneliaad.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1d2692b7-98ba-4078-8533-eb7c78942583/Social_Poster.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/92a5c3e6-9e99-4a1a-9a70-a5ad88adb93e/flyer2.jpg</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/alt-arts-spy-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b6cc5267-f09a-4e70-a2b2-d801d2216120/IMG_6085.JPG</image:loc>
      <image:title>Archive - Alt-Arts: Spy Gallery by Margot Fabre - Make it stand out</image:title>
      <image:caption>LungA School, 2024. Courtesy of Leander Albin. Photo: Leander Albin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/943ad846-10ea-42b3-be11-955b734b5252/Spy_Press_living_room-01.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Spy Gallery by Margot Fabre - Make it stand out</image:title>
      <image:caption>Nilou Ghaemi, ‍LIVING ROOM, 2025, installation view, Spy Gallery. Courtesy of Nilou Ghaemi. Photo: Nilou Ghaemi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/77530507-86f9-4210-a27d-d93b1e20b445/Spy_Press_living_room-06.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Spy Gallery by Margot Fabre - Make it stand out</image:title>
      <image:caption>Shaheer Tarar, LIVING ROOM, 2025, installation view, Spy Gallery. Courtesy of Nilou Ghaemi. Photo: Nilou Ghaemi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/683d930b-9feb-4e44-bbfd-e05f52cb1c34/Spy_Press_living_room_margot-edit_01.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Spy Gallery by Margot Fabre</image:title>
      <image:caption>Alyssa Alikpala in Coversation with Joys director Danica Pinteric, 2023. Courtesy of Joys and AGAC. Photo: Ryley Remedios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c0143374-8db2-46fd-b3c7-2ae3b945fc20/IMG_6077.JPG</image:loc>
      <image:title>Archive - Alt-Arts: Spy Gallery by Margot Fabre - Make it stand out</image:title>
      <image:caption>LungA School, 2024. Courtesy of Leander Albin. Photo: Leander Albin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d6e8b373-eca4-4a68-876c-97f405f4107a/Asset+1%401080x.png</image:loc>
      <image:title>Archive - Alt-Arts: Spy Gallery by Margot Fabre - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/wet-sounds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b36b6189-8ab8-46c5-81f3-03c25b58fc59/7.+Togetherness-2.jpg</image:loc>
      <image:title>Archive - Wet Sounds - Make it stand out</image:title>
      <image:caption>Togetherness, 2023, photos for Pantayo’s second album, Ang Pagdaloy. Photo: Felice Trinidad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/800d481f-7998-4dfd-ae7b-80255e8bfdd2/IMG_0042.jpg</image:loc>
      <image:title>Archive - Wet Sounds - Make it stand out</image:title>
      <image:caption>Pantayo at Wet Sounds, January 25, 2025, IICSI’s Improv Lab (International Institute for Critical Studies in Improvisation, University of Guelph). Photo: Sonia Preisler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2827ed69-6ac7-43e9-bd2c-28b1283edc3a/0piquewinteredition-152%281%29.jpg</image:loc>
      <image:title>Archive - Wet Sounds - Make it stand out</image:title>
      <image:caption>Pantayo and Marisa Gallemit, Pique Winter Edition, 2022. Photo: Ming Wu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9d03bce9-c4c3-4515-b88d-90fac20d6dff/PXL_20230408_220523778.jpg</image:loc>
      <image:title>Archive - Wet Sounds - Make it stand out</image:title>
      <image:caption>Pantayo during a KuliVersity Shoot at FTV (Filipino TV) in Markham. KuliVersity is an accessible and educational platform that explores kulintang music, culture, and history. Photo: Mailyne Briggs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d6e8b373-eca4-4a68-876c-97f405f4107a/Asset+1%401080x.png</image:loc>
      <image:title>Archive - Wet Sounds - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/medina-triennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a91b1e8c-0568-4c41-a9b5-040df75218e8/2.+Medina+Triennial+Hub.+Photo+by+Dawson+Andrews+_Other+Means.jpg</image:loc>
      <image:title>Archive - Local Roots, Global Reach: Building the Medina Triennial - Make it stand out</image:title>
      <image:caption>Medina Triennial Hub. Photo: Dawson Andrews / Other Means</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7500f6da-0010-44df-9aa9-ec1dca859d91/1A1A5607.jpg</image:loc>
      <image:title>Archive - Local Roots, Global Reach: Building the Medina Triennial - Make it stand out</image:title>
      <image:caption>Inauguration of the Medina Triennial Hub. Photo: Douglas Levere</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fef99c63-9d63-4a4b-88f4-4353a395769b/4.+Medina+Triennial+Hub_Staff+Area+View_Photo+by+Serweta+Peck.jpg</image:loc>
      <image:title>Archive - Local Roots, Global Reach: Building the Medina Triennial - Make it stand out</image:title>
      <image:caption>Staff Area View inside Medina Triennial Hub. Photo: Serweta Peck</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/46a0ecd4-3792-4bd1-b8f8-5f8993e6e104/6.Kari-Karin-25+%281%29.jpeg</image:loc>
      <image:title>Archive - Local Roots, Global Reach: Building the Medina Triennial - Make it stand out</image:title>
      <image:caption>Portrait of Co-artistic Directors Karin Laansoo and Kari Conte, Medina, NY. Photo Hakan Topal. Courtesy Medina Triennial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0fa86a4d-5e8d-419a-8dbb-6e1a30770906/DSC00519.jpg</image:loc>
      <image:title>Archive - Local Roots, Global Reach: Building the Medina Triennial - Make it stand out</image:title>
      <image:caption>Community planting on Mary Mattingly's Floating Garden, led by the artist on October 18, 2025. Photo: Dawson Andrews / Other Means</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d6e8b373-eca4-4a68-876c-97f405f4107a/Asset+1%401080x.png</image:loc>
      <image:title>Archive - Local Roots, Global Reach: Building the Medina Triennial - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/art-of-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e44dec51-9cf2-4638-9771-68e389a4a8ce/63_Install_MIT+List-Steina+Playback_11%2C24_DarioLasagni_0220.jpg</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Steina, Mynd, 2000, installation view, Steina: Playback, 2024, MIT List Visual Arts Center. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/dffa611b-4865-44bf-9050-a54219a2218d/88_Install_MIT+List-Steina+Playback_11%2C24_DarioLasagni_0293.jpg</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Steina, Lava and Moss, 2000, installation view, Steina: Playback, 2024, MIT List Visual Arts Center. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e84dba42-a229-4439-badf-2d0f84070c4b/55_Install_MIT+List-Steina+Playback_11%2C24_DarioLasagni_0203.jpg</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Steina, Borealis, 1993, installation view, Steina: Playback, 2024, MIT List Visual Arts Center. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bc98a1f2-f484-454f-8add-c7b1c65434bd/82_Install_MIT+List-Steina+Playback_11%2C24_DarioLasagni_0267.jpg</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Steina, Geomania, 1986, installation view, Steina: Playback, 2024, MIT List Visual Arts Center. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ba412578-f8d8-463d-9dd0-9b3bc836265c/Amanda+Besl_UB+CFA+Gallery_001_Full+Res.jpg</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Amanda Besl, Temple of Hortus, 2025, installation view, University at Buffalo Art Galleries. Photo: Nicholas Ostness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6a797d9e-ea1c-48a5-89b5-8901f2feaabe/Amanda+Besl_UB+CFA+Gallery_012_Full+Res.jpg</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Amanda Besl, Temple of Hortus, 2025, installation view, University at Buffalo Art Galleries. Photo: Nicholas Ostness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/557edce6-40a0-4465-a31e-3d9c6cbcbd8a/Steina_LavaandMoss_2000_Still_1.png</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Steina, Lava and Moss (still), 2000. Three-channel high-definition video, color, sound, 15:09 min. Courtesy of the Artist and Berg Contemporary, Reykjavik.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/34c5ccee-1dc8-4ee8-8a98-def6fdbae1f7/Asset+1%401080x.png</image:loc>
      <image:title>Archive - The Art of Landscapes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/sequencebreak</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e5c8b022-9ed9-4a93-bb45-5fece3dad0fe/Installation+photograph+of+Anthology+of+the+Killer+%28Stephen+Gillmurphy%2C+2024%29+%28left%29+and+Black+Room+%28Cassie+McQuater%2C+2017%29+%28right%29.Photograph+by+Nilson+Carroll.JPG</image:loc>
      <image:title>Archive - SEQUENCEBREAK// experimental arcade exhibition review - Make it stand out</image:title>
      <image:caption>(left to right) Stephen Gillmurphy, Anthology of the Killer, 2024. Cassie McQuater, Black Room, 2017. Installation view in SEQUENCEBREAK//, 2025, Visual Studies Workshop. Courtesy of the artists. Photo: Nilson Carroll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3e590fe0-945d-48bf-b402-0d3aff6edcac/Installation+photograph+of+BlueSuburbia+%28Nathalie+Lawhead%2C+2024%29.Photograph+by+Nilson+Carroll.JPG</image:loc>
      <image:title>Archive - SEQUENCEBREAK// experimental arcade exhibition review - Make it stand out</image:title>
      <image:caption>Nathalie Lawhead, BlueSuburbia, 2024. Installation view in SEQUENCEBREAK//, Visual Studies Workshop. Courtesy of the artist. Photo: Nilson Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6b2f847d-ff3b-41ce-99c6-6f9b38a2dda7/Installation+photograph+of+Out+for+Delivery+%28Heart+Street%2C+2020%29+and+BlueSuburbia+%28Nathalie+Lawhead%2C+2024%29.Photograph+by+Nilson+Carroll.B.JPG</image:loc>
      <image:title>Archive - SEQUENCEBREAK// experimental arcade exhibition review - Make it stand out</image:title>
      <image:caption>(left to right) Heart Street, Out for Delivery, 2020. Nathalie Lawhead, BlueSuburbia, 2024. Installation view in SEQUENCEBREAK//, 2025, Visual Studies Workshop. Courtesy of the artists. Photo: Nilson Carroll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ae6a1674-9b5e-4c42-8a85-3c921654a4d6/6.+Cassie+McQuater%2C+installation+photograph+of+Black+Room+in+SEQUENCEBREAK_%2C+2017%2C+video+game.+Courtesy+of+Visual+Studies+Workshop.+Photograph+by+Hernease+Davis.jpg</image:loc>
      <image:title>Archive - SEQUENCEBREAK// experimental arcade exhibition review - Cassie McQuater, Black Room, 2017, video game. Installation view in SEQUENCEBREAK_, 2025, Visual Studies Workshop. Courtesy of Visual Studies Workshop. Photo Hernease Davis.</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f56e87fb-c705-4070-bd52-f2973eb29221/5.+Yuxin+Gao%2C+Lillyan+Ling%2C+Gus+Boehling%2C+and+John+Bruneau%2C+still+from+Out+for+Delivery%2C+2020%2C+video+game.+Courtesy+of+the+artists.jpg</image:loc>
      <image:title>Archive - SEQUENCEBREAK// experimental arcade exhibition review - Make it stand out</image:title>
      <image:caption>Yuxin Gao, Lillyan Ling, Gus Boehling, and John Bruneau, still from Out for Delivery, 2020, video game. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d6e8b373-eca4-4a68-876c-97f405f4107a/Asset+1%401080x.png</image:loc>
      <image:title>Archive - SEQUENCEBREAK// experimental arcade exhibition review - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/boreal-bonds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5848e39f-bc95-4a16-a1da-91f9fdc3e3c0/2025.08.01-2026.01.12_NL_F3L_003.jpg</image:loc>
      <image:title>Archive - Boreal Bonds - Make it stand out</image:title>
      <image:caption>Northern Lights, 2025, installation view, Buffalo AKG Art Museum. Photo: Mark Niedermann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/186726cf-ebda-4297-9712-b211b9841231/2025.08.01-2026.01.12_NL_F3L_001.jpg</image:loc>
      <image:title>Archive - Boreal Bonds - Make it stand out</image:title>
      <image:caption>Northern Lights, 2025, installation view, Buffalo AKG Art Museum. Photo: Mark Niedermann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/95abd9c5-3853-4dcc-a682-f59c6ae8b51a/2025.08.01-2026.01.12_NL_F3L_004.jpg</image:loc>
      <image:title>Archive - Boreal Bonds - Make it stand out</image:title>
      <image:caption>Northern Lights, 2025, installation view, Buffalo AKG Art Museum. Photo: Mark Niedermann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/805800d7-1355-4992-9e2b-3d3b1bae6e8f/2025.08.01-2026.01.12_NL_F3M1_009.jpg</image:loc>
      <image:title>Archive - Boreal Bonds - Make it stand out</image:title>
      <image:caption>Northern Lights, 2025, installation view, Buffalo AKG Art Museum. Photo: Mark Niedermann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/58259de9-8475-440d-baac-e60f4054ef1f/2025.08.01-2026.01.12_NL_F3M1_013.jpg</image:loc>
      <image:title>Archive - Boreal Bonds - Make it stand out</image:title>
      <image:caption>Northern Lights, 2025, installation view, Buffalo AKG Art Museum. Photo: Mark Niedermann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d6e8b373-eca4-4a68-876c-97f405f4107a/Asset+1%401080x.png</image:loc>
      <image:title>Archive - Boreal Bonds - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/curating-belief-at-the-lily-dale-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9318a8f8-9353-41ae-a234-210b9b072ae1/Azur.jpg</image:loc>
      <image:title>Archive - Curating Belief at the Lily Dale Museum - Janet Carlill with the precipitated spirit painting of Azur, Maplewood Hotel. Lily Dale, NY, 2002. © Shannon Taggart, from Séance.</image:title>
      <image:caption>Infinity drawing during Kindergarten Church at Agatha’s. Photo: Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/47d1da49-0bd3-4d1e-8f6e-a396a2f0f0b6/image0-2.jpg</image:loc>
      <image:title>Archive - Curating Belief at the Lily Dale Museum - Make it stand out</image:title>
      <image:caption>Untitled (death scene/transition drawing), date unknown. Attributed to Dr. Clara Barton. Courtesy of the Lily Dale Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4157c816-6bdd-4173-b883-f26123ed1241/Ron.jpg</image:loc>
      <image:title>Archive - Curating Belief at the Lily Dale Museum - Make it stand out</image:title>
      <image:caption>Ron Nagy examining a rare painting of the Fox sisters, National Spiritualist Association of Churches Headquarters, Lily Dale, NY, 2004. © Shannon Taggart, from Séance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f2603c50-e477-4d07-9329-3c7b5a8f6495/Aura.jpg</image:loc>
      <image:title>Archive - Curating Belief at the Lily Dale Museum - Make it stand out</image:title>
      <image:caption>Untitled (aura drawing), date unknown. Attributed to Dr. Clara Barton. Courtesy of the Lily Dale Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/64b59e24-c619-4a39-8d0c-bdb42478b2df/Trumpet.jpg</image:loc>
      <image:title>Archive - Curating Belief at the Lily Dale Museum - Make it stand out</image:title>
      <image:caption>Spirit Trumpet in the Lily Dale Museum,  Lily Dale, NY, 2004. © Shannon Taggart, from Séance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d6e8b373-eca4-4a68-876c-97f405f4107a/Asset+1%401080x.png</image:loc>
      <image:title>Archive - Curating Belief at the Lily Dale Museum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-19</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3886a873-ddbe-4897-ac30-d0ae965b1c3f/cornelia19-1.jpg</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 19 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c89bab24-5ca4-44a0-bfa1-0999606ac114/Asset+1%401080x.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 19 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1c2042df-f3aa-43b6-b43b-ab3330797b93/BICA+Annual+Gala+-+IG+Portrait+version+-+1080x1350px_V2R2.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 19 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/747e1e41-e14b-4774-8d5a-4385d8ea23cf/corneliaad.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 19 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/alt-arts-joys-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/abbb74a2-7148-46b3-b046-4a8d1f43afe8/BronsonSmillie_TheWeatherorSomeotherAccident+by+Colin+Outridge.jpeg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>The entrance to Joys, at 903 Lansdowne Ave, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/31964094-81a6-4b2b-a064-2eb2c0185f3e/DSC07048.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>Danica Pinteric outside Joys, 2025. Photo: Garrett Lockhart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cdb607c0-620b-4b09-b31d-3a9a2a0ffd5f/Alyssa+Alikpala+by+Holly+Chang+2.jpeg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>Alyssa Alikapala, Tracings: in situ, 2023, installation view, Joys. Courtesy of the artist and Joys. Photo: Holly M. Chang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0f8f72a1-5c57-4eca-a9bf-bc4ea554f28c/IMG_1534.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>Fuzzy Logic, 2022, installation view, Joys. Courtesy of the artists and Joys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/77b3d5bf-ad28-495e-b77b-a1b825ab95b0/AA_014.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys</image:title>
      <image:caption>Alyssa Alikpala in Coversation with Joys director Danica Pinteric, 2023. Courtesy of Joys and AGAC. Photo: Ryley Remedios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c69caaef-7420-4945-8ffc-c5d7261a4004/Alyssa+Alikpala+by+Holly+Chang.jpeg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>Alyssa Alikapala, Tracings: in situ, 2023, installation view, Joys. Courtesy of the artist and Joys. Photo: Holly M. Chang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/02dd35ab-baff-4447-b73f-05f432dd8c07/Amy+Ching-Yan+Lam+reading+a+CS+1+by+Garrett+Lockhart.jpeg</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>Café Sprinkle led by Joys and Toronto-based writer &amp; artist baker Claire Geddes Bailey, 2023. Courtesy of Joys. Photo: Garrett Lockhart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4b776ba4-f2d8-421c-bc2d-217100c83fa5/issue+18.png</image:loc>
      <image:title>Archive - Alt-Arts: Danica Pinteric of Joys - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/the-van-gogh-shough</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a3acd7b0-100c-46c1-821a-68cd14a12612/D3F434F1-6DEF-447B-AF94-EC64F08AE137_1_105_c.jpeg</image:loc>
      <image:title>Archive - Immersive Van Gogh in South Buffalo: Donna Oblongata’s The Van Gogh Shogh Calls Attention to the Economic Lives of Artists - Make it stand out</image:title>
      <image:caption>Donna Oblongata, The Van Gogh Shogh, 2024, performance, The Deep End Studios, Philadelphia. Courtesy of the artist. Photo: Josh Yoder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6429c74b-92e4-4df8-9411-5dc315d50ce2/216C5C7D-34C8-4BD4-80B8-F37E0FDA738A_1_201_a.jpeg</image:loc>
      <image:title>Archive - Immersive Van Gogh in South Buffalo: Donna Oblongata’s The Van Gogh Shogh Calls Attention to the Economic Lives of Artists - Make it stand out</image:title>
      <image:caption>Donna Oblongata, The Van Gogh Shogh, 2024, performance, The Deep End Studios, Philadelphia. Courtesy of the artist. Photo: Josh Yoder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/39e10273-3f39-45a5-93d7-195d05098055/900933BA-B718-4243-8318-D1C6516CEDAB_1_105_c.jpeg</image:loc>
      <image:title>Archive - Immersive Van Gogh in South Buffalo: Donna Oblongata’s The Van Gogh Shogh Calls Attention to the Economic Lives of Artists - Make it stand out</image:title>
      <image:caption>Donna Oblongata, The Van Gogh Shogh, 2024, performance, The Deep End Studios, Philadelphia. Courtesy of the artist. Photo: Josh Yoder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6fc5a7ec-e5b8-4c04-aac2-1b978e817082/issue+18.png</image:loc>
      <image:title>Archive - Immersive Van Gogh in South Buffalo: Donna Oblongata’s The Van Gogh Shogh Calls Attention to the Economic Lives of Artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/taffying-god-in-sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/63a280d5-9690-4cb2-a747-4bdbd4fd04f8/02.2+detail.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>Evan Penny, HANGING MARSYAS (detail), 2022, silicone, resin, hair, 46 x 7 x 8 inches. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c77145fb-e2a9-4ca5-9a5b-5dd9308e7fe3/17.+BD-Evan+Penny-017.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>Evan Penny, HOMAGE TO HOLBEIN, 2016. Pigmented silicone, hair, resin, polychromed wood, 12 x 169 x 6 inches. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cdc58522-c254-49e1-b2fc-1b6ba77ed817/24.+BD-Evan+Penny-013.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>MARSYAS AND THE VENETIAN MIRROR, 2024, installation view, Blouin Division Gallery. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7fb1c94d-6d80-4b7c-ac7a-1eaa1e6bfbbd/BD-Evan+Penny-031.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>Evan Penny, HOMAGE TO HOLBEIN (detail), 2016. Pigmented silicone, hair, resin, polychromed wood, 12 x 169 x 6 inches. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ae8d2586-c9cc-4d32-ba8d-910bf0a69fed/30.+BD-Evan+Penny-020.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>MARSYAS AND THE VENETIAN MIRROR, 2024, installation view, Blouin Division Gallery. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4b19d004-9777-4aef-8b0e-d36a20c5ef6d/31.+BD-Evan+Penny-021.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>MARSYAS AND THE VENETIAN MIRROR, 2024, installation view, Blouin Division Gallery. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cffda2bd-a7e9-4322-a897-b8aeae9b1d9c/BD-Evan+Penny-001.jpg</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>Evan Penny, HANGING MARSYAS, 2022, silicone, resin, hair, 46 x 7 x 8 inches. Installation view in MARSYAS AND THE VENETIAN MIRROR, 2024, Blouin Division Gallery. Courtesy of the Artist, Blouin Division Gallery and TrépanierBaer Gallery. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/415609ac-1631-42e1-b199-0501a31d29f4/issue+18.png</image:loc>
      <image:title>Archive - Taffying God in Sculpture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/cityscape-the-shape-of-a-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/66d07d45-e698-4b01-a006-87f78ccbd28d/01_TheShapeOfACity_FranzKaka+.jpg</image:loc>
      <image:title>Archive - Cityscape - Make it stand out</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/feb58449-759d-4efb-acc3-baf155aa63e0/13_TheShapeOfACity_FranzKaka.jpg</image:loc>
      <image:title>Archive - Cityscape - The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/72504185-1f91-474d-b431-a1b6a66313b0/16_TheShapeOfACity_FranzKaka.jpg</image:loc>
      <image:title>Archive - Cityscape - Make it stand out</image:title>
      <image:caption>Alix Vernet, Blue, 2024. Aluminum condenser, window AC unit, Henry Street. 8 x 16 ½ x 2 ¼ inches. Courtesy of the artist and Franz Kaka, Toronto, CA. Photo: LFDocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/80f17e08-5506-4ee8-9cc9-b2aa0d7838b9/09_TheShapeOfACity_FranzKaka.jpg</image:loc>
      <image:title>Archive - Cityscape - Make it stand out</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7ca8657e-a2be-44b7-94f0-d0d08a9fd9ab/11_TheShapeOfACity_FranzKaka.jpg</image:loc>
      <image:title>Archive - Cityscape - Make it stand out</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ba72d5e3-969c-4ac8-b9dd-38aa9035d56f/12_TheShapeOfACity_FranzKaka.jpg</image:loc>
      <image:title>Archive - Cityscape - Make it stand out</image:title>
      <image:caption>The Shape of a City, 2025, installation view, Franz Kaka, Toronto, CA. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c0573cd3-9998-4d6a-bf3e-8219d09bc3a9/issue+18.png</image:loc>
      <image:title>Archive - Cityscape - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/utopia-vs-the-apocalypse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c7f00cd6-e729-482e-b1f3-4dd85fdef55e/7310268413740236810.jpg</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Infinity drawing during Kindergarten Church at Agatha’s. Photo: Kyla Kegler.</image:title>
      <image:caption>Infinity drawing during Kindergarten Church at Agatha’s. Photo: Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8e7f24ad-cd82-43a4-8ef6-0dda34ae5cab/garbage+tour+image1.jpg</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Make it stand out</image:title>
      <image:caption>Lucas Cook and Natalie Hayes leading UB MFA students on a Garbage Tour in September 2023. Photo: Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2a2a700a-e4ff-403a-8933-bff9229dfb2f/Copy+of+IMG_1764+copy.png</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Make it stand out</image:title>
      <image:caption>Lucas Cook, Balancing Act, 2024. Concrete barrier reflector, pinhole film negatives, amazon fire stick hdmi attachment, rhinestones, battery terminal, utility knife casing, wire, string, plastic debris ornaments, 10 x 6 ½ x 1 ½ inches. Courtesy of the artist. Photo: Lucas Cook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/106b56be-3d32-4f32-9d8d-2fdfb87f8f3c/IMG_9278.jpeg</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Make it stand out</image:title>
      <image:caption>Spirit animal clay building during Kindergarten Church at Agatha’s. Photo: Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c0e17d9c-eacb-4ed7-bf10-fbb1d65dba7f/Still+_+Paradise+Episode+4+_+2.png</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Make it stand out</image:title>
      <image:caption>Calla Henkel and Max Pitegoff, Paradise (still), 2020–2022. 6mm film transferred to HD video, 81:42. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c11ebf58-df1b-467f-a07b-2bf78e58fa69/New+Theater+Hollywood%2C+Los+Angeles%2C+2024.jpeg</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Make it stand out</image:title>
      <image:caption>New Theater Hollywood, Los Angeles, 2024. Photo: Calla Henkel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9cdae008-d625-4e6c-b950-c2f52ccd11e4/issue+18.png</image:loc>
      <image:title>Archive - Utopia vs. the Apocalypse in a Post-Market Art Economy - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-18</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ad37d646-b50c-4f75-9ce5-bbfedf06337b/IMG_5759.JPEG</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 18 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e6b972c2-f9da-4469-8ae5-7198672e3c6c/issue+18.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 18 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/747e1e41-e14b-4774-8d5a-4385d8ea23cf/corneliaad.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 18 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/alt-arts-project-underwing-in-the-backyard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/07fc7661-5ab6-43f7-8cda-e730017e027e/09Mane+Pattern+Welch.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Emma Welch, installation view from Mane Pattern, 2022. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d7df7d12-3d8d-483f-b412-204da9df4b37/13Season+Creep+Demers+02.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Laura Demers, installation view from Season Creep, 2024. Photo: Miles Rufelds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/03379d95-bf2e-4027-9a20-cd40a9a150e7/05Watersnakew_Maston.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Sara K. Maston, installation view from Watersnake, 2019. Photo: Daniel Paterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4231cad1-c3be-43ec-bd30-92abf7e44420/06Good+Days+Marin+02.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Carl Marin, installation view from Good Days and Bad Days, 2021. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c0a4a7ac-8b1c-4f62-9d8f-e3289ec16941/10Resemblances+Yu+Fedida+02.png</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Holly Fedida and Jasmin Yu, installation view from Resemblances, 2023. Photo: Garett Lockhart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f4f4d9b6-28e2-4929-8c89-03009358062d/16Season+Creep+Demers.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Laura Demers, installation view from Season Creep, 2024. Photo: Miles Rufelds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/13e03fbd-0574-4ccc-af22-671383df63c3/Issue+17.png</image:loc>
      <image:title>Archive - Alt-Arts: Project Underwing in the backyard - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/after-this-nothing-happened</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1d62e694-4fec-4726-b3fb-2131f58b8f7a/02_DSC_8119.png</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Tracing Threads Through Time: The Artwork of William C. Maggio, 2024-2025, installation view, Burchfield Penney Art Center.  Photo: Tullis Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3d15f04b-084a-4e40-8e86-cec5fef3261c/05_Member-Donor+Preview-4.jpg</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Tracing Threads Through Time: The Artwork of William C. Maggio, 2024-2025, installation view, Burchfield Penney Art Center. Photo: Hope Grunert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a8857f1c-6ba8-4916-a0c6-42be719fd85b/01_DSC_8118.png</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Tracing Threads Through Time: The Artwork of William C. Maggio, 2024-2025, installation view, Burchfield Penney Art Center.  Photo: Tullis Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/20566e57-b948-4bab-b4da-af5d867119f3/04_DSC_8121.png</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Tracing Threads Through Time: The Artwork of William C. Maggio, 2024-2025, installation view, Burchfield Penney Art Center.  Photo: Tullis Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d32ef3b3-bfaa-4e57-a7a0-0d3d7bbbd205/07_Member-Donor+Preview-7.jpg</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Tracing Threads Through Time: The Artwork of William C. Maggio, 2024-2025, installation view, Burchfield Penney Art Center. Photo: Hope Grunert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2ba9fe1b-d08a-4dce-ad09-616d5e86afbd/03_DSC_8120.png</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Tracing Threads Through Time: The Artwork of William C. Maggio, 2024-2025, installation view, Burchfield Penney Art Center.  Photo: Tullis Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7fb62123-ef5b-45ac-a3c1-21d1116f23c1/Issue+17.png</image:loc>
      <image:title>Archive - After This, Nothing Happened - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/in-the-studio-with-z-cecilia-lu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b081a775-be9b-44f3-8498-64cafc2137c2/Image_1_studioshot.JPG</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Photo: Kahly Durst.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/97a46f8d-ce7a-4e3b-957e-e83cc1b6cbb5/IMG_0608.jpg</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Photo courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c48e07e0-6bd6-4b89-8e33-c2188d03cc38/IMG_0625.jpg</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Photo courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/29feea3a-4cf2-4e23-922c-83de1768f52d/IMG_0592.jpg</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Photo courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cc6d83fe-6d1a-42ca-b0eb-1b9d516ffdaa/IMG_0585.jpg</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Photo courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e9e391db-887b-41d2-8185-02370882eeaf/IMG_0586.jpg</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Z. Cecilia Lu, Loam-Foam Cradle II, 2024. Glazed stoneware, paper pulp, foam, 44 × 34 × 16 inches.  Photo courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/22662d86-f94f-47e1-85cb-fbad51d83ac5/Lu_Cecilia_Bottle-Gourd-Requiem.jpg</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Z. Cecilia Lu, Bottle Gourd Requiem, 2023. Glazed stoneware, peach pits, bottle gourd, 20 × 21 × 21 inches.  Courtesy of the artist. Photo: Owen Barensfeld</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6f94d9c1-d892-4c33-a3af-e4ce8c0527e8/Issue+17.png</image:loc>
      <image:title>Archive - In Studio with Z. Cecilia Lu: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/sisyphus-hits-the-town</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0a72ca8c-1961-4d27-9a08-16468964109e/19.CC_Gabrielle+L_Hirondelle+Hill_2024_The+Spider+Plays.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, Language Shoes, 2024. Running shoes, silk thread, blackberry ink, grass ink, Oregon grape ink, wildflower ink, aluminum, 5 × 4.5 × 11 inches (L) 4.5 × 4.5 × 10 inches (R).  Courtesy of Gabrielle L'Hirondelle Hill and Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a0161232-b158-4a0a-a304-cdd09a87e51e/25.CC_Gabrielle+L_Hirondelle+Hill_2024_Spider+Plays.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>The Spider Plays, 2024, installation view, Cooper Cole, Toronto.  Courtesy of Gabrielle L'Hirondelle Hill and Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ee79ebca-f0e5-45ae-b476-ac1fac8e1a20/Tishan+Hsu+ear-screen-skin+with+casts-1.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Tishan Hsu, ear-screen-skin with casts, 2024. Installation view in Interface Remix, 2024, MOCA Toronto.  © 2024 Tishan Hsu Artists Rights Society/New York. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3df83686-8f23-4b62-981e-867b2ba09f5c/7.CC_Gabrielle+L_Hirondelle+Hill_2024_Spider+Plays.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, Language Shoes, 2024. Running shoes, silk thread, blackberry ink, grass ink, Oregon grape ink, wildflower ink, aluminum, 5 × 4.5 × 11 inches (L) 4.5 × 4.5 × 10 inches (R).  Courtesy of Gabrielle L'Hirondelle Hill and Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8c511bb6-d86b-4812-bdd1-117e384e3560/3.CC_Kate+Newby_2024_WHO+IS+THIS+SONG.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>WHO IS THIS SONG?, 2024, installation view, Cooper Cole, Toronto.  Courtesy of Kate Newby and Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d9d43bce-a211-445e-9fb7-9dbd97e300da/CC_Kate+Newby_2017_Let+me+be+the+wind+that+pulls+your+hair-1.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Kate Newby, Let me be the wind that pulls your hair, 2017. Stoneware, 12 × 17 × 13 inches.  Courtesy of Kate Newby and Cooper Cole, Toronto. Photo Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/26ca92ee-1c12-4da3-872f-36647b39e4fb/Installation+View_Comilang_2024_02.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Stephanie Comilang, Bouquets for Paradise, 2024, installation view, Daniel Faria.  Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f6f236a1-b711-47cf-a726-24d58a809e07/Cornelia_Joys_AlisonPostma.png</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Mamu Mifi: Ginger Chimes, 2024, installation view, Joys.  Courtesy of the artists and Joys. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/346f9399-e341-4977-b784-ef5f7fa2a6ef/6.CC_Gabrielle+L_Hirondelle+Hill_2024_Spider+Plays.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Gabrielle L’Hirondelle Hill: The Spider Plays, 2024, installation view, Cooper Cole, Toronto.  Courtesy of Gabrielle L'Hirondelle Hill and Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/323c3936-8195-4457-8c95-5c86f239421c/CC_Gabrielle+L_Hirondelle+Hill_2024_Language+Shoes+-5.jpg</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, Language Shoes, 2024. Running shoes, silk thread, blackberry ink, grass ink, Oregon grape ink, wildflower ink, aluminum, 5 × 4.5 × 11 inches (L) 4.5 × 4.5 × 10 inches (R).  Courtesy of Gabrielle L'Hirondelle Hill and Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a8d01350-7756-4c61-9623-cb7f4e4eea1c/Issue+17.png</image:loc>
      <image:title>Archive - SISYPHUS HITS THE TOWN! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/through-frosted-glass</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/18acb9bc-037b-4b9e-b960-da39b9dd79e8/_AF_4740.jpg</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Joshua Schwebel, Hiding, 2007–2010. Performance ephemera, dimensions variable.  Courtesy of the artist and the Art Museum at the University of Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/058e1527-d4cf-4b9d-a811-b5244f6ca0b2/Untitled-3000C.jpg</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Indiscernible thresholds, escaped veillances, 2024, installation view, Justina M. Barnicke Gallery at the Art Museum at the University of Toronto.  Courtesy of the artist and the Art Museum at the University of Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/77de87c4-c7c8-44b6-b931-2bbd5a81364a/Untitled-18.jpg</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Chelsea Thompto, Fog Lights, 2023. Textured glass, LCD screen, Raspberry PI, code, and 3D printed housing, 2 × 2.5 × 3 inches, duration infinite.  Courtesy of the artist and the Art Museum at the University of Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cb1624ac-44ee-4abc-af5e-76ef79e4d9a6/QT.BOT3%40lucaslarochelle.jpg</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Lucas LaRochelle, Sitting here with you in the future, 2021. Video (still), 08:20.  Courtesy of the artist and the Art Museum at the University of Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cc8c1065-ef1f-48ca-a14a-5e360d59680d/_AF_4757.jpg</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Lan “Florence” Yee in Indiscernible thresholds, escaped veillances, 2024, installation view, Justina M. Barnicke Gallery at the Art Museum at the University of Toronto.  Courtesy of the artist and the Art Museum at the University of Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9f94f362-db4f-40c1-9755-e7ea83b48577/Untitled-2B.jpg</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Danielle Brathwaite-Shirley, WE ARE HERE BECAUSE OF THOSE THAT ARE NOT/blacktransarchive.com, 2020-2022. Interactive archive, duration variable.  Courtesy of the artist and the Art Museum at the University of Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f35532a4-b00a-4433-b365-76249c4d8c83/Issue+17.png</image:loc>
      <image:title>Archive - Through Frosted Glass - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/critical-investigation-wayfinding-in-delaware-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c7a6bbd7-3224-473b-8ec0-d5ec0720cd9c/2024.06.27_Bass_091.jpg</image:loc>
      <image:title>Archive - Critical Investigation: Wayfinding in Delaware Park - Make it stand out</image:title>
      <image:caption>Chloë Bass, Wayfinding, 2024. Courtesy of the Artist and Buffalo AKG Art Museum. Photo: Brenda Bieger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/65bf6c31-220f-4358-8569-5055dc28da87/2024.06.27_Bass_045.jpg</image:loc>
      <image:title>Archive - Critical Investigation: Wayfinding in Delaware Park - Make it stand out</image:title>
      <image:caption>Chloë Bass, Wayfinding, 2024. Courtesy of the Artist and Buffalo AKG Art Museum. Photo: Brenda Bieger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e0b99a50-2664-473e-b61e-a7cf0bc02693/2024.06.27_Bass_051.jpg</image:loc>
      <image:title>Archive - Critical Investigation: Wayfinding in Delaware Park - Make it stand out</image:title>
      <image:caption>Chloë Bass, Wayfinding, 2024. Courtesy of the Artist and Buffalo AKG Art Museum. Photo: Brenda Bieger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/adadef27-7bfe-4e73-8dce-2ca5f38a07f8/2024.06.27_Bass_039.jpg</image:loc>
      <image:title>Archive - Critical Investigation: Wayfinding in Delaware Park - Make it stand out</image:title>
      <image:caption>Chloë Bass, Wayfinding, 2024. Courtesy of the Artist and Buffalo AKG Art Museum. Photo: Brenda Bieger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b0016d64-322b-48cf-960a-b1017d66060a/Issue+17.png</image:loc>
      <image:title>Archive - Critical Investigation: Wayfinding in Delaware Park - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a8b0700d-e4e5-40cd-9001-71aece0a6179/2024.06.27_Bass_034.jpg</image:loc>
      <image:title>Archive - Critical Investigation: Wayfinding in Delaware Park - Make it stand out</image:title>
      <image:caption>Chloë Bass, Wayfinding, 2024. Courtesy of the Artist and Buffalo AKG Art Museum. Photo: Brenda Bieger.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-17</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4ae6b8b7-2389-4ee8-9022-de632df13d8e/cornelia-1.jpg</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 17 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/011c5fc2-4fef-45c8-94c5-296368fc3f83/Issue+17.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 17 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/747e1e41-e14b-4774-8d5a-4385d8ea23cf/corneliaad.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 17 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/altarts4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bfa53865-3144-469f-84e0-e0371a80cde7/Hearth+1.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>Misbah Ahmed, Dalmatians Running, 2019- 2024. Glazed ceramic, 11 ¼ × 10 inches.  Courtesy of the artist &amp; Hearth. Photo: Philip Leonard Ocampo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/10b36d07-0160-4e06-b6d9-7bd0e7827610/Hearth+4.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>L-R: Hearth members Philip Leonard Ocampo, Rowan Lynch, Benjamin de Boer, and Sameen Mahboubi in front of New Strata II. Polaroid, April 27th, 2024.  Photo: Atanas Bozdarov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ccd3658b-5bc5-4263-8622-ce4a656f212f/Hearth+3.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>New Strata, 2019, installation view, Hearth.  Photo: Philip Leonard Ocampo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e4e601ea-3a1d-426c-9541-683b3255b541/Hearth+2.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>New Strata II, 2024, installation view, Hearth.  Photo: Philip Leonard Ocampo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2e67eaa2-6a5b-4827-99d8-a3933835acf8/Hearth+5.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>Cadence Planthara, Pearls in the wall, 2019-2014. Freshwater pearls.  Courtesy of the artist &amp; Hearth. Photo: Philip Leonard Ocampo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8da61081-4b58-4c07-af64-85e853b9c80b/Hearth+6.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>Shannon Garden Smith, Woven Stone, 2020-2024. Drilled stones, steel wire, 115 × 24 × 24 inches.  Courtesy of the artist &amp; Hearth. Photo: Philip Leonard Ocampo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a50d5a3d-ffa9-4d2c-9cda-ef8edce0f97f/Asset+2.png</image:loc>
      <image:title>Archive - Alt-Arts: Hearth Foursome - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/wilhelminagodfreyiamwhatiam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3a03c5be-c9f8-482a-a327-db3afb2fe46e/Copy+of+Wilhelmina+2+.jpg</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>DK Winebrenner, Wilhelmina Godfrey with her work Composition I, c. 1969. Photograph on paper, 9 ¼ × 5 inches. Courtesy of the Burchfield Penney Art Center Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2c20572c-a917-414e-831f-6eb83d7f8d5d/Copy+of+Wilhemina+1.jpg</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>DK Winebrenner, Five of the Six: James Pappas, Allie Anderson, Clarence Scott, Hal Franklin, Wilhelmina Godfrey. Missing is Donald Watkins, 1968. Photograph on paper, 8 ⅛ × 8 inches. Courtesy of the Burchfield Penney Art Center Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/269062ea-9276-4fef-8ce0-304cf19eac03/Copy+of+Wilhelmina+3.jpg</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Wilhelmina Godfrey, City Playground, 1949-50. Wax emulsion and oil on board, 44 × 38 inches. Courtesy of Burchfield Penney Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/dd62d49c-8e2b-464f-9a59-9b2c2e20e5f7/Copy+of+Wilhelmina+4+.jpg</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Wilhelmina Godfrey, Face Fetish, c. 1970. Wool, glass, wood and plastic beads, polyester stuffing, metal rod, 42 ½ × 14 ¼ × 1 ¼ inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0af2158a-b048-4f68-a927-dd35ce0744b3/Copy+of+Wilhelmina+6+.jpg</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Wilhelmina Godfrey, Woman #3 [slide documentation], 1976. Stitchery, wool beads, 22 × [unknown] inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d9d8febb-3c01-4245-b7db-97765e7b2187/Copy+of+Wilhelmina+5+.jpg</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Wilhelmina Godfrey, Sint Maarten, 1989. Acrylic on canvas, 24 × 36 inches. Courtesy of The M&amp;T Bank Collection at the Burchfield Penney Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/deafd0a2-24f5-43de-a8a2-aa7ab76aff4e/Asset+2.png</image:loc>
      <image:title>Archive - Wilhelmina Godfrey: I am what I am&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/privatizingchildhood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6adf291b-8e4b-4747-8786-9ad0479d552d/alison+2.jpg</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>Alison Cortes, Kids’ Table, 2024, installation view, C. Stuart &amp; Jane H. Hunt Art Gallery.  Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ade14591-6999-4f89-835a-74056f854d8e/alison+1.jpeg</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>Alison Cortes, Nana’s Pantry (detail), 2024. Crochet textile, canvas, embroidery thread, felt, beads, acrylic, oil pastel, 28 × 28 inches.  Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/84a9994b-9fb7-4ce9-a5fd-3f206329d90b/wavy+2.jpg</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>wavy, Kids’ Table, 2024, installation view, C. Stuart &amp; Jane H. Hunt Art Gallery.  Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8455eda8-4550-4811-b6af-989e5a915a75/wavy+1.jpg</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>wavy, transitional object: thinning veil, 2024. Distressed hospital baby blankets, upcycled cotton shirt, thread, styrofoam, newspaper, duct tape, plaster bandages. 40 × 11 × 12 inches.  Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d19f2508-9199-4ebf-9f32-f1998e2e2b9c/alison+3+.jpg</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>Alison Cortes, Kids’ Table, 2024, installation view, C. Stuart &amp; Jane H. Hunt Art Gallery.  Photo: Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/74baaa95-d45e-4c0c-bc55-1380d7bf5c7f/wavy+3.jpg</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>wavy, where does the tooth fairy keep all of our teeth?, 2024. Upcycled denim, fiber scraps, thread. 20 × 29 × 6 inches.  Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9f9182dd-3865-4e6d-8f5b-3983edb9e144/Asset+2.png</image:loc>
      <image:title>Archive - Privatizing Childhood - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/fluorescentgrayandblighteddesign</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1a47c738-fbe8-4609-be2b-cc7a2b97e259/alex+4.jpg</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Silent Terminalia, 2024, installation view, The Buffalo Institute for Contemporary Art.  Photo: Alex Boeschenstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/37006b8a-4b53-40b4-aa51-2899bf531ff9/alex+1.jpg</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Silent Terminalia, 2024, installation view, The Buffalo Institute for Contemporary Art.  Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fd8c3d83-c295-44b2-84c9-8fd5c9af98b9/alex+6.jpg</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Silent Terminalia, 2024, installation view, The Buffalo Institute for Contemporary Art.  Photo: Alex Boeschenstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9b3f711e-fb45-4464-a7f2-2ddfd6578d86/alex+2.jpg</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Silent Terminalia, 2024, installation view, The Buffalo Institute for Contemporary Art.  Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/35c7f9ae-3883-4ddb-8972-fb381c974fae/alex+5.jpg</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Silent Terminalia, 2024, installation view, The Buffalo Institute for Contemporary Art.  Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8573e19a-adce-49fa-b44e-97e553a51759/alex+3.jpg</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Alex Boeschenstein, Boundary Markers, 2021–2024. Pine, MDF, steel, plastic. Courtesy of the artist and The Buffalo Institute for Contemporary Art. Photo: Alex Boeschenstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/51ecf766-d805-4d65-aa6d-9d2dbf186b5e/Asset+2.png</image:loc>
      <image:title>Archive - Fluorescent Gray and Blighted Design - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/deferredpromise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7038a7dd-cd85-42a2-8e17-eb2183ce59fb/a6.jpg</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Intravenous Dove, 2024, installation view, Blouin Division, Toronto.  Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2eb18a6a-03cc-486f-89b3-c703539635e6/a1.jpg</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Intravenous Dove, 2024, installation view, Blouin Division, Toronto.  Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/96d67abc-a821-4932-8300-a7be997007fd/a2.jpg</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Andrew Harding, Sky Piercer 1, 2023. Steel, leather headrests, 3D print, 68 × 27 × 15 ½ inches. Courtesy of Blouin Division, Toronto. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ce96222d-3b87-4e00-a26b-91a238e80802/a5.jpg</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Andrew Harding, Skyworks, 2024. Frosted acrylic, custom decals, 11 × 15 inches. Courtesy of Blouin Division, Toronto. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e49616b3-693a-4d4f-afae-9cf15c9a315c/Asset+2.png</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a3a018e2-0e18-4b55-aa09-1c774573975a/a4.jpg</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Andrew Harding, Intravenous Dove Armour, 2023. 3D print, chrome paint, 9 × 12 inches. Courtesy of Blouin Division, Toronto. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/306a3bb2-af4f-47a2-9eaa-8be9ff2afb52/a3.jpg</image:loc>
      <image:title>Archive - Deferred Promise - Make it stand out</image:title>
      <image:caption>Andrew Harding, Dovetail, 2024. Frosted acrylic, custom decals, 11 × 15 inches. Courtesy of Blouin Division, Toronto. Photo: LF Documentation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-16</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/31218550-48c4-47b2-a6bc-2646a8497175/cornelia16-1.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 16 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d8090f03-c042-452a-937b-be4b0ce7fe9b/Asset+2.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 16 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1214e0de-3789-4068-9d7a-5a170b7d2aee/ArtToronto24_300x600_b.gif</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 16 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/altarts3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/219990e5-83a9-406f-a37e-377c8730933f/ParkdalePush.jpg</image:loc>
      <image:title>Archive - Alt-Arts: The Public Studio on Lansdowne Avenue - Make it stand out</image:title>
      <image:caption>Oasis Skateboard Factory, Parkdale Push, installation view, The Public Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0c24dbfb-6af5-44e7-984e-a08e62b46add/CommonThreads.jpg</image:loc>
      <image:title>Archive - Alt-Arts: The Public Studio on Lansdowne Avenue - Make it stand out</image:title>
      <image:caption>The Public Studio, Common Threads, 2016, installation view, The Public Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cf926073-b6e7-43d1-891b-20e9ca62f110/IMG_1273.JPG</image:loc>
      <image:title>Archive - Alt-Arts: The Public Studio on Lansdowne Avenue - Make it stand out</image:title>
      <image:caption>Sheila Sampath, Conditional Design Workshop. Installation view, The Public Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/53764a09-777f-457e-9262-b8ccc056237a/GentrificationTaxAction.JPG</image:loc>
      <image:title>Archive - Alt-Arts: The Public Studio on Lansdowne Avenue - Make it stand out</image:title>
      <image:caption>Gentrification Tax Action (GTA), Gentrification Tax, installation, The Public Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4b78b0fe-9217-4efe-b408-38630aa317be/ArtAndTomatoes.jpg</image:loc>
      <image:title>Archive - Alt-Arts: The Public Studio on Lansdowne Avenue - Make it stand out</image:title>
      <image:caption>Tzazn. and Queso, Art and Tomatoes, 2017, installation view, The Public Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3515a358-6972-4ee0-9c02-da2d79683cb4/Issue+15+Graphic.png</image:loc>
      <image:title>Archive - Alt-Arts: The Public Studio on Lansdowne Avenue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/ctrl-art-divine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/443c6ef2-7f8f-40a7-a004-3aed3a18ffcf/lhunter-26.jpg</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Lee Hunter, Snake Quilt; A time of Pandemic; To steady oneself; Temple of Light Collection (detail), 2020-24. Fabric, batting, and thread, 96 x 85 inches. Courtesy of the artist &amp; the Buffalo Institute for Contemporary Art. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fb8e680c-8bd4-437c-8407-7d6f8db98fcb/D6E799F9-450A-433B-A192-C5766A8A4653.jpeg</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Shyanna Merced, Testimony, 2024. Pigment stick and paper on unstretched and unprimed canvas, 84 x 72 inches. Courtesy of the artist &amp; Agatha Falls. Photo: Maggie Novak.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/285a2c14-d016-4b70-ba24-c6b0391b75ea/B7950747-AC66-41C8-8DC0-C502BEC0AD6B.jpeg</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Julia Dzwonkoski, Shyanna Merced, Paul Knopf, AF #1: False Idols, 2024. Installation view, Agatha Falls. Photo: Maggie Novak.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3b361b08-fb1b-4238-9275-2b6530f72503/lhunter-1.jpg</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Lee Hunter, Hermetic Drift, 2024. Installation view, the Buffalo Institute for Contemporary Art. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6cb9b203-e826-4bb6-96a7-956f9b438983/ITEWBOA_CyberWar+%281%29.png</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Christopher Micheal, In the End We Become Our Avatars (still), 2023. Video, 19:31. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/345079c9-cf8e-4892-ae28-03ffe41a8815/ITEWBOA_ComputerLabrynth+%281%29.png</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Christopher Micheal, In the End We Become Our Avatars (still), 2023. Video, 19:31. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/933da845-ba40-47d8-a30a-415de3d1f6a7/Issue+15+Graphic.png</image:loc>
      <image:title>Archive - Ctrl + Art + Divine - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/erraticbehavior</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a4952783-debf-41e1-9026-5abb798ff523/SELECT03_HAF__4.jpg</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Erratic Behavior, 2024, installation view, Kitchener-Waterloo Art Gallery. Photo: Toni Hafkenschield, courtesy of KWAG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/26739db9-3818-46d4-810d-ab7e95f5121b/SELECT01_HAF__2.jpg</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Erratic Behavior, 2024, installation view, Kitchener-Waterloo Art Gallery. Photo: Toni Hafkenschield, courtesy of KWAG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9b5d9469-0deb-4f35-b433-40d8d29ed37f/SELECT02_HAF__3.jpg</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Erratic Behavior, 2024, installation view, Kitchener-Waterloo Art Gallery. Photo: Toni Hafkenschield, courtesy of KWAG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/48d10d86-26b0-413a-9f9e-9e6284a0a220/Screenshot+2024-05-11+at+3.35.47+PM.png</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Meghan Price, Every Body is Moving, 2015-ongoing. Postcards from artist's collection, dimensions variable. Courtesy of the artist. Photo: Toni Hafkenschield, courtesy of KWAG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a92567b3-4d09-4fc9-8891-b2ecbb8619aa/Screenshot+2024-05-11+at+3.38.50+PM.png</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Tsēmā Igharas, high-grade copper anomalies, 2015-ongoing. Courtesy of the artist. Photo: Toni Hafkenschield, courtesy of KWAG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/37df0abe-3a82-4a1f-a717-6fb9c3826e6c/SELECT05_e_03.LMooreFutureFossilLS1655.jpg</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Laura Moore, LS1655, 2021. Hydrocal gypsum cement and gouache, 7 x 4 x 5 1/2 inches. Courtesy of the artist. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3977f22e-5ad6-48b4-94bb-b0a3b25d5a0d/Issue+15+Graphic.png</image:loc>
      <image:title>Archive - Erratic Behavior: - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/allworknoplay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/92855387-306e-4664-a255-592ff54d724f/Playthings_Documentation_2-9.jpg</image:loc>
      <image:title>Archive - All Work No Play - Make it stand out</image:title>
      <image:caption>Playthings, 2024, installation view, Fosdick-Nelson Gallery, Alfred University. Photo: Lindsay Richardson and Aly Palermo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c02e8b25-bcd7-404e-a0b0-12037389b5a8/Playthings_Documentation_2-16.jpg</image:loc>
      <image:title>Archive - All Work No Play - Make it stand out</image:title>
      <image:caption>Playthings, 2024, installation view, Fosdick-Nelson Gallery, Alfred University. Photo: Lindsay Richardson and Aly Palermo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/86d48b16-aa76-41e0-ac81-f28391876763/Playthings_Reception_2-1.jpg</image:loc>
      <image:title>Archive - All Work No Play - Make it stand out</image:title>
      <image:caption>Robert Yang, Tearoom, 2017, video game made in Unity, installation view in Playthings, 2024, Fosdick-Nelson Gallery, Alfred University. Photo: Lindsay Richardson and Aly Palermo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cee9784f-c5dc-4254-bee4-c4bd0ff1186e/Playthings_Documentation_2-13.jpg</image:loc>
      <image:title>Archive - All Work No Play - Make it stand out</image:title>
      <image:caption>Playthings, 2024, installation view, Fosdick-Nelson Gallery, Alfred University. Photo: Lindsay Richardson and Aly Palermo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9d629f12-02be-42eb-8d75-62789a08362f/Playthings_Reception_2-7.jpg</image:loc>
      <image:title>Archive - All Work No Play - Make it stand out</image:title>
      <image:caption>Ban Patterson, Pond, 1962, facsimile of score, vinyl floor decal, wind-up frogs, performers. Installation view in Playthings, 2024, Fosdick-Nelson Gallery, Alfred University. Photo: Lindsay Richardson and Aly Palermo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4f587ffd-9019-4d6b-b48c-93dae6d45ab8/Issue+15+Graphic.png</image:loc>
      <image:title>Archive - All Work No Play - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/phillisthompson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b406e1bd-55dd-40fc-a2d0-d08a4d61935c/Photo+1.jpg</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Phyllis Thompson, Parade, 1987. Offset lithograph collage, 23 1/2 x 35 1/2 inches. Courtesy of the artist. Photo: Aitina Fareed- Cooke, Get Fokus'd Productions, Creatives Rebuild New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6fbf2836-31ed-44b7-a921-a95d1b57df18/Photo+7.jpg</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Phyllis Thompson, Ancestors, 2024, installation view, Evolving Memories, Buffalo Arts Studio. Photo: Christina Buscarino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/65f7bd4c-2716-4a73-add6-25dc7364f908/Photo+5.jpg</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Phyllis Thompson, Ancestors, 2024, installation view, Evolving Memories, Buffalo Arts Studio. Photo: Christina Buscarino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d8ee4017-47b4-478f-9445-2efade6cff77/Photo+4a.jpg</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Phyllis Thompson, Ancestors, 2024, installation view, Evolving Memories, Buffalo Arts Studio. Photo: Christina Buscarino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c5d79632-27d3-4e25-956b-8fbd03328912/Issue+15+Graphic.png</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/efea0b8f-7541-4e1f-ab6c-b7db17b706f8/Photo+3.jpg</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Phyllis Thompson, Untitled 11, 1987, vegetable print, 30 x 22 inches. Courtesy of the artist. Photo: Aitina Fareed- Cooke, Get Fokus'd Productions, Creatives Rebuild New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8344132f-6dcd-47c0-8cd7-70b6dad33314/Photo+8.jpg</image:loc>
      <image:title>Archive - Memories, Conversations, &amp;amp; Reflections - Make it stand out</image:title>
      <image:caption>Phyllis Thompson, Art Park 2, 1976. Serigraph, 17 x 23 inches. Courtesy of the artist. Photo: Aitina Fareed- Cooke, Get Fokus'd Productions, Creatives Rebuild New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-15</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a0acada9-5aab-4903-8393-a82c6a2c0ba4/Cover+Shot.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 15 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5d9cc6ab-30ec-469a-99d7-41d4ca381b18/Issue+15+Graphic.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 15 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/altarts2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4d9fd8a4-2b2e-40b4-9a20-d8fdf7be5a64/20231202_164725.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>Ginette’s organized chaotic workspace complete with a bold yellow pass-through window.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0aa33709-6b27-4a46-8252-1951b8b1af74/toutouneedits-1.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>Ginette's point of view of Toutoune from behind the beaded curtain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/75fdcb6b-f9cf-4c65-a332-c0f48159a366/toutouneedits-2.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>View of the gallery’s right wall with colorful shelves full of artwork from various artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a93faea8-278b-45b5-ab76-81c884818058/20231202_164656.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>View of Toutoune from the visitor’s entry point.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/14f8e82e-a99a-403c-8d52-42737dae28f8/20231102_122351.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>Ginette poses in front of a sticker covered mirror near a cradle of crocheted garments &amp; a jewelry case.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c48ed014-dbe0-4f91-9f76-23e03e4b7207/20231102_153855.jpg</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>Toutoune’s bright blue table housing trays of 2d works such as small canvases, stickers, prints and more.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Archive - Alt-Arts: Ginette Lapalme and Toutoune Gallery &amp;amp; Shop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/theineffabilityofblue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7a21e54f-e02d-4432-a7ee-f4fda75c2bcd/AVTBW_Documentation_-1.jpg</image:loc>
      <image:title>Archive - The Ineffability of Blue - Make it stand out</image:title>
      <image:caption>Leila Fatemi, Untitled, 2022. Screenprint on canvas, cyanotypes on canvas, thread. 21” x 30” Courtesy of the artist. Photo: Leila Fatemi ** Unfortunately, this image was wrongly credited in print. Our sincerest apologies to the artist, Leila Fatemi. The caption above has been corrected.**</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0c2f3727-07c7-48e4-aee9-6443e0163b08/10_AVesselToBendWater_Fatemi.jpg</image:loc>
      <image:title>Archive - The Ineffability of Blue - Make it stand out</image:title>
      <image:caption>Leila Fatemi, An ode to an echo that lingers in my ear, 2021. Cyanotypes on watercolor paper.  Various sizes. Courtesy of the artist. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1705884968275-9TYI0K9DJS14SHUFILLJ/3_Tyrie_Gabrielle.jpg</image:loc>
      <image:title>Archive - The Ineffability of Blue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1705884971379-7HSQM9256CN2FQ0V1YB1/4_Tyrie_Gabrielle.jpg</image:loc>
      <image:title>Archive - The Ineffability of Blue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a29fa51a-8add-405d-bda4-21e15dc9317a/The+Deceiving+Eye+1.jpg</image:loc>
      <image:title>Archive - The Ineffability of Blue - Make it stand out</image:title>
      <image:caption>Ron Siu, The Deceiving Eye (still), 2023. Experimental cyanotype print animation including elements of AI image generation. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Archive - The Ineffability of Blue - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fb0c4ae2-d47e-4e46-adea-f69f8967c55b/The+Deceiving+Eye+8.png</image:loc>
      <image:title>Archive - The Ineffability of Blue - Make it stand out</image:title>
      <image:caption>Ron Siu, The Deceiving Eye (still), 2023. Experimental cyanotype print animation including found graphics of computer-rendered forms from 90s early 3D video games. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/deathandtheartist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a1c5ea4b-f9d3-41b9-94de-3f5f71a62ccc/2016_PortlandBridges04.jpg</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Max Collins, untitled (Portland Bridges), 2016. 35 mm photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/038fc6a2-61d0-4ffa-a61b-c78e46a5ed2b/2023_Memorial+Walk+%2B+Workshops5.jpg</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Photograph of memorial walk installation created at Max Collins Dougy Center Memorial Art Workshops, 2019. Courtesy of the artist. Photo by Max Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8a67da38-a28e-4ed9-95b1-a38b8dc5c238/2023_Memorial+Walk+%2B+Workshops4.jpg</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Close up of completed memorial artwork from Max Collins Dougy Center Memorial Art Workshops, 2019. Courtesy of the artist. Photo by Max Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/13e41bf1-392f-4b29-9501-efef08d5ae43/MaxCollins_LastExit_06.jpg</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Max Collins, rien ne se crée (from the exhibition ‘Last Exit’), 2015. Tree branches wrapped in paper. Appx. 12 ft x 8 ft x 8 ft. Courtesy of the artist. Photo by Max Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6e725e8f-a679-44bf-97f9-72dcb9fb6498/HallowStudios_Murals_028.jpg</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Max Collins, Memorial Mural of Roberto Clemente, 2015. Courtesy of the artist. Photo by Max Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ec828c6a-fe61-401f-95ef-93c55ba53b6d/PhotobyPatCray.JPG</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>The artist photographed by Pat Cray. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/62033237-6522-49f1-a93e-b1aa679f1200/2023_11_2_seth.jpg</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Max Collins, Faces Of Springville (Seth), 2023. Digital Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Archive - Death and the Artist - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/arqueologa-nostlgica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d663a85d-02ab-47ab-a052-33ef4cb20a61/IMG_4470.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin: Pupila, 2023, installation view, Two Seven Two Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e81ebc52-1185-4cc0-9cb1-b17759bcdaf0/IMG_4524.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin, Elizabeth Burmann Littin, misty-eyed, 2023. Mussel shells, glass, water, steel and solder. 57 x 25 x 15 inches. Photo: LF Documentation. Courtesy of the artist and Two Seven Two Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/126c3474-1b84-44b1-9d69-1064b9d30693/IMG_4400.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin, Jardín de mariscos, 2023. Steel, mussels shells, lobster carcasse, spiny oyster shell, glass, biomaterials, debris. Approx. 48 x 5 x 1 inches. Photo: LF Documentation. Courtesy of the artist and Two Seven Two Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5f4ed7bf-f901-406e-a835-48d6d870f37f/IMG_4426.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin, Erizo vitral, 2023. Sea urchin shell from Ventanas, glass, biofilms and plastic debris encapsulated. Dimensions variable. Photo: LF Documentation. Courtesy of the artist and Two Seven Two Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f4728867-4ca0-466c-a78e-6518cb874f07/IMG_4486.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin, Cyano chain, 2023. Stained glass, debris. 58 x 3.5 x 2 inches. Photo: LF Documentation. Courtesy of the artist and Two Seven Two Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5659fb48-fc7a-4ee3-8d7f-057c2f411d2b/IMG_4494.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin, Beso vegetal, 2023. Steel, silicone, stained glass, metal debris. Dimensions variable. Photo: LF Documentation. Courtesy of the artist and Two Seven Two Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b12aa23b-533e-431f-8834-b23d08bdf0a9/IMG_4396.jpg</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Elizabeth Burmann Littin: Pupila, 2023, installation view, Two Seven Two Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Archive - Arqueología Nostálgica - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/crisisoftrust</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f68d4174-ec74-4c4a-b940-85b2f3037552/LeK001_detail2_300.jpg</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Leonardo Kaplan, Them That Follow, 2023. Acrylic toner transfer, marker, dye, pen, pencil, and crayon on canvas. 32 x 26 inches.  Courtesy of the artist and Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/aac9ca30-a914-444c-9778-06bf6f6f9c47/LeK002_detail2_300.jpg</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Leonardo Kaplan, Apomixis, 2023. Acrylic toner transfer, marker, and dye on canvas. 46 x 21 3/4 inches.  Courtesy of the artist and Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ab246ea8-7f0a-4986-b313-c928e7e7eeed/LeK070809_TearsHeaven_300.jpg</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Leonardo Kaplan, Tears in Heaven (I, II, &amp; III), 2023. Toner and tape on paper. 21 x 15 1/8 inches each. Courtesy of the artist and Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b919ce27-271c-4344-9904-06918b1a06bf/LeK006_right_300.jpg</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Leonardo Kaplan, Emotional Chemical, 2023. Acrylic toner transfer, marker, pen, pencil, dye, and crayon on canvas. 44 x 28 inches. Courtesy of the artist and Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cc269ea9-7288-4b1b-ba9f-8756689ea3a1/Kaplan_CitricFrag_Install1_300.jpg</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Leonardo Kaplan: The Citric Fragment, 2023, installation view, Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f4b5d6c3-161e-4239-9c77-2429421bbaaf/Kaplan_CitricFrag_Install5_300.jpg</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Leonardo Kaplan: The Citric Fragment, 2023, installation view, Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Archive - Crisis of Trust - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-14</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1706206850948-8URIF78EY0Q6JML35MXX/Untitled+%287%29.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 14 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Archive - Letter from the Editor – Issue 14 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/queersoftorange</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/653a84fa-5899-49b7-bdcf-f453e9ea2460/Screen+Shot+2023-09-08+at+6.13.22+PM.png</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Alison Postma. Courtesy of the plumb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b058732c-948a-4255-81b1-5ff800411e90/Copy+of+IMG_8598.jpg</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Alison Postma. Courtesy of the plumb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d0f05f65-5f4f-4f55-97bf-925f8194874b/QSO+x+Cornelia+03.jpg</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Tyler Matheson. Courtesy of Queer Soft Orange.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/01e1a486-8f4f-4668-aa65-b04b1c181dd9/QSO+x+Cornelia+08.jpg</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Tyler Matheson. Courtesy of Queer Soft Orange.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7ca51e7f-2c26-435c-98db-62bf84bd03b0/Copy+of+IMG_9007.jpg</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Alison Postma. Courtesy of the plumb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/dacf50b5-3acb-42f5-8142-b363e8955982/Copy+of+IMG_8671.jpg</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Alison Postma. Courtesy of the plumb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b5ca7d9f-a5f5-4d10-bc70-52526fd06af5/Copy+of+IMG_8618.jpg</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Queer Soft Orange, bad 2 the bone, 2023. Photo: Alison Postma. Courtesy of the plumb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/82f61ce4-8228-4138-a4fa-49659902c318/Icon_13.png</image:loc>
      <image:title>Archive - (Re)materializing Ephemera from Toronto’s Queer Nightlife - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/peterjemison</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/85b9e7a8-3afe-4903-a671-5bf6b1b0b7a2/Screen+Shot+2023-09-08+at+5.22.59+PM.png</image:loc>
      <image:title>Archive - Hidden Territories - Make it stand out</image:title>
      <image:caption>G. Peter Jemison, Dried Geometry, 2005. Oil and acrylic on stretched canvas, 48 x 36 x 1 7/8 inches. Collection Buffalo AKG Art Museum. Courtesy of the Seneca Gaming Corporation and the Seneca Nation, 2022. © G. Peter Jemison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/df6b83bb-0f94-49e2-b6d0-2609ba1942f5/Threading+the+Needle+1.jpeg</image:loc>
      <image:title>Archive - Hidden Territories - Make it stand out</image:title>
      <image:caption>G. Peter Jemison, Threading the Needle in Black, White, and Red, 1997. Mixed media on paper bag, 14 x 6 x 8 3/4 inches. Courtesy of the artist and K Art. © G. Peter Jemison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1694208339162-ZW459LSZBBJET5PI8L9C/pjemison-2.jpg</image:loc>
      <image:title>Archive - Hidden Territories</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1694208339190-7UK1YN3W3VDRNVRWVHLH/pjemison-1.jpg</image:loc>
      <image:title>Archive - Hidden Territories</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0877a4d7-98c1-46fa-86cc-60978b7a0df1/Jeanette2.jpeg</image:loc>
      <image:title>Archive - Hidden Territories - Make it stand out</image:title>
      <image:caption>G. Peter Jemison, Jeannette (detail), 2002. Mixed media on paper bag. Courtesy of the artist and K Art. © G. Peter Jemison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/92becbb1-ca15-410f-b8ec-a12646af89a4/Icon_13.png</image:loc>
      <image:title>Archive - Hidden Territories - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e1d781ed-9bb5-43a7-abde-fd25740569f2/G.+Peter+Jemison+Headshot.jpg</image:loc>
      <image:title>Archive - Hidden Territories - Make it stand out</image:title>
      <image:caption>G. Peter Jemison (Seneca, Heron Clan), Artist, Curator, Historian, Educator. Photo: Tina MacIntyre-Yee, Rochester Democrat and Chronicle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6f09e842-ec3e-45cc-8050-a640d672eb3a/D+Train1.jpeg</image:loc>
      <image:title>Archive - Hidden Territories - Make it stand out</image:title>
      <image:caption>G. Peter Jemison, D Train, 1979. Mixed media on paper envelope ,14 1/2 x 11 1/2 inches. Courtesy of the artist and K Art. © G. Peter Jemison.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/jacobtoddbroussard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ba6c062d-93e7-467e-a8e2-bb6baad7a8d2/TowardsGallery_JTB_A18.jpg</image:loc>
      <image:title>Archive - JACOB TODD BROUSSARD:AFTERS AT TOWARDS GALLERY - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard, Palimpest, 2023. Acrylic and flashe on canvas, 54 x 48 inches. Photo: LFDocumentation. Courtesy of the artist &amp; Towards Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a4217e9b-39aa-4467-ab89-88ec0c0ee0af/Screen+Shot+2023-09-07+at+6.48.55+PM.png</image:loc>
      <image:title>Archive - JACOB TODD BROUSSARD:AFTERS AT TOWARDS GALLERY - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard: Afters, 2023, installation view, Towards Gallery. Photo: LFDocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0b8eae24-4091-4a6b-981a-6bd8b41d18f0/Screen+Shot+2023-09-07+at+7.00.26+PM.png</image:loc>
      <image:title>Archive - JACOB TODD BROUSSARD:AFTERS AT TOWARDS GALLERY - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard, A Prior Owner, 2023. acrylic and flashe on linen over panel, 36 x 24 inches. Photo: LFDocumentation. Courtesy of the artist &amp; Towards Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4e88c8ef-80ce-4d76-96ca-be310b2caaf0/Screen+Shot+2023-09-07+at+6.56.51+PM.png</image:loc>
      <image:title>Archive - JACOB TODD BROUSSARD:AFTERS AT TOWARDS GALLERY - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard: Afters, 2023, installation view, Towards Gallery. Photo: LFDocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a047eb47-e9bf-4a7b-a194-1be5df7f1ce3/Screen+Shot+2023-09-07+at+7.01.21+PM.png</image:loc>
      <image:title>Archive - JACOB TODD BROUSSARD:AFTERS AT TOWARDS GALLERY - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard, To All Appearances, 2023. Acrylic and flashe on linen over panel, 36 x 24 inches. Photo: LFDocumentation. Courtesy of the artist &amp; Towards Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6989efe5-5848-479d-ad56-8d67d9cde1dc/Icon_13.png</image:loc>
      <image:title>Archive - JACOB TODD BROUSSARD:AFTERS AT TOWARDS GALLERY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/akgmuseumspectatorship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e7e76f5f-9874-4d61-8d65-072e640194f0/Screen+Shot+2023-09-07+at+5.49.40+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Exterior view of the Buffalo AKG Art Museum. From left to right, the Gundlach Building, the Albright Bridge, and the Wilmers Building. Photo: Marco Cappelletti. Image courtesy of Buffalo AKG Art Museum Digital Assets Collection and Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8e8bd58c-4928-43c0-b678-ee0f778100f8/Screen+Shot+2023-09-07+at+5.52.34+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Installation view of International Exhibition Pictorial Photography (Albright Art Gallery, November 3-December 1, 1910). Image courtesy of Buffalo AKG Art Museum Digital Assets Collection and Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1abd7df4-1fba-491d-8f67-1fc580f68a18/Screen+Shot+2023-09-07+at+6.03.00+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Interior view of the 1962 addition to Albright-Knox Art Gallery, January 1962. Image courtesy of Buffalo AKG Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/228bb065-e84e-4494-bcd8-18d357867ace/Screen+Shot+2023-09-07+at+6.10.59+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Exterior view of the Albright Art Gallery from Lincoln Parkway, 1911. Photo: Green &amp; Wicks Architects. Image courtesy of Buffalo AKG Art Museum Digital Assets Collection and Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a1308cd7-9a19-4d49-802d-3ecc8d7e5607/Screen+Shot+2023-09-07+at+6.15.14+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Exterior view of the 1962 addition to Albright-Knox Art Gallery featuring Lyman Kipp’s Flat Rate II, 1969, Summer 1969. (Artwork: Collection Buffalo AKG Art Museum; Gift of Seymour H. Knox, Jr., 1969 (K1969:5).) Image courtesy of Buffalo AKG Art Museum Digital Assets Collection and Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cb1c563c-8804-4943-a581-bedeb3be7138/Screen+Shot+2023-09-07+at+6.27.58+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Exterior view of the Buffalo AKG Art Museum. The Jeffrey E. Gundlach Building and the Great Lawn viewed from the portico of the Robert and Elisabeth Wilmers Building. Photo: Marco Cappelletti. Image courtesy of Buffalo AKG Art Museum Digital Assets Collection and Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ca28115f-51d4-4acc-9965-37e94fddb1db/Screen+Shot+2023-09-07+at+6.00.57+PM.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Installation view of Inaugural Loan Exhibition (Albright Art Gallery, May 31–July 1, 1905). Image courtesy of Buffalo AKG Art Museum Digital Assets Collection and Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5a3bc243-ef89-4d4a-8daf-f5bb17ba5e60/Icon_13.png</image:loc>
      <image:title>Archive - A brief history of museum spectatorship through the buildings at the Buffalo AKG Art Museum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-13</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bbef89a9-dc76-4e03-9d2f-a3e612c79f87/Screenshot+2023-09-19+at+9.04.49+AM.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor- Issue 13 - Make it stand out</image:title>
      <image:caption>Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a2478e3f-a670-4e5d-95be-7bb4b8e2b1e8/Icon_13.png</image:loc>
      <image:title>Archive - Letter from the Editor- Issue 13 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/altarts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e2cf5dbe-e4cf-4af2-b3ff-5a0f4b51e446/Screen+Shot+2023-09-08+at+5.51.47+PM.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>Shannon Garden-Smith, The minor time of nilling, 2019, installation view, ...5,1,4,1,3—Done!, 2019-2020. Image courtesy of Alex Willms and Pumice Raft.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ef0748b8-98eb-4594-929b-8a9ef5233fc3/Screen+Shot+2023-09-08+at+5.52.41+PM.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>sarah koekkoek and Denise Solleza performing as part of Foray (October 23, 2022) an event in collaboration with The Mycological Society of Toronto. This event was part of the Implicit Choreographies &amp; Relational Topographies program, organized in collaboration with Chris Mendoza. Image courtesy of Clea Christakos-Gee and Pumice Raft, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/48d40158-cb52-46c0-932e-cd5044cf595f/Screen+Shot+2023-09-08+at+5.53.54+PM.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>Ellen Schwartzel (president, Toronto Field Naturalists) as part of How to See in Plain Sight (July 9, 2022) a guided tour of the plant ecologies in the Todmorden Mills nature preserve. This event was part of the Implicit Choreographies &amp; Relational Topographies program, organized in collaboration with Chris Mendoza. Image courtesy of Ben Freedman and Pumice Raft, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/38e34e78-1f7b-4589-aac0-3dfc6d913da7/Screen+Shot+2023-09-08+at+5.55.06+PM.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>Stephane Gaulin Brown, A Coincident Other, 2022, installation view, Toil, and a Peaceful Life, 2022. Image courtesy of Pumice Raft, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/64ecce9c-e91c-46fa-bf80-0fb48a0a5c7b/Screen+Shot+2023-09-08+at+5.56.40+PM.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>Artist Unknown, Untitled (house) &amp; Michelle Homonylo, My Grey House, 2018-2023, installation view, From the Attic to the Cellar, 2023. Courtesy of Pumice Raft.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9ec0b2f8-834c-4c91-a86b-e17f1150ff45/Screen+Shot+2023-09-08+at+5.57.05+PM.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>Parker Kay in front of Pumice Raft at 348 Ryding Avenue, Toronto on August 16th, 2023. Image courtesy of Ben Freedman and Pumice Raft, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/16d461df-c1eb-44c3-a0fd-48a97dd6e7dd/Icon_13.png</image:loc>
      <image:title>Archive - Alt-Arts: Parker Kay aka Pumice Raft - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/Mad-cow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ee9a5da6-2fad-4708-83f3-cf58f95f6733/Mad+Cow_issue-12-12.jpg</image:loc>
      <image:title>Archive - Mad Cow - Make it stand out</image:title>
      <image:caption>Parastoo Anoushahpour, Faraz Anoushahpour, Ryan Ferko, Charity (still), 2021. 360 video, 36 minutes. Courtesy of the artists, the National Film Board of Canada, and Museum of Contemporary Art, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3a46f934-b1f8-414c-bf8e-3c99cd764ff6/ACF0E02F-9766-4E9B-A5EB-F44B9736826C.png</image:loc>
      <image:title>Archive - Mad Cow - Make it stand out</image:title>
      <image:caption>Parastoo Anoushahpour, Faraz Anoushahpour, Ryan Ferko, Charity (still), 2021. 360 video, 36 minutes. Courtesy of the artists, the National Film Board of Canada, and Museum of Contemporary Art, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/22f03d44-f947-44f6-9822-ea6c31e4e9e5/A0CC3C5D-16E6-4E03-AC5D-E31AC381453C.png</image:loc>
      <image:title>Archive - Mad Cow - Make it stand out</image:title>
      <image:caption>Parastoo Anoushahpour, Faraz Anoushahpour, Ryan Ferko, Charity (still), 2021. 360 video, 36 minutes. Courtesy of the artists, the National Film Board of Canada, and Museum of Contemporary Art, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/62e12299-dca8-4f51-8dff-8950b13d9527/D8224FF9-B073-4565-B27F-86C462D894A4.jpeg</image:loc>
      <image:title>Archive - Mad Cow - Make it stand out</image:title>
      <image:caption>Anoushahpour, Anoushahpour, and Ferko, Charity, 2022, installation view, Museum of Contemporary Art, Toronto. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2df3b4e0-6ffc-41ec-a855-1ce6edbe85f6/issue+12.png</image:loc>
      <image:title>Archive - Mad Cow - Make it stand out</image:title>
      <image:caption>Erika Verhagen is a writer and artist based in Toronto, ON.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/g-b-jones</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1faa43ca-720b-46ec-b454-5d2e97a672fa/6925F6FF-60C7-47DE-83C7-B96D5FEAE9AD.jpeg</image:loc>
      <image:title>Archive - G.B. Jones - Make it stand out</image:title>
      <image:caption>G.B. Jones, 2022, installation view, Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9f41755c-55f0-471d-964d-32c226e73b18/9096E659-5A9C-4822-A989-77F598F2001C.jpeg</image:loc>
      <image:title>Archive - G.B. Jones - Make it stand out</image:title>
      <image:caption>G.B. Jones, 2022, installation view, Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c93bd6dc-5728-4f99-a6cf-27c0091490b6/907AEE19-79D1-4239-80A9-AE8640B9740D.jpeg</image:loc>
      <image:title>Archive - G.B. Jones - Make it stand out</image:title>
      <image:caption>Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0833b6a6-2139-499a-b5cc-6d25a8ed07ba/D8DC0595-7517-4E12-AC48-502E12820783.jpeg</image:loc>
      <image:title>Archive - G.B. Jones - Make it stand out</image:title>
      <image:caption>G.B. Jones, Broken Column, 2022, installation view, G.B. Jones, 2022, Cooper Cole, Toronto. Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ec14dfc5-a23d-4f4a-8e71-85467feb1bba/99373CD7-A80E-4135-A3F0-53BFD14DD726.jpeg</image:loc>
      <image:title>Archive - G.B. Jones - Make it stand out</image:title>
      <image:caption>Photo: Jessann Reece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/858b7388-6f27-4f6b-9575-a971c1c383cd/FA0C5738-20F2-43AD-AFFC-089F6A354E7B.png</image:loc>
      <image:title>Archive - G.B. Jones - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/George-Hughes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ffedbb34-f069-42b4-bd76-6791b69da8d0/9CCBAEFD-F907-4639-96E8-C6D09DF43537.jpeg</image:loc>
      <image:title>Archive - The Unstoppable George Hughes, or: How to Make a Western - Make it stand out</image:title>
      <image:caption>George Hughes, Red Contention, 2004. Oil on canvas, 69 1/2 x 49 1/2 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/81fe06b4-de97-4c7b-9b41-2952f19b06f1/244E5670-AEBF-491B-B9F9-B6C9809F0A9B.jpeg</image:loc>
      <image:title>Archive - The Unstoppable George Hughes, or: How to Make a Western - Make it stand out</image:title>
      <image:caption>George Hughes, Fruition, 2003. Oil on canvas, 72 × 100 inches Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/243d4a97-e00a-4f88-a115-5bd5d2fad9ac/1B174073-CAC1-41EE-9F56-E9BD5532B8F9.jpeg</image:loc>
      <image:title>Archive - The Unstoppable George Hughes, or: How to Make a Western - Make it stand out</image:title>
      <image:caption>George Hughes, Tactics, 2022. Oil on linen, 48 × 38 inches Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b3a682ba-167f-46a9-9707-f683682f3077/55CFD51C-0022-4147-8E3A-542FD44D512F.jpeg</image:loc>
      <image:title>Archive - The Unstoppable George Hughes, or: How to Make a Western - Make it stand out</image:title>
      <image:caption>George Hughes, Yield, 2015. Acrylic, oil, and enamel on canvas, 72 x 228 inches. Photo: Shirley Verrico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a283088b-8e1a-4cc4-84ee-3de28e8c8e95/2AE55CAD-DC14-45ED-8D53-966D17484381.jpeg</image:loc>
      <image:title>Archive - The Unstoppable George Hughes, or: How to Make a Western - Make it stand out</image:title>
      <image:caption>In these Truths, 2022, installation view, Albright Knox Northland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9407d3cf-e9d8-440d-8dfd-ad9fa57346a2/978B3214-1858-4CCB-971F-3C5AC1E71511.png</image:loc>
      <image:title>Archive - The Unstoppable George Hughes, or: How to Make a Western - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/Diary-of-dawn-draws-dusk-drops-a-rotating-exhibition-at-joys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/414ec842-7765-4074-bdc6-306ba2db28fe/CD34AEA7-187A-460F-B5E6-A9EE0FD875ED.jpeg</image:loc>
      <image:title>Archive - Diary of dawn draws, dusk drops, a rotating exhibition at Joys - Make it stand out</image:title>
      <image:caption>Jana Ghalayini, Solar Transformers, 2021. Handwoven and embroidered cotton, wool, and acrylic yarn, 52 × 26 inches. Courtesy of the artist and Joys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7da1598c-fab5-419e-9d06-d8f92baf11e5/208D40A0-789E-4509-8182-27A8E4C3DF3C.jpeg</image:loc>
      <image:title>Archive - Diary of dawn draws, dusk drops, a rotating exhibition at Joys - Make it stand out</image:title>
      <image:caption>Jana Ghalayini, Solar Transformers, 2021. Handwoven and embroidered cotton, wool, and acrylic yarn, 52 × 26 inches. Courtesy of the artist and Joys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b5145362-a3e2-4a52-9700-6d16106adfa7/791D659D-6621-4249-9672-31C06F85E231.jpeg</image:loc>
      <image:title>Archive - Diary of dawn draws, dusk drops, a rotating exhibition at Joys - Make it stand out</image:title>
      <image:caption>Shannon Garden-Smith, Blinds (bouquet) &amp; Solar Transformers, 2021-2022, installation view, dawn draws, dusk drops pt.1, 2023, Joys. Courtesy of the artist and Joys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5a0e6472-69dd-4ef3-8350-48e3e2a8513c/7BD96271-ADDE-4C51-8BA2-24D001F2B6A6.jpeg</image:loc>
      <image:title>Archive - Diary of dawn draws, dusk drops, a rotating exhibition at Joys - Make it stand out</image:title>
      <image:caption>Arvo Leo, An orchid giving excess moonlight back to the moon, 2018, installation view, dawn draws, dusk drops pt.2, Joys. Courtesy of the artist and Joys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ff6f2827-0c2e-453e-8415-df9d5e123deb/0415F6CB-703F-4DF3-A06E-5939C398063E.png</image:loc>
      <image:title>Archive - Diary of dawn draws, dusk drops, a rotating exhibition at Joys - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a3127ba5-9e44-4f38-894b-d862ed4cd97a/D4CC3ABE-49A1-4495-A716-E1062E45ACC9.jpeg</image:loc>
      <image:title>Archive - Diary of dawn draws, dusk drops, a rotating exhibition at Joys - Make it stand out</image:title>
      <image:caption>Joyce Joumaa, Mutable Cycles (still), 2023. Video, sound, 6 minutes 56 seconds. Courtesy of the artist and Joys.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/Exploded-iPhone-Notes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fee92ada-cdef-4d14-ae2c-797dccdf567f/533EC512-209C-486C-99C2-1E16221213BF.jpeg</image:loc>
      <image:title>Archive - Exploded iPhone Notes - Make it stand out</image:title>
      <image:caption>Tara Fay Coleman, iPhone Note (#9), 2022. Screen print on paper, 40 × 26 inches. Courtesy of the artist and here gallery, Pittsburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f79e5a80-5509-4ca9-a9fc-cb81025e4fda/33B7C331-3366-43FC-852E-3000E649C68B.jpeg</image:loc>
      <image:title>Archive - Exploded iPhone Notes - Make it stand out</image:title>
      <image:caption>Tara Fay Coleman, iPhone Note (#1), Screen print on paper, 40 x 26 inches. Courtesy of the artist and here gallery, Pittsburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d4bf97ec-a46c-4c90-ad4d-b23a441ae3af/33CEF2EE-6F49-4E6B-853C-64048BFE4046.jpeg</image:loc>
      <image:title>Archive - Exploded iPhone Notes - Make it stand out</image:title>
      <image:caption>Tara Fay Coleman, iPhone Note (#6), Screen print on paper, 40 x 26 inches. Courtesy of the artist and here gallery, Pittsburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/fef02186-8ef6-4eae-86de-81459bfaae8d/D36268E7-8A6B-421D-AAFD-7CB6D26806EB.jpeg</image:loc>
      <image:title>Archive - Exploded iPhone Notes - Make it stand out</image:title>
      <image:caption>Tara Fay Coleman, iPhone Note (#3), Screen print on paper, 40 x 26 inches. Courtesy of the artist and here gallery, Pittsburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cdfd731-f1d8-48b1-9a61-6ec1eed1a995/08ECE48B-649A-4AC3-BC80-35118A977519.jpeg</image:loc>
      <image:title>Archive - Exploded iPhone Notes - Make it stand out</image:title>
      <image:caption>Tara Fay Coleman, Marginalia, installation view, 2022, here Gallery. Courtesy of the artist and here gallery, Pittsburgh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cd198453-4483-4340-9c67-794019137b17/E63B4A92-08FC-4DCF-8F9A-1E10C6DC626F.png</image:loc>
      <image:title>Archive - Exploded iPhone Notes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-12</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/127b1dbc-9ea8-4d54-8d98-1718f860af14/cornelia12-1.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/947c608d-b4a2-4144-b181-341923184723/cornelia12-2.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9560a9da-48aa-4cd9-b6c3-ebac903d7a30/issue+12.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/puffy-at-most-a-conversation-with-susan-metrican</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e9e3cdae-c012-4127-a342-25f473de7c22/02_RivalryMetrican_IMG1286-1.jpg</image:loc>
      <image:title>Archive - Puffy at Most: A Conversation with Susan Metrican - Make it stand out</image:title>
      <image:caption>Susan Metrican, Where Have You Been, 2021. Acrylic on canvas and thread. Courtesy: Rivalry Projects and Susan Metrican. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/abaf9380-88b3-45c3-b1c9-dd67fd32e4c5/01_RivalryMetrican_IMG1269-1.jpg</image:loc>
      <image:title>Archive - Puffy at Most: A Conversation with Susan Metrican - Make it stand out</image:title>
      <image:caption>Susan Metrican: Married to the Ground, 2022, installation view, Rivalry Projects, Buffalo, NY. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3f44bb5c-375d-43fe-a403-6d5359aa22dd/05_RivalryMetrican_IMG1363-1.jpg</image:loc>
      <image:title>Archive - Puffy at Most: A Conversation with Susan Metrican - Make it stand out</image:title>
      <image:caption>Susan Metrican: Married to the Ground, 2022, installation view, Rivalry Projects, Buffalo, NY. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/cafa44d3-608d-43ec-8200-d95358480753/03_RivalryMetrican_IMG1335-1.jpg</image:loc>
      <image:title>Archive - Puffy at Most: A Conversation with Susan Metrican - Make it stand out</image:title>
      <image:caption>Susan Metrican: Married to the Ground, 2022, installation view, Rivalry Projects, Buffalo, NY. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c7644524-9b64-4adc-892f-94f65e1775c4/05_RivalryMetrican_IMG1363-1.jpg</image:loc>
      <image:title>Archive - Puffy at Most: A Conversation with Susan Metrican - Make it stand out</image:title>
      <image:caption>Susan Metrican: Married to the Ground, 2022, installation view, Rivalry Projects, Buffalo, NY. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Archive - Puffy at Most: A Conversation with Susan Metrican - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/living-and-listening-with-others-the-gospel-according-to-the-organ</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b87ec861-d993-4869-a7e6-833952b6c342/Charlemagne+Palestine.jpg</image:loc>
      <image:title>Archive - Living and Listening with Others: The Gospel According to the Organ - Make it stand out</image:title>
      <image:caption>Charlemagne Palestine. Photo: Green Yang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/dd5235b8-9d91-4e43-92f7-32efa9be41e5/Thomas+Mellan.jpg</image:loc>
      <image:title>Archive - Living and Listening with Others: The Gospel According to the Organ - Make it stand out</image:title>
      <image:caption>Thomas Mellan. Photo: Green Yang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0b927b04-be55-4245-ae26-210225da3235/Kali+Malone+1.jpg</image:loc>
      <image:title>Archive - Living and Listening with Others: The Gospel According to the Organ - Make it stand out</image:title>
      <image:caption>Kali Malone. Photo: Green Yang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5f0d398b-e18e-4528-a596-6e29c13e8135/Sarah+Davachi.jpg</image:loc>
      <image:title>Archive - Living and Listening with Others: The Gospel According to the Organ - Make it stand out</image:title>
      <image:caption>Sarah Davachi. Photo: Green Yang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/46011233-bb19-43f3-a881-511c85b578e0/Matthew+Larkin.jpg</image:loc>
      <image:title>Archive - Living and Listening with Others: The Gospel According to the Organ - Make it stand out</image:title>
      <image:caption>Matthew Larkin. Photo: Green Yang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Archive - Living and Listening with Others: The Gospel According to the Organ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/radical-love-charles-clough-at-fitz-books-and-waffles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2b7b32df-7209-47f8-900f-2aa79d9415d6/ccatfitz-1.jpg</image:loc>
      <image:title>Archive - Radical Love: Charles Clough at Fitz Books and Waffles - Make it stand out</image:title>
      <image:caption>Installation view of Cluffalo 290 (2019) and many of Clough's self-published books at Fitz Books and Waffles. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/951f3cde-7c10-417a-aa3e-a957a2355324/ccatfitz-2.jpg</image:loc>
      <image:title>Archive - Radical Love: Charles Clough at Fitz Books and Waffles - Make it stand out</image:title>
      <image:caption>Clufffalo: Winter 2018, 2018. Latex on expanded pvc, 32 x 44 inches. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2d3cd0c4-b077-49db-95d9-99a96696627c/ccatfitz-3.jpg</image:loc>
      <image:title>Archive - Radical Love: Charles Clough at Fitz Books and Waffles - Make it stand out</image:title>
      <image:caption>Photographers Joshua Thermidor and Brandon Watson working in front of Clufffalo 795 &amp; 796 (2021). Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/99be7636-abea-411f-a631-2f9ff2667229/ccatfitz-5.jpg</image:loc>
      <image:title>Archive - Radical Love: Charles Clough at Fitz Books and Waffles - Make it stand out</image:title>
      <image:caption>Fitz Books and Waffles proprietor Aaron Bartley. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/20219c6a-2335-45e8-a7aa-634ad92bf582/ccatfitz-4.jpg</image:loc>
      <image:title>Archive - Radical Love: Charles Clough at Fitz Books and Waffles - Make it stand out</image:title>
      <image:caption>Artist Nicole Chochrek and poet Marquis “Ten Thousand” Burton working in front of Clufffalo 797 &amp; 790 (2021). Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Archive - Radical Love: Charles Clough at Fitz Books and Waffles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/sarah-braman-finding-room</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1d66d6d2-156c-4d4e-bde3-f85a66608ead/Copy+of+For+Cornelia+5.jpg</image:loc>
      <image:title>Archive - Sarah Braman: Finding Room - Make it stand out</image:title>
      <image:caption>Sarah Braman, Friend, 2020, installation view, Frank Lloyd Wright's Graycliff. Photo: Brenda Bieger for Buffalo AKG Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7b122f3a-cac7-4fc2-a3ac-462195856f7d/Copy+of+For+Cornelia+1.jpg</image:loc>
      <image:title>Archive - Sarah Braman: Finding Room - Make it stand out</image:title>
      <image:caption>Sarah Braman, Sit, 2022, installation view, Frank Lloyd Wright's Graycliff. Photo: Brenda Bieger for Buffalo AKG Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4b6fa0c8-b694-48ac-b37e-a41a63716da5/Copy+of+For+Cornelia+2.jpg</image:loc>
      <image:title>Archive - Sarah Braman: Finding Room - Make it stand out</image:title>
      <image:caption>Sarah Braman, Stay, 2022, installation view, Frank Lloyd Wright's Graycliff. Photo: Brenda Bieger for Buffalo AKG Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a5a8d45c-939e-4a02-9edc-1737ed1279ba/Copy+of+For+Cornelia+4.jpg</image:loc>
      <image:title>Archive - Sarah Braman: Finding Room - Make it stand out</image:title>
      <image:caption>Installation view of living room, Frank Lloyd Wright's Graycliff. Photo: Brenda Bieger for Buffalo AKG Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0917179d-da89-4a0d-95b6-88b427f15389/Copy+of+For+Cornelia+6.jpg</image:loc>
      <image:title>Archive - Sarah Braman: Finding Room - Make it stand out</image:title>
      <image:caption>Sarah Braman, Your Room, 2017, installation view, Frank Lloyd Wright's Graycliff. Photo: Brenda Bieger for Buffalo AKG Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Archive - Sarah Braman: Finding Room - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/a-short-yet-meandering-history-of-gallery-west</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0e480240-a753-4a3c-9a50-bbaa68e045ac/Copy+of+larrybell%E2%80%93negscans_2022007.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Photographs of Jerry and Ron's home in Buffalo, taken by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c18fd038-7e89-489b-b8dd-420a1b65ab07/01_Copy+of+23_LarryBell.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Larry Bell, Certified Fragments #403107, (undated). Acrylic and combined papers, 20 x 26 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/78471530-cdd3-466e-9fe2-6115547f32b9/Copy+of+larrybell%E2%80%93negscans_2022005.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a5a3879f-82b7-4f35-b37c-44c8683edf7d/Copy+of+larrybell%E2%80%93negscans_2022006.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Photographs of Jerry and Ron's home in Buffalo, taken by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6b2e39b6-5b75-4582-b967-60b637f0e116/02_Copy+of+06_LarryBell.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Larry Bell, A View from the 18th Story, 1988. Photo montage and collage, 24 x 30 inches. Photo: Gary Wolf.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/92ddef0d-da88-43ed-9742-d39c2ec570a3/Copy+of+larrybell%E2%80%93negscans_2022001.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Photographs of Jerry and Ron's home in Buffalo, taken by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/46687503-1ac3-47fb-ac97-53d48ad52d04/Copy+of+larrybell%E2%80%93negscans_2022014.jpg</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Archive - A Short (yet meandering) History of Gallery West - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-11</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a2c48f10-1e4b-42b3-8c32-e278ba36ad22/Cover.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/09b5c733-9c56-45b6-9b71-408d92c165eb/Contents.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/what-the-heck-is-bica-school</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/728958cd-b6ea-458a-a2e0-23570b0ceade/Cornelia+Magazine+Issue+10-13.jpg</image:loc>
      <image:title>Archive - What the heck is BICA School? - Make it stand out</image:title>
      <image:caption>BICA School Orientation. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/673195fb-042c-4733-856c-b8677991d67a/Cornelia+Magazine+Issue+10-14.jpg</image:loc>
      <image:title>Archive - What the heck is BICA School? - Make it stand out</image:title>
      <image:caption>Hannah Xaver at BICA School orientation. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8e502118-c8c5-4393-97d4-b8e264acdce3/Cornelia+Magazine+Issue+10-06.jpg</image:loc>
      <image:title>Archive - What the heck is BICA School? - Make it stand out</image:title>
      <image:caption>Paul Knopf, Around the Fire, 2022. Digital drawing. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bfe10302-ab08-4294-9ea2-6478b240eb47/Cornelia+Magazine+Issue+10-11.jpg</image:loc>
      <image:title>Archive - What the heck is BICA School? - Make it stand out</image:title>
      <image:caption>Critique at BICA School. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9d38c444-e5e2-49f4-845c-844a211f3b39/Cornelia+Magazine+Issue+10-05.jpg</image:loc>
      <image:title>Archive - What the heck is BICA School? - Make it stand out</image:title>
      <image:caption>Paul Knopf, Line of Lines, 2022. Digital drawing. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/dd894df8-6eba-4f7e-82b5-2370b205b358/Issue10.png</image:loc>
      <image:title>Archive - What the heck is BICA School? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/regarding-the-anti-monument</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/86e7e277-272e-4d57-b104-71020bc91306/Cornelia+Magazine+Issue+10-15.jpg</image:loc>
      <image:title>Archive - Regarding the Anti-Monument - Make it stand out</image:title>
      <image:caption>Osvaldo Ramirez Castillo, Refuge, 2015. Mixed media on mylar. Courtesy of the artist. Photo: Biff Henrich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/75eb5e4b-8efa-4586-af78-8e5460610dbf/Cornelia+Magazine+Issue+10-16.jpg</image:loc>
      <image:title>Archive - Regarding the Anti-Monument - Make it stand out</image:title>
      <image:caption>Osvaldo Ramirez Castillo, Ruinas 2, 2022. Mixed media on mylar. Courtesy of the artist. Photo: Biff Henrich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/589ce124-4726-4fa3-b8a1-504bdf77f01e/Cornelia+Magazine+Issue+10-17.jpg</image:loc>
      <image:title>Archive - Regarding the Anti-Monument - Make it stand out</image:title>
      <image:caption>Osvaldo Ramirez Castillo, Scarecrow I (left), 2015 and Soldier Overgrowth I, (right) 2021. Mixed media on mylar. Courtesy of the artist. Photo: Biff Henrich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6cce10f7-5f91-4ce8-8746-5261e1a9b246/Cornelia+Magazine+Issue+10-18.jpg</image:loc>
      <image:title>Archive - Regarding the Anti-Monument - Make it stand out</image:title>
      <image:caption>Osvaldo Ramirez Castillo, Lost Underground Radio 2, 2022. Mixed media on mylar. Courtesy of the artist. Photo: Biff Henrich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/97d27130-b8ee-4d59-888e-e136c66b2d79/Cornelia+Magazine+Issue+10-19.jpg</image:loc>
      <image:title>Archive - Regarding the Anti-Monument - Make it stand out</image:title>
      <image:caption>Osvaldo Ramirez Castillo, Nahual Refuge, 2022. Mixed media on mylar. Courtesy of the artist. Photo: Biff Henrich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91be4443-f90d-469b-9456-41e7d7558207/Issue10.png</image:loc>
      <image:title>Archive - Regarding the Anti-Monument - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/how-to-find-friends-and-make-art-at-the-end-of-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5d281027-66fa-4d86-8715-a865faf53e2a/Cornelia+Magazine+Issue+10-07.jpg</image:loc>
      <image:title>Archive - How to Find Friends and Make Art at the End of the World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6cba8de1-4306-4127-abd2-191f0a1399f0/Cornelia+Magazine+Issue+10-08.jpg</image:loc>
      <image:title>Archive - How to Find Friends and Make Art at the End of the World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/31a27dc7-f28a-4bab-ac88-3a795de951ac/Cornelia+Magazine+Issue+10-12.jpg</image:loc>
      <image:title>Archive - How to Find Friends and Make Art at the End of the World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2574b5b3-e87c-46f5-a2e6-f7fcfae0fdd9/Cornelia+Magazine+Issue+10-10.jpg</image:loc>
      <image:title>Archive - How to Find Friends and Make Art at the End of the World - Make it stand out</image:title>
      <image:caption>Brandon Giessmann, Untitled Barbed Wire (Taupe), ongoing. Powder-coated barbed wire. Courtesy of the artist. Photo: Brandon Giessmann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/231ac3c0-a74b-4bd3-b0c5-71eeee2b8f9f/Cornelia+Magazine+Issue+10-09.jpg</image:loc>
      <image:title>Archive - How to Find Friends and Make Art at the End of the World - Make it stand out</image:title>
      <image:caption>Julia Rose Sutherland, Vigil - The Land Remembers, ongoing. Performance. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91be4443-f90d-469b-9456-41e7d7558207/Issue10.png</image:loc>
      <image:title>Archive - How to Find Friends and Make Art at the End of the World - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/if-you-blink-you-might-miss-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d308c225-545a-497f-8ded-6f700834aa61/Cornelia+Magazine+Issue+10-24.jpg</image:loc>
      <image:title>Archive - If You Blink, You Might Miss It - Make it stand out</image:title>
      <image:caption>Paul P. Untitled, 2019, installation view, Paul P: Friendly in the Knife-edged Moment, 2022, Oakville Galleries. Courtesy of Oakville Galleries. Photo: Laura Findlay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8ef6462b-e330-4d2c-b3fc-b71c21bccc94/Cornelia+Magazine+Issue+10-20.jpg</image:loc>
      <image:title>Archive - If You Blink, You Might Miss It - Make it stand out</image:title>
      <image:caption>Paul P: Friendly in the Knife-edged Moment, 2022, installation view, Oakville Galleries. Photo: Laura Findlay. Courtesy of Oakville Galleries. Photo: Laura Findlay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1e4f5b67-5821-4116-9805-aff37a9e4005/Cornelia+Magazine+Issue+10-22.jpg</image:loc>
      <image:title>Archive - If You Blink, You Might Miss It - Make it stand out</image:title>
      <image:caption>Paul P: Friendly in the Knife-edged Moment, 2022, installation view, Oakville Galleries. Photo: Laura Findlay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/057b5ed2-4ba6-4f1c-9bff-4aeac98ba264/Cornelia+Magazine+Issue+10-23.jpg</image:loc>
      <image:title>Archive - If You Blink, You Might Miss It - Make it stand out</image:title>
      <image:caption>Paul P. Untitled, 2016, installation view, Paul P: Friendly in the Knife-edged Moment, 2022, Oakville Galleries. Courtesy of Oakville Galleries. Photo: Laura Findlay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/904bb997-d578-4f58-a259-08a692585366/Cornelia+Magazine+Issue+10-21.jpg</image:loc>
      <image:title>Archive - If You Blink, You Might Miss It - Make it stand out</image:title>
      <image:caption>Paul P: Friendly in the Knife-edged Moment, 2022, installation view, Oakville Galleries. Photo: Laura Findlay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91be4443-f90d-469b-9456-41e7d7558207/Issue10.png</image:loc>
      <image:title>Archive - If You Blink, You Might Miss It - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://corneliamagazine.com/article-set/dos-and-donts-of-diy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3fcc2691-d064-4e1e-8ae9-c16185f7c75a/Issue+10+Web+Assets2.png</image:loc>
      <image:title>Archive - The Dos and Don’ts of Doing it Yourself - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d1876538-dccc-4729-a172-5d31e68e0649/Cornelia+Magazine+Issue+10-02.jpg</image:loc>
      <image:title>Archive - The Dos and Don’ts of Doing it Yourself - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d49f3b4c-0244-4b13-93e0-c3c665799fad/Cornelia+Magazine+Issue+10-03.jpg</image:loc>
      <image:title>Archive - The Dos and Don’ts of Doing it Yourself - Make it stand out</image:title>
      <image:caption>Way2WavyBaby, Group Chat 8/19/22, 2022. Digital collage. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/221bf2ba-acdd-44e0-ad49-fcbf87bf7507/Cornelia+Magazine+Issue+10-04.jpg</image:loc>
      <image:title>Archive - The Dos and Don’ts of Doing it Yourself - Make it stand out</image:title>
      <image:caption>Way2WavyBaby, Group Chat 8/19/22, 2022. Digital collage. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91be4443-f90d-469b-9456-41e7d7558207/Issue10.png</image:loc>
      <image:title>Archive - The Dos and Don’ts of Doing it Yourself - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-10</loc>
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    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91be4443-f90d-469b-9456-41e7d7558207/Issue10.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/trip-out-with-mice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/41dabc8f-e2e1-4e7c-bbb0-091c9114134c/catalog-1.jpg</image:loc>
      <image:title>Archive - TRIP OUT WITH MICE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c96f6c9f-d7ba-4082-a9ff-bcd6c2628f05/confessional-5.jpg</image:loc>
      <image:title>Archive - TRIP OUT WITH MICE - Make it stand out</image:title>
      <image:caption>Nando Alvarez-Perez, The Project for a New American Century and the Great Man Theory of History (detail), 2021. UV print on aluminum, polaroids, wood veneer panel, finishing hardware, 15 3/4 x 31 3/4 inches. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a0bc46dc-5e51-4f99-b8df-7c4ca83f92dc/confessional-4.jpg</image:loc>
      <image:title>Archive - TRIP OUT WITH MICE - Make it stand out</image:title>
      <image:caption>Nando Alvarez-Perez, The Project for a New American Century and the Great Man Theory of History, 2021. UV print on aluminum, polaroids, wood veneer panel, finishing hardware, 15 3/4 x 31 3/4 inches. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3e2b5b80-53d9-4aa2-8bf9-fa44ee4b1b72/confessional-2.jpg</image:loc>
      <image:title>Archive - TRIP OUT WITH MICE - Make it stand out</image:title>
      <image:caption>Nando Alvarez-Perez, Bed sheet Materialism, 2021. White T180 twin jail bed sheets, book, polaroid, dimensions variable. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/da9602b7-22e1-4825-bc0c-90c93ae355d4/confessional-3.jpg</image:loc>
      <image:title>Archive - TRIP OUT WITH MICE - Make it stand out</image:title>
      <image:caption>Confessions from the Imperial Core, 2022, installation view, Agatha’s. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Archive - TRIP OUT WITH MICE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/the-oscillation-of-relation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2fb19fff-44f2-4124-b2cb-d8fa882ef931/20.+Micah+Adams%2C+Friendship+Lighters%2C+2021%2C+welded+steel%2C+Bic+lighters%2C+4%E2%80%9D+x+3+%C2%BD%E2%80%9D+x+2+%C2%BE%E2%80%9C.jpg</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Micah Adams, Friendship Lighters, 2021. Bic lighters, welded steel, 4 x 3 1/2 x 2 3/4 inches. Courtesy of MKG127, Toronto, and the plumb, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8c64eb47-7772-4469-9277-80db468aee56/1.jpg</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Libations for Liberated Living, 2022, installation view, the plumb, Toronto.  Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/45d83084-7a95-4c5c-8fff-1992617f69f9/24.+Joshua+Augusto%2C+Pile+of+Scraps%2C+2021%2C+an+accumulation+of+selected+construction+debris++and+curb+finds%2C+assembled+onsite%2C+dimensions+variable.jpg</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Joshua Augusto, Pile of Scraps, 2021. An accumulation of selected construction debris and curb finds, assembled onsite, dimensions variable.  Courtesy of the plumb, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1c4d2340-74b5-410a-a219-d99840acde94/27.jpg</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Joshua Augusto, Pile of Scraps, 2021. An accumulation of selected construction debris and curb finds, assembled onsite, dimensions variable.  Courtesy of the plumb, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b9569f6d-16af-4d73-ba0d-9fe43eb8d5e0/39.jpg</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Pascal Paquette, Bricks, 2011–2015. Spray paint, brick, approx. 8 x 2 x 3 inches each.  Courtesy of the plumb, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/431e66cf-d565-48a2-a36d-35ab5127f0ac/40.+Pascal+Paquette++Bricks%2C+2011-2015%2C+spray+paint%2C+brick%2C+approx.+8%E2%80%9D+x+2%E2%80%9D+x+3%E2%80%9D+each.jpg</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Pascal Paquette, Bricks, 2011–2015. Spray paint, brick, approx. 8 x 2 x 3 inches each.  Courtesy of the plumb, Toronto. Photo: Alison Postma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Archive - The Oscillation of Relation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/to-change-shape-by-stretching</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9210b57a-d1ff-4230-bda9-1659dd426d9a/Fig1-Wave+Man-placeholder.jpg</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Fig 1: Bonnie Gordon, Wave Man, 1975. Cyanotype, 8 1/4 × 10 1/4 inches. Courtesy of the artist/Courtney Grim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7dcdc23e-c61b-455f-bf3a-09e824a7d7dc/Fig2-Notebook+Detail.jpg</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Fig. 2: Detail of Bonnie Gordon’s notebook, c. 1970–95. Courtesy of Jim Morris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/78f5224f-e17b-4b28-bca1-d684db176785/Fig3-Image+Maps.jpg</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Fig. 3: Cover of Bonnie Gordon’s The Anatomy of the Image Maps: According to Merriam- Webster’s Third New International Dictionary of the English Language Unabridged (Rochester: Visual Studies Workshop Press, 1982).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/754cde15-3d28-4aec-8b96-734f4ef2a95e/Fig4-Camera.jpg</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Fig. 4: Detail of The Anatomy of the Image Maps (Rochester: Visual Studies Workshop Press, 1982), 28.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e4302462-172a-49a4-b712-346566a3f5c6/Fig5-Photography-placeholder.jpg</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Fig. 5: Detail of “Photography” in The Anatomy of the Image Maps (Rochester: Visual Studies Workshop Press, 1982), 29. Courtesy of Courtney Grim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b7d1933d-a9fc-4c0f-9b82-9e14e49186ea/Fig6-Thompson.jpg</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Fig. 6 Graph of the form of Diodon (porcupinefish), left, distorted to produce the form of an Orthagoriscus (ocean sunfish), right, from D’Arcy Wentworth Thompson’s On Growth and Form. Courtesy of Linda Hall Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Archive - To Change Shape by Stretching - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/9-imagining-infinite-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e6ba5271-42bf-404b-9351-ff5d900661e4/Kyla+Kegler+Mountains+21.jpg</image:loc>
      <image:title>Archive - Imagining Infinite Care - Make it stand out</image:title>
      <image:caption>Kyla Kegler, Mountains 2, 2022. Still from performance documentation. Courtesy of the artist. Photo: Jonathan Paul Piret.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0c1594d7-8909-487c-a13d-79ac94c2e59d/Kyla+Kegler+Mountains+22.jpg</image:loc>
      <image:title>Archive - Imagining Infinite Care - Make it stand out</image:title>
      <image:caption>Kyla Kegler, Mountains 2, 2022. Still from performance documentation. Courtesy of the artist. Photo: Jonathan Paul Piret.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91519f4d-05f2-4fdb-90e6-c79cfc165860/Kyla+Kegler+Mountains+23.jpg</image:loc>
      <image:title>Archive - Imagining Infinite Care - Make it stand out</image:title>
      <image:caption>Kyla Kegler, Monster Society Bio Poster, 2022. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/15c821bf-43c5-49c8-9c37-8c0a31f50d89/Kyla+Kegler+Mountains+24.jpg</image:loc>
      <image:title>Archive - Imagining Infinite Care - Make it stand out</image:title>
      <image:caption>Kyla Kegler, Mountains 2, 2022. Still from performance documentation. Courtesy of the artist. Photo: Jonathan Paul Piret.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/58ec7c0d-d665-480b-90a6-11c63e62387f/Kyla+Kegler+Mountains+25.jpg</image:loc>
      <image:title>Archive - Imagining Infinite Care - Make it stand out</image:title>
      <image:caption>Kyla Kegler, Mountains 2, 2022. Still from performance documentation. Courtesy of the artist. Photo: Jonathan Paul Piret.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Archive - Imagining Infinite Care - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/9-inexhaustible-of-mystery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/759ec7a0-9a47-42ec-b6d9-9ef8313ccd7a/Jacob+Broussard_Cornelia+Issue+9_2.jpg</image:loc>
      <image:title>Archive - Inexhaustible of Mystery - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard, Forest Rest, 2022. Acrylic on canvas, 8 x 10 inches. Courtesy of the artist and Rivalry Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/eda2c7e0-ff4c-4e26-b78d-dfcb5e276a6e/Jacob+Broussard_Cornelia+Issue+9_3.jpg</image:loc>
      <image:title>Archive - Inexhaustible of Mystery - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard, Tomb of the Unknown Hermit, 2021. Acrylic and flashe on canvas, 48 x 54 inches. Courtesy of the artist and Rivalry Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/ab328f03-2efb-4466-945b-3ef2a69c4213/Jacob+Broussard_Cornelia+Issue+9_5.jpg</image:loc>
      <image:title>Archive - Inexhaustible of Mystery - Make it stand out</image:title>
      <image:caption>Fantasy II in Exile, 2021, installation view, Acadiana Center for the Arts. Photo: James Billeaudeau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b48f1499-b857-4588-a1fe-60263919c85f/Jacob+Broussard_Cornelia+Issue+9_1.jpg</image:loc>
      <image:title>Archive - Inexhaustible of Mystery - Make it stand out</image:title>
      <image:caption>Jacob Todd Broussard, Entrance, 2022. Acrylic and flashe on canvas, 8 x 10 inches. Courtesy of the artist and Rivalry Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1041b646-5951-4914-a12b-fbc808c3c843/Jacob+Broussard_Cornelia+Issue+9_4.jpg</image:loc>
      <image:title>Archive - Inexhaustible of Mystery - Make it stand out</image:title>
      <image:caption>Fantasy II in Exile, 2021, installation view, Acadiana Center for the Arts. Photo: James Billeaudeau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Archive - Inexhaustible of Mystery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/9-letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652394651597-ZA5LZQXYRRWJBMJZL52F/issue9promo-1.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor* - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/49eb9ac1-205d-4e8a-a211-2e6dc2177f00/contents-01.png</image:loc>
      <image:title>Archive - Letter from the Editor* - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Archive - Letter from the Editor* - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/8-cameras-roll-in-the-rust-belt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647639696072-B9BQ98PDX86UP5GUST0I/camera2.jpg</image:loc>
      <image:title>Archive - Cameras Roll in the Rust Belt - Make it stand out</image:title>
      <image:caption>Maelstrom Film Crew, Top L–R: Madeline E. Allard, Sydney Baker-Hendryx, Gabrielle Nunzio, Lenny Bevilacqua. Bottom L–R: Donovan Gale, Jake Jasie, Jay Stockslader, Zachary Iqbal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647639954671-5R03NMN93WQC2O149TE7/camera3.jpg</image:loc>
      <image:title>Archive - Cameras Roll in the Rust Belt - Make it stand out</image:title>
      <image:caption>Maelstrom, film still.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647640093709-IPXXE6NB2SGU3EALFF8U/camera4.jpg</image:loc>
      <image:title>Archive - Cameras Roll in the Rust Belt - Make it stand out</image:title>
      <image:caption>Poster Art: Darryle Jackson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/8-fauna-and-the-vitality-of-nonhuman-bodies-in-kapwani-kiwanga-s-flowers-for-africa-and-t-m-glass-s-the-audible-language-of-flowers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647636736734-8I1CTPIXRLZ4U3LDNCIR/Fauna+2.jpg</image:loc>
      <image:title>Archive - Fauna and the Vitality of Nonhuman Bodies - Make it stand out</image:title>
      <image:caption>Kapwani Kiwanga, Flowers for Africa, ongoing, installation view, MOCA Toronto. Protocol of assembly and display including archival iconography to guide the reconstruction of a floral arrangement consisting of cut flowers. Courtesy of the artist and Galerie Poggi, Paris. Photo by Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647636821181-Z03DZR7KOQN7HGOVO6HL/Fauna+3.jpg</image:loc>
      <image:title>Archive - Fauna and the Vitality of Nonhuman Bodies - Make it stand out</image:title>
      <image:caption>Kapwani Kiwanga, Flowers for Africa: Uganda, 2014, installation view, MOCA Toronto. Protocol of assembly and display including archival iconography to guide the reconstruction of a floral arrangement consisting of cut flowers. Collection Thibault Poutrel. Courtesy of the artist and Galerie Poggi, Paris. Photo by Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647636855563-HGV61GUU5VLEPSQFBXJB/Fauna+4.jpg</image:loc>
      <image:title>Archive - Fauna and the Vitality of Nonhuman Bodies - Make it stand out</image:title>
      <image:caption>Kapwani Kiwanga, Flowers for Africa: Angola, 2020, installation view, MOCA Toronto. Protocol of assembly and display including archival iconography to guide the reconstruction of a floral arrangement consisting of cut flowers. Private collection of Eugene Fu. Courtesy of the artist and Galerie Poggi, Paris. Photo by Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647636963843-MVQ1IV7F7VV14S6GWX6Y/Fauna+5.jpg</image:loc>
      <image:title>Archive - Fauna and the Vitality of Nonhuman Bodies - Make it stand out</image:title>
      <image:caption>T.M. Glass: The Audible Language of Flowers, 2019, installation view, Onsite Gallery, OCAD University, Toronto. Photo: Yuula Benivolski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1647636363212-B5XIUE7247G2QTNUQF7W/Fauna+6.jpg</image:loc>
      <image:title>Archive - Fauna and the Vitality of Nonhuman Bodies - Make it stand out</image:title>
      <image:caption>T.M. Glass: The Audible Language of Flowers, 2019, installation view, Onsite Gallery, OCAD University, Toronto. Photo: Yuula Benivolski.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/where-baseball-belongs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/e50df4a0-5bb5-4817-98d6-44acaca56fa8/Cornelia+Magazine+Issue+8-15.jpg</image:loc>
      <image:title>Archive - Where Baseball Belongs - Make it stand out</image:title>
      <image:caption>Screen capture courtesy of Erika Verhagen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/13431593-3313-41e4-a7a7-24c69301e5ad/Cornelia+Magazine+Issue+8-16.jpg</image:loc>
      <image:title>Archive - Where Baseball Belongs - Make it stand out</image:title>
      <image:caption>Screen capture courtesy of Erika Verhagen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4f3f8c57-3215-42db-a54b-4cd4d77bd73a/Cornelia+Magazine+Issue+8-17.jpg</image:loc>
      <image:title>Archive - Where Baseball Belongs - Make it stand out</image:title>
      <image:caption>Screen capture courtesy of Erika Verhagen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c45a2621-1910-42d6-9c18-e70edc8d18d5/Cornelia+Magazine+Issue+8-18.jpg</image:loc>
      <image:title>Archive - Where Baseball Belongs - Make it stand out</image:title>
      <image:caption>Screen capture courtesy of Erika Verhagen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a4f03789-6d7c-4495-9b26-7db8bda7d47b/Cornelia+Magazine+Issue+8-19.jpg</image:loc>
      <image:title>Archive - Where Baseball Belongs - Make it stand out</image:title>
      <image:caption>Screen capture courtesy of Erika Verhagen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/azza-el-siddique-at-greater-toronto-art-2021-and-towards-gallery</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/136d6db1-29d9-4de4-ba7b-872f8daf1f3f/Cornelia+Magazine+Issue+8-14.jpg</image:loc>
      <image:title>Archive - Azza El Siddique at Greater Toronto Art 2021 and Towards Gallery - Make it stand out</image:title>
      <image:caption>Azza El Siddique, Fade into the Sun, 2021, installation view, MOCA Toronto. Courtesy the artist. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bbc9b7f3-6046-4ecb-abc3-2b7b5a7f84f2/Cornelia+Magazine+Issue+8-06.jpg</image:loc>
      <image:title>Archive - Azza El Siddique at Greater Toronto Art 2021 and Towards Gallery - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9b576b2a-c79c-4436-a9f4-8839bf5619b8/Cornelia+Magazine+Issue+8-07.jpg</image:loc>
      <image:title>Archive - Azza El Siddique at Greater Toronto Art 2021 and Towards Gallery - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f7910ec1-5c22-45d1-a64b-e6d5b0b6d385/Cornelia+Magazine+Issue+8-08.jpg</image:loc>
      <image:title>Archive - Azza El Siddique at Greater Toronto Art 2021 and Towards Gallery - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/56c15197-2e37-4900-adb6-5b9c3e6eeb3d/Cornelia+Magazine+Issue+8-03.jpg</image:loc>
      <image:title>Archive - Azza El Siddique at Greater Toronto Art 2021 and Towards Gallery - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Azza El Siddique at Greater Toronto Art 2021 and Towards Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/monumental-archive</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/70ce85ae-3611-440f-80b2-3a148302926e/Cornelia+Magazine+Issue+8-04.jpg</image:loc>
      <image:title>Archive - Monumental Archive: Iris Häussler’s Long ‘90s - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bbc9b7f3-6046-4ecb-abc3-2b7b5a7f84f2/Cornelia+Magazine+Issue+8-06.jpg</image:loc>
      <image:title>Archive - Monumental Archive: Iris Häussler’s Long ‘90s - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9b576b2a-c79c-4436-a9f4-8839bf5619b8/Cornelia+Magazine+Issue+8-07.jpg</image:loc>
      <image:title>Archive - Monumental Archive: Iris Häussler’s Long ‘90s - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f7910ec1-5c22-45d1-a64b-e6d5b0b6d385/Cornelia+Magazine+Issue+8-08.jpg</image:loc>
      <image:title>Archive - Monumental Archive: Iris Häussler’s Long ‘90s - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/56c15197-2e37-4900-adb6-5b9c3e6eeb3d/Cornelia+Magazine+Issue+8-03.jpg</image:loc>
      <image:title>Archive - Monumental Archive: Iris Häussler’s Long ‘90s - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Monumental Archive: Iris Häussler’s Long ‘90s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/8-cameras-roll-in-the-rust-belt-m65hg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/7-an-interview-with-katarina-riesing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648515155435-52KINOZ3KVP8TWLO39D6/617ad728455c9d2f0dbab9cb_Cornelia+Issue+7_Kat+Riesing-1.jpg</image:loc>
      <image:title>Archive - An Interview with Katarina Riesing - Make it stand out</image:title>
      <image:caption>Katarina Riesing, True Love, 2019. Dye on raw silk 20 x 17 inches. Courtesy of the artist and Asya Geisberg Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648515485322-WDHFKYG4J2PL4ZOZZEHJ/617ad72ea5fdfeaa93245541_Cornelia+Issue+7_Kat+Riesing-2.jpg</image:loc>
      <image:title>Archive - An Interview with Katarina Riesing - Make it stand out</image:title>
      <image:caption>Katarina Riesing, Disco Fever, 2019. Dye and embroidery on raw silk 18 x 17 1/2 inches. Courtesy of the artist and Asya Geisberg Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648515750728-0V3ZNFDCGWO4T0K73BJR/617ad734dc3a99128f71b492_Cornelia+Issue+7_Kat+Riesing-3.jpg</image:loc>
      <image:title>Archive - An Interview with Katarina Riesing - Make it stand out</image:title>
      <image:caption>Katarina Riesing, Squeeze (detail), 2020. Dye on crepe de chine silk, 18 1/4 x 21 1/2 inches. Courtesy of the artist and Asya Geisberg Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648516069380-AJRZOARS05582VDMMSVP/617ad73a203c4c03ee46b20a_Cornelia+Issue+7_Kat+Riesing-4.jpg</image:loc>
      <image:title>Archive - An Interview with Katarina Riesing - Make it stand out</image:title>
      <image:caption>Katarina Riesing, Grabby 2, 2019. Dye on silk crepe de chine, 20 x 19 1/2 inches. Courtesy of the artist and Asya Geisberg Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648516328201-7GWEJPLW6X64CZ4THPQP/617ad740ba9d5fcf7a3f151c_Cornelia+Issue+7_Kat+Riesing-5.jpg</image:loc>
      <image:title>Archive - An Interview with Katarina Riesing - Make it stand out</image:title>
      <image:caption>Katarina Riesing, Razor Burn, 2020, installation view, Asya Geisberg Gallery. Photo: Etienne Frossard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - An Interview with Katarina Riesing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/7-wayward-riders</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648425864204-9PQV1DN9HVZXIXHS3ANM/6168a7599f21157005aab773__MCP0080.jpeg</image:loc>
      <image:title>Archive - Wayward Riders - Make it stand out</image:title>
      <image:caption>DJ Carr, Real Bike Life Only 2020. Digital c-print, 11 x 7 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648426215657-Q0OQRSNODKEPWAOIZORQ/6168a81e10665ec6f23ba7a6__MCP7887.jpeg</image:loc>
      <image:title>Archive - Wayward Riders - Make it stand out</image:title>
      <image:caption>DJ Carr, McCarthy Park meet up, 2020. Digital c-print, 11x14 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648426461932-4ZXFFA9RQA1KEZYQN7DG/6168a8250402ca49afbff521_Copy+of+crossroadshires-1.jpg</image:loc>
      <image:title>Archive - Wayward Riders - Make it stand out</image:title>
      <image:caption>DJ Carr: Crossroads, 2021, installation view, The Buffalo Institute for Contemporary Art. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648426547709-QBBSM3HWHX03YNH7CLA6/6168a82a5df5fcb4852eb5a1_Copy+of+crossroadshires-2.jpg</image:loc>
      <image:title>Archive - Wayward Riders - Make it stand out</image:title>
      <image:caption>DJ Carr: Crossroads, 2021, installation view, The Buffalo Institute for Contemporary Art. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648426634415-WIBML4QLRFW8SN2ZZL7X/6168a8a01769cd20c3b1fd42__MCP8255.jpeg</image:loc>
      <image:title>Archive - Wayward Riders - Make it stand out</image:title>
      <image:caption>DJ Carr, Niagara St crucifix, 2020. Digital c-print, 11 x 14 inches. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/7-imagine-enigma-elizabeth-murray-at-ub-art-galleries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648849092702-4R5P91TZVRP5TV5SV4VP/6171e450f2ed24971f56196d_embit-11.jpg</image:loc>
      <image:title>Archive - Imagine Enigma: Elizabeth Murray at UB Art Galleries - Make it stand out</image:title>
      <image:caption>Elizabeth Murray: Back in Town, 2021, installation view, University at Buffalo Art Galleries. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648849423552-OUBRB5SUJ466R0MCT83P/6171e449b246f0eb873e6282_embit-23.jpg</image:loc>
      <image:title>Archive - Imagine Enigma: Elizabeth Murray at UB Art Galleries - Make it stand out</image:title>
      <image:caption>Elizabeth Murray: Back in Town, 2021, installation view, University at Buffalo Art Galleries. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648849607436-71VKJZSUW6V9HCKZIKGL/6171e43383b36d01dbab0a46_embit-28.jpg</image:loc>
      <image:title>Archive - Imagine Enigma: Elizabeth Murray at UB Art Galleries - Make it stand out</image:title>
      <image:caption>Elizabeth Murray: Back in Town, 2021, installation view, University at Buffalo Art Galleries. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648849724317-RDJ633X3KWMU96OGKNI0/6171e4119534b227e459d3b3_embit-37.jpg</image:loc>
      <image:title>Archive - Imagine Enigma: Elizabeth Murray at UB Art Galleries - Make it stand out</image:title>
      <image:caption>Elizabeth Murray (1940-2007), Everybody Knows (detail), 2007. Oil on canvas, 87 1/4 x 93 inches. © 2021 The Murray-Holman Family Trust/Artists Rights Society, New York. Courtesy of Gladstone Gallery, New York. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1648849889737-0267UURP5VHPIH8B1BGK/6171e3bb48efbf0e9a5f3083_embit-48.jpg</image:loc>
      <image:title>Archive - Imagine Enigma: Elizabeth Murray at UB Art Galleries - Make it stand out</image:title>
      <image:caption>Elizabeth Murray: Back in Town, 2021, installation view, University at Buffalo Art Galleries. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Imagine Enigma: Elizabeth Murray at UB Art Galleries - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/7-a-mediated-decay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650053024340-4NG203PQKR3BXHT4AJY7/615f0dc9dca9645d3b60b85a_Copy+of+01_BrutusPorous.jpg</image:loc>
      <image:title>Archive - A Mediated Decay - Make it stand out</image:title>
      <image:caption>Brutus Porous, 2021, installation view, Egret Egress. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650053246248-3Q854YZ2W5HG4ZYCDX6K/615f0e4dd2be262a32f45c0a_Copy+of+18_BrutusPorous.jpg</image:loc>
      <image:title>Archive - A Mediated Decay - Make it stand out</image:title>
      <image:caption>Emma Welch, flower fence (8), 2021, colour pencil, oil pastel, soft pastel on linen over panel, artist's frame with black epoxy balls, 12 x 9 inches. Installation view in Brutus Porous, Egret Egress. Courtesy of the artist. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650053315550-FD1OYYLM6P3LEERLYVJX/615f0e5435823248af54b3eb_Copy+of+21_BrutusPorous.jpg</image:loc>
      <image:title>Archive - A Mediated Decay - Make it stand out</image:title>
      <image:caption>Brutus Porous, 2021, installation view, Egret Egress. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650053385964-0BBZFTGEZB33MAUWTTMU/615f0e594db00ba34eb5f3df_Copy+of+28_BrutusPorous.jpg</image:loc>
      <image:title>Archive - A Mediated Decay - Make it stand out</image:title>
      <image:caption>Emma Welch, Climber (with orbs) (detail), 2021. Cardboard, epoxy putty, acrylic paint, with black epoxy balls, 46 x 100 inches. Courtesy of the artist. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650053480845-YQVA5IWH1OWSXBNDEASY/615f0ed1d7dca9591b43ef38_Copy+of+16_BrutusPorous.jpg</image:loc>
      <image:title>Archive - A Mediated Decay - Make it stand out</image:title>
      <image:caption>Brutus Porous, 2021, installation view, Egret Egress. Photo: LFdocumentation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - A Mediated Decay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/7-tina-rivers-ryan-and-paul-vanouse-on-difference-machines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650055579081-NO6H94AV3RQFLDDALKEQ/6154f2484e1049c1dd9fb764_EXH3945.png</image:loc>
      <image:title>Archive - Tina Rivers Ryan and Paul Vanouse on Difference Machines - Make it stand out</image:title>
      <image:caption>A.M. Darke, 'Ye or Nay? (video game still), 2020. Online game. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650055667355-Q48TU5A5NS2I51LX292S/6154f28c7f3e221d1db98d9d_EXH3955.jpg</image:loc>
      <image:title>Archive - Tina Rivers Ryan and Paul Vanouse on Difference Machines - Make it stand out</image:title>
      <image:caption>Keith Piper, Surveillance: Tagging the Other, 1992, installation view. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650055866547-CQWHA4O9O3CUARMAGRNB/6154f2eb67f8fa05f2268bd8_rpstill4.png</image:loc>
      <image:title>Archive - Tina Rivers Ryan and Paul Vanouse on Difference Machines - Make it stand out</image:title>
      <image:caption>Rian Ciela Hammond, Root Picker (video still), 2021. Digital video, color, sound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650056169170-5IO9NN8SLBVO7CNP333A/614cb26a53acb47c7e519976_heritage-gold-editing%404x.png</image:loc>
      <image:title>Archive - Tina Rivers Ryan and Paul Vanouse on Difference Machines - Make it stand out</image:title>
      <image:caption>Mongrel, Heritage Gold, 1997. Software program displayed on vintage CRT monitor. Dimensions variable. Courtesy of the artists and Rhizome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650056446785-2SMBY0TD4NQSKTOVRUWW/6154f349225edd22e0886601_EXH3959.png</image:loc>
      <image:title>Archive - Tina Rivers Ryan and Paul Vanouse on Difference Machines - Make it stand out</image:title>
      <image:caption>Lior Zalmanson, Excess Ability (video still), 2014. Digital video, color, sound, 7:16 minutes. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/7-letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650059213850-J21JZN3766THHYHSQ4L5/614cb7e475003e3ed0886b4b_Cover+Files+%281%29.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650059296757-9V9N4ACW0WDDTZX18DLZ/614cb7f0a83df13d20848f8f_Cover+Files2+%281%29.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/6-abstract-conversations-between-julie-mehretu-and-art-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650667643926-V2TH3V8GQC1KD0U5JYI3/60a67d8f86890f70089f7ed8_1.jpg</image:loc>
      <image:title>Archive - Abstract Conversations Between Julie Mehretu and Art History - Make it stand out</image:title>
      <image:caption>Artist’s Eye on the Collection: Julie Mehretu, 2004, installation view, Albright-Knox Art Gallery. Photo: Biff Henrich, Keystone, for the Albright-Knox Art Gallery, Buffalo, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650667751750-5P319WPCKOTV8YAFUJXE/60a684eba3ec6a747260bd55_2.jpg</image:loc>
      <image:title>Archive - Abstract Conversations Between Julie Mehretu and Art History - Make it stand out</image:title>
      <image:caption>Artist’s Eye on the Collection: Julie Mehretu, 2004, installation view, Albright-Knox Art Gallery. Photo: Biff Henrich, Keystone, for the Albright-Knox Art Gallery, Buffalo, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650667909122-VMFJY8IS26BGBZKQ3YDV/60a684f243fa4bf42cbf2a53_3.jpg</image:loc>
      <image:title>Archive - Abstract Conversations Between Julie Mehretu and Art History - Make it stand out</image:title>
      <image:caption>Artist’s Eye on the Collection: Julie Mehretu, 2004, installation view, Albright-Knox Art Gallery. Photo: Biff Henrich, Keystone, for the Albright-Knox Art Gallery, Buffalo, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650667976415-CCP3ROIJST25AWSUNAYO/60a684ff20770d5759169eb1_4.AGO.162733.jpg</image:loc>
      <image:title>Archive - Abstract Conversations Between Julie Mehretu and Art History - Make it stand out</image:title>
      <image:caption>Antoinette Bouzonnet-Stella (French, 1641–1676), Plate 2, from The Entry of the Emperor Sigismund into Mantua, 18th Century. Engraving on paper, Sheet: 22 × 50.5 cm (8 11/16 × 19 7/8 in.).  Art Gallery of Ontario, Purchase, with funds from James Lahey and Pym Buitenhuis, Christopher Birt and Yeti Agnew, and The Marjorie and Gerald Bronfman Works on Paper Endowment Fund, 2019, Photo © Art Gallery of Ontario 2019/2321.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650668200131-F72DQMYX8HOMRN9HSPXT/60a685057822496aa8d99105_5.AGO.162761.jpg</image:loc>
      <image:title>Archive - Abstract Conversations Between Julie Mehretu and Art History - Make it stand out</image:title>
      <image:caption>Julie Mehretu (American, born 1970), Algorithms, Apparitions and Translations, 2013. Etching with aquatint, spitbite, soft ground, hardground, drypoint and engraving in black and coloured ink on paper. Plate Mark: 57.6 × 75 cm (22 11/16 × 29 1/2 in.)  Art Gallery of Ontario, Purchase, with funds from the Trier-Fodor Fund, 2019, 2019/2322.4 © Julie Mehretu, courtesy Marion Goodman Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/6-ryan-arthurs-on-rivalry-projects-and-returning-to-buffalo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650663990612-FR8M9NPATRSL1J9HA4AJ/609dcd77f57aefa9b1758f67_5.jpg</image:loc>
      <image:title>Archive - Ryan Arthurs on Rivalry Projects and Returning to Buffalo - Make it stand out</image:title>
      <image:caption>Ryan Arthurs in his studio and production space. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650664153549-STDU7G8O4GMIKHUG2SI6/609dcdeccb784c6f81d5a936_4.jpg</image:loc>
      <image:title>Archive - Ryan Arthurs on Rivalry Projects and Returning to Buffalo - Make it stand out</image:title>
      <image:caption>Photo: Ryan Arthurs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650664291888-4TJYGQTS9KQPFHJ77GAP/609dce327e72f3c7bfe51aec_3.jpg</image:loc>
      <image:title>Archive - Ryan Arthurs on Rivalry Projects and Returning to Buffalo - Make it stand out</image:title>
      <image:caption>Dan Boardman, Sifting Screen, 2017. Pigment print, photograph made in-camera, 66 1/2 × 42 inches. Edition 1/3 + 2 AP. Courtesy the artist and Rivalry Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650664440790-ITAGYI0DEAUGFTW3N3FK/609dce87a7c6cc16c86e08fd_2.jpg</image:loc>
      <image:title>Archive - Ryan Arthurs on Rivalry Projects and Returning to Buffalo - Make it stand out</image:title>
      <image:caption>Breaking the Material Plane: Part I, 2021, installation view, Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650664539759-6FDXLB9DLPCMFE26JTAJ/609dcec6439fc48d6781a80d_1.jpg</image:loc>
      <image:title>Archive - Ryan Arthurs on Rivalry Projects and Returning to Buffalo - Make it stand out</image:title>
      <image:caption>Breaking the Material Plane: Part I, 2021, installation view, Rivalry Projects. Photo: Ryan Arthurs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Ryan Arthurs on Rivalry Projects and Returning to Buffalo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/6-the-quarantine-querent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650658467771-3LP4ZH417TV8ORTLNAMW/608b27ee74fe43080074b14a_1.jpg</image:loc>
      <image:title>Archive - The Quarantine Querent - Make it stand out</image:title>
      <image:caption>Praying on the Name, 2021, installation view, Kingfish Gallery. Photo: Adam Thibodeaux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650658629786-F4DLL4Y0UBI3J1OHQN94/608b27f719cfb34772f679c8_2.jpg</image:loc>
      <image:title>Archive - The Quarantine Querent - Make it stand out</image:title>
      <image:caption>Praying on the Name, 2021, installation view, Kingfish Gallery. Photo: Adam Thibodeaux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650658755361-CA58IJCSWB41JB3K5IRG/608b2800dad9108ab16d8470_3.jpg</image:loc>
      <image:title>Archive - The Quarantine Querent - Make it stand out</image:title>
      <image:caption>Amaryllis deJesus Moleski, Ceiling Scratcher (appeasing the ghost), 2020. Acrylic nails and gemstone, bone, iridescent sequin, braiding hair, resin, 18 × 5 × 5 inches. Courtesy of the artist. Photo: Adam Thibodeaux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650658965143-MCJD8KK60TQVPULZ10RB/608b2809dfb1e0758caf6533_4.jpg</image:loc>
      <image:title>Archive - The Quarantine Querent - Make it stand out</image:title>
      <image:caption>Emile Mausner, Human, All Too Human, 2020. Papier-mache, watercolor, wax medium, vintage kewpie fairy celluloid lapel pin, 7 1/3 × 5 ×1 1/2 inches. Courtesy of the artist. Photo: Adam Thibodeaux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650659090631-5Q7VMTCWO319H8D9NZ2O/608b280c4a4b0a6ec1136e32_5.jpg</image:loc>
      <image:title>Archive - The Quarantine Querent - Make it stand out</image:title>
      <image:caption>Julia Rooney, Waiting Game (01), 2020. Gouache and enamel on plastic tiles, embedded in molded paper pulp and paint, 7 1/4 × 9 1/4 × 1/2 inches. Courtesy of the artist. Photo: Adam Thibodeaux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - The Quarantine Querent - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/6-people-places-traces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650652224786-GJ9QHEI2ROIBUNTWJZYC/60947a238de13060197edd78_8.jpg</image:loc>
      <image:title>Archive - People, Places, Traces - Make it stand out</image:title>
      <image:caption>Dawit L. Petros, Untitled (Epilogue II and IV), Nefasit, Eritrea, 2019, installation view, Dawit L. Petros: Spazio Disponibile, 2020-21, University at Buffalo Art Galleries. Courtesy of the artist. Photo: Biff Henrich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650652352190-UBSYIGEBZSG2BOF44VSC/60947a67a51c33cd028ebc33_2.jpg</image:loc>
      <image:title>Archive - People, Places, Traces - Make it stand out</image:title>
      <image:caption>Justina Dziama, Hard Manufacturing (1A), 2020, installation view, A Millimeter of Space, 2020, Buffalo Arts Studio. Courtesy the artist. Photo: Curtis Kreutter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650652483138-74AJCHURLDE0H2MKXZH4/60947a710af0ac3c3e5fd613_3.jpg</image:loc>
      <image:title>Archive - People, Places, Traces - Make it stand out</image:title>
      <image:caption>Justina Dziama, installation view, A Millimeter of Space, 2020, Buffalo Arts Studio. Courtesy the artist. Photo: Curtis Kreutter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650652625981-H05TU5S59HUQR3H3MV06/60947a96136ee22845a1a114_4.jpg</image:loc>
      <image:title>Archive - People, Places, Traces - Make it stand out</image:title>
      <image:caption>Dawit L. Petros: Spazio Disponibile, 2020, installation view, University at Buffalo Art Galleries. Photo: Biff Henrich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650652762302-QLMFCPT0NW0GDJ6BZZHW/60947aa0394b3e8c8ca47c6a_7.jpg</image:loc>
      <image:title>Archive - People, Places, Traces - Make it stand out</image:title>
      <image:caption>Dawit L. Petros, Barelle (1-6), 2013, installation view, Dawit L. Petros: Spazio Disponibile, 2020, University at Buffalo Art Galleries. Photo: Biff Henrich</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - People, Places, Traces - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/6-buffalo-kids</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
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      <image:title>Archive - Buffalo Kids : Visual Artistry Grows in Buffalo’s Hip-Hop Scene - Make it stand out</image:title>
      <image:caption>$eeing Sounds, Studio View, 2021. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650482991033-5BSSYS2PA6B7I59HS06Z/608051bb8538f2ae02ad428b_2.jpg</image:loc>
      <image:title>Archive - Buffalo Kids : Visual Artistry Grows in Buffalo’s Hip-Hop Scene - Make it stand out</image:title>
      <image:caption>$eeing Sounds in his Studio, 2021. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650483085931-LVBBGU5P812FM1O77GKJ/608051bf61cb571be98be9d3_5.jpg</image:loc>
      <image:title>Archive - Buffalo Kids : Visual Artistry Grows in Buffalo’s Hip-Hop Scene - Make it stand out</image:title>
      <image:caption>Buffalo Kids at the Galleria Mall. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650483391729-RWIOJIXLPIXEC16NZQK2/608051c4cd141e9ceca89a9f_6.jpg</image:loc>
      <image:title>Archive - Buffalo Kids : Visual Artistry Grows in Buffalo’s Hip-Hop Scene - Make it stand out</image:title>
      <image:caption>Work by DNNTWATCHTV (Center). Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650483484700-GRS7VDL5BUZ0HC6HWUJQ/608051ca32bc1773e129f419_7.jpg</image:loc>
      <image:title>Archive - Buffalo Kids : Visual Artistry Grows in Buffalo’s Hip-Hop Scene - Make it stand out</image:title>
      <image:caption>Work by DNNTWATCHTV. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Buffalo Kids : Visual Artistry Grows in Buffalo’s Hip-Hop Scene - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/6-letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650669167178-8TKRHT52LLDJYS79SOXY/60804d0834aa25d5e908f787_Screen+Shot+2021-04-21+at+11.50.55+AM.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor, Issue 6 - Make it stand out</image:title>
      <image:caption>Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650669329827-YJB3EQH181EXE9HUAZ2F/608047d8272e203e8858e092_Nando_Alvarez-Perez_5_instagram.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor, Issue 6 - Make it stand out</image:title>
      <image:caption>Photo: Jacob Vogan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1650669546383-9JL2VBQIFK3TFP5XFDDY/60804d58a49cd01a9b62158e_Screen+Shot+2021-04-21+at+11.49.45+AM.jpeg</image:loc>
      <image:title>Archive - Letter from the Editor, Issue 6 - Make it stand out</image:title>
      <image:caption>Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Letter from the Editor, Issue 6 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/microbes-bodies-biomes-borders-a-pandemic-ferment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651258155880-W6ICSFC5ICHRC1MV8B0O/6039c1efb413134b32ea3683_image.jpeg</image:loc>
      <image:title>Archive - Microbes, Bodies, Biomes, Borders: A Pandemic Ferment - Make it stand out</image:title>
      <image:caption>TJ Shin: Microbial Speculation of Our Gut Feelings, 2020, installation view, Recess. Photo: Mary Kang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651258417422-9QRRHDP47PFPHFA4JZW0/6039c1f3c64cece2de9b0905_image.jpeg</image:loc>
      <image:title>Archive - Microbes, Bodies, Biomes, Borders: A Pandemic Ferment - Make it stand out</image:title>
      <image:caption>TJ Shin: Microbial Speculation of Our Gut Feelings, 2020, installation view, Recess. Photo: Mary Kang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651258605324-I6Q0TTJH8DCW67HZBW5T/6039c1f7e2a61907edcd9cd6_image.jpeg</image:loc>
      <image:title>Archive - Microbes, Bodies, Biomes, Borders: A Pandemic Ferment - Make it stand out</image:title>
      <image:caption>TJ Shin: M for Membrane, 2020, installation view, Wave Hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651258750837-SU781E4MBDMFH43B4SRP/6039c1ff49648248dbb2a57a_image.jpeg</image:loc>
      <image:title>Archive - Microbes, Bodies, Biomes, Borders: A Pandemic Ferment - Make it stand out</image:title>
      <image:caption>TJ Shin: Microbial Speculation of Our Gut Feelings, 2020, installation view, Recess. Photo: Mary Kang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651258879977-T93T2X5C7A0P3U2U3NQY/6039c1ffe2a619da1ecd9cda_image.jpeg</image:loc>
      <image:title>Archive - Microbes, Bodies, Biomes, Borders: A Pandemic Ferment - Make it stand out</image:title>
      <image:caption>TJ Shin: Microbial Speculation of Our Gut Feelings, 2020, installation view, Recess. Photo: Mary Kang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651259007050-IXB99FBV0W165LUMA0AK/6039c63e9fd7463a35b06f2b_image.jpeg</image:loc>
      <image:title>Archive - Microbes, Bodies, Biomes, Borders: A Pandemic Ferment - Make it stand out</image:title>
      <image:caption>TJ Shin: Microbial Speculation of Our Gut Feelings, 2020, installation view, Recess. Photo: Mary Kang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/vulnerability-in-the-club-ryan-huff-in-conversation-with-kyla-kegler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651260561933-PUZ882SFEV4ZDXWECZ86/6039d35aba16f88ea948562f_image.jpeg</image:loc>
      <image:title>Archive - Vulnerability in the Club: Ryan Huff in Conversation with Kyla Kegler - Make it stand out</image:title>
      <image:caption>pretty pillow princess, i have a strong crush on a couple people, 2020. Ink on paper, 8.5 x 11 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651261000150-L3CYHFOGEM64ZA5AF08R/6039d38a83ba30552cc6c2cd_image.jpeg</image:loc>
      <image:title>Archive - Vulnerability in the Club: Ryan Huff in Conversation with Kyla Kegler - Make it stand out</image:title>
      <image:caption>pretty pillow princess, made to order, 2020. Ink on paper, 8.5 x 11 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651261136767-VPU0MV7AIWDXMGN1SFUY/6039d38ecdeb0248b1d2589d_image.jpeg</image:loc>
      <image:title>Archive - Vulnerability in the Club: Ryan Huff in Conversation with Kyla Kegler - Make it stand out</image:title>
      <image:caption>pretty pillow princess, Inkblot, 2020. Polaroid collage. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651261365102-L0V6513LAZLI6KSG7JWX/6039d391aafbd73f48870207_image.jpeg</image:loc>
      <image:title>Archive - Vulnerability in the Club: Ryan Huff in Conversation with Kyla Kegler - Make it stand out</image:title>
      <image:caption>pretty pillow princess, Untitled (Documentation of drag performances), 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651261588882-MR7OQFV8P04O1P3ZBL74/6039d39583ba305e8cc6c30e_image.jpeg</image:loc>
      <image:title>Archive - Vulnerability in the Club: Ryan Huff in Conversation with Kyla Kegler - Make it stand out</image:title>
      <image:caption>pretty pillow princess, can’t fall again, 2020. Pencil on paper. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651261739853-XUKWRZUAMGEMLG3NTZOF/6039d398e2a619a4a1cdbeb7_image.jpeg</image:loc>
      <image:title>Archive - Vulnerability in the Club: Ryan Huff in Conversation with Kyla Kegler - Make it stand out</image:title>
      <image:caption>pretty pillow princess, inkblot, 2020. Digital Photograph. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/close-quarters-queer-liminal-spaces-in-the-pandemic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651270752502-L5J0OH5H5FC7BEJ2QK6Y/6039d4fa4e59317b62b02360_image.jpeg</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>Jamie Curry, Just Here (detail), 2020. Installation. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651270873068-VIFL8BQYHIYXLDODJKBV/6039d4ff1d3cc543ad892be0_image.jpeg</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>Jamie Curry, Just Here (detail), 2020. Installation. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651270957299-OKLO9XU0IJDGSG5VSL46/6039d51be2a619b24ccdc99b_image.jpeg</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>Jamie Curry, Just Here (detail), 2020. Installation. Courtesy of the artist. Photo: Colter Harper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651271145547-GRG3VWJ5DDZQARCQ6L74/6039d51fd9a3b5ee7adbac69_image.jpeg</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>John Santomieri, Finding Home (detail), 2020. Performance. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651271334074-SL3930DH4HD57AJXGEWY/6039d523b15be32f4433ba58_image.jpeg</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>John Santomieri, Finding Home (detail), 2020. Performance. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651271410668-2BZNGHJB550QSP1NRKCZ/6039d526a83b1a72ab95fe93_image.jpeg</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>John Santomieri, Finding Home (detail), 2020. Performance. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Archive - Close Quarters: Queer Liminal Spaces in the Pandemic - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/matt-kenyons-empathy-machines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652113920528-PIC4D8JXVOBTJPCEA4RU/6039d86faafbd78c2b870ff7_image.jpeg</image:loc>
      <image:title>Archive - Matt Kenyon’s Empathy Machines - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Supermajor, 2012. Oil cans, rack, pumps, custom lighting. Courtesy of the artist. Photo: John Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652114069327-K9SKF648R96XV75A3DGL/6039d873f4f45c1ed34ebe70_image.jpeg</image:loc>
      <image:title>Archive - Matt Kenyon’s Empathy Machines - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Tap, 2019. Natural gas, plasma speaker, custom lighting, audio interviews. Courtesy of the artist. Photo: John Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652114133831-OHEB0LI3E5K5HGAHF5OL/6039d87ad9a3b5ba11dbb467_image.jpeg</image:loc>
      <image:title>Archive - Matt Kenyon’s Empathy Machines - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Alternative Rule, 2020. Micro-printed alternate-rule paper. Courtesy of the artist. Photo: John Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652114335606-G0OYKUAO4QTYXDBU6HLL/6039d87fd034902b5327d1c2_image.jpeg</image:loc>
      <image:title>Archive - Matt Kenyon’s Empathy Machines - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Supermajor, 2012. Oil cans, rack, pumps, custom lighting. Courtesy of the artist. Photo: John Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652115337967-JHO0OIL7NP24A9784902/6039d88216b10d7b11579111_image.jpeg</image:loc>
      <image:title>Archive - Matt Kenyon’s Empathy Machines - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Lockset, 2020. Custom cut keys and deadbolt locks. Courtesy of the artist. Photo: John Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652114540452-NKXGQHSBL6GWB3GQSVT0/6039d886f8d15c03b373d491_image.jpeg</image:loc>
      <image:title>Archive - Matt Kenyon’s Empathy Machines - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Tide, 2020. Champagne glasses, houses, pumps, custom electronics. Courtesy of the artist. Photo: John Opera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/the-ecologies-of-kinship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651272239473-I3LBEZYPWOZD0I1BVEJR/6039d6ff6827adc4561b7a62_image.jpeg</image:loc>
      <image:title>Archive - The Ecologies of Kinship: A Double Exhibition Review - Make it stand out</image:title>
      <image:caption>Jennifer Rose Sciarrino: for Swan, 2020, installation view, Daniel Faria Gallery, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651272387271-T0I1IQRKIIC69P8ACLIB/6039d7114e593147a5b03502_image.jpeg</image:loc>
      <image:title>Archive - The Ecologies of Kinship: A Double Exhibition Review - Make it stand out</image:title>
      <image:caption>Jennifer Rose Sciarrino, knot in the act, 2020. Carved alabaster, 7 x 16 x 9 1/2 inches. Courtesy of the artist and Daniel Faria Gallery, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651272450265-XB2ZL3K3TZX5IKU1DJMQ/6039d7135dc3e9f6036ef55f_image.jpeg</image:loc>
      <image:title>Archive - The Ecologies of Kinship: A Double Exhibition Review - Make it stand out</image:title>
      <image:caption>Jennifer Rose Sciarrino, the splits, 2020. Carved alabaster, 3 x 14 ½ x 4 ½ inches. Courtesy of the artist and Daniel Faria Gallery, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651272574725-WS7S5WRMZ0A472K8MDGG/6039d7161be19f6e7b7af047_image.jpeg</image:loc>
      <image:title>Archive - The Ecologies of Kinship: A Double Exhibition Review - Make it stand out</image:title>
      <image:caption>Jennifer Rose Sciarrino, the splits, 2020. Carved alabaster, 3 x 14 ½ x 4 ½ inches.Courtesy of the artist and Daniel Faria Gallery, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651272712517-N1PH9N6NT0EAB1B335R0/6039d73941335208e9247a1f_image.jpeg</image:loc>
      <image:title>Archive - The Ecologies of Kinship: A Double Exhibition Review - Make it stand out</image:title>
      <image:caption>Tau Lewis, Symphony, 2020. Various recycled and hand-dyed fabrics, recycled leather, cotton batting, beads, acrylic paint, PVA glue, metal hoop skirt, pipe, seashells, wire, dimensions variable. Courtesy of the artist and Cooper Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1651272879873-NVJ78EP56ED1ZB5HM0K3/6039d72329478f0b4d15dbb3_image.jpeg</image:loc>
      <image:title>Archive - The Ecologies of Kinship: A Double Exhibition Review - Make it stand out</image:title>
      <image:caption>Tau Lewis, Opus (The Ovule), 2020. Various recycled and hand-dyed fabrics, recycled leather, acrylic paint, recycled polyester batting, jute, metal, PVA glue, secret objects, safety pins, metal hooks, wire, dimensions variable. Courtesy of the artist and Cooper Cole Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652115932295-VFCHKNILGUACAXZ1KVKS/6039e267d03490dd7127f717_Letter+to+the+Editor+Issue+5.png</image:loc>
      <image:title>Archive - Letter from the Editor: Issue 5 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/wont-you-be-my-zoom-neighbor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652116778037-PQNFGCD8VT0NYDT8USZA/60374c69b5f8e236c0dc7a0e_1.jpg</image:loc>
      <image:title>Archive - Won’t You Be My Zoom Neighbor? Intimacy And Liveness In Kyla Kegler’s It’s You I Like - Make it stand out</image:title>
      <image:caption>Kyla Kegler, It’s You I Like (Episode 2: Relationships), Zoom video screen capture. Photo courtesy Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652116870794-QM47UELLTZZP6RHOX57N/60374c6da788f26e3f686d59_2.jpg</image:loc>
      <image:title>Archive - Won’t You Be My Zoom Neighbor? Intimacy And Liveness In Kyla Kegler’s It’s You I Like - Make it stand out</image:title>
      <image:caption>Kyla Kegler, It’s You I Like (Episode 1: Home), Zoom video screen capture. Photo courtesy Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652117862083-3W61XTA8MN7SSKLMTBWE/60374c733b7cea617a1c6a07_3.jpg</image:loc>
      <image:title>Archive - Won’t You Be My Zoom Neighbor? Intimacy And Liveness In Kyla Kegler’s It’s You I Like - Make it stand out</image:title>
      <image:caption>Kyla Kegler, It’s You I Like (Episode 1: Home), Zoom video screen capture. Photo courtesy Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652118308009-P5M9T7KBWZVLT0XL08IU/60374c75bea45af43d97605c_4.jpg</image:loc>
      <image:title>Archive - Won’t You Be My Zoom Neighbor? Intimacy And Liveness In Kyla Kegler’s It’s You I Like - Make it stand out</image:title>
      <image:caption>Kyla Kegler, It’s You I Like (Episode 2: Relationships), Zoom video capture. Photo courtesy Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652118416110-1L7SN6U4DUDKANORPZIG/60374c78456a583aba31447b_5.jpg</image:loc>
      <image:title>Archive - Won’t You Be My Zoom Neighbor? Intimacy And Liveness In Kyla Kegler’s It’s You I Like - Make it stand out</image:title>
      <image:caption>Kyla Kegler, It’s You I Like (Episode 2: Relationships), Zoom video capture. Photo courtesy Kyla Kegler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652118585574-UFZ6MYCP7XC2X2D5T5W7/60374cfe82639c7f72ecffe9_6.jpg</image:loc>
      <image:title>Archive - Won’t You Be My Zoom Neighbor? Intimacy And Liveness In Kyla Kegler’s It’s You I Like - Make it stand out</image:title>
      <image:caption>Kyla Kegler, It’s You I Like (Episode 2: Relationships), Zoom video capture. Photo courtesy Kyla Kegler.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/there-are-more-than-four</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652119645686-5GK01JD9PY2Y5BWI6MYL/6037f61f4346de3a99fb767c_image.jpeg</image:loc>
      <image:title>Archive - THERE ARE MORE THAN FOUR - Make it stand out</image:title>
      <image:caption>There are more than four, Installation view at Cooper Cole Gallery, 2020. Courtesy of Cooper Cole, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652119762145-VAPW9H9UBW7IMGLKIV5O/6037f62329ecf88cdc808432_image.jpeg</image:loc>
      <image:title>Archive - THERE ARE MORE THAN FOUR - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652119894787-64X38G0YAQM0N16ET540/6037f62507919c053e2c80a0_image.jpeg</image:loc>
      <image:title>Archive - THERE ARE MORE THAN FOUR - Make it stand out</image:title>
      <image:caption>Tim Jocelyn, Gordon's suede shirt, 1982. Courtesy Cooler Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652120007555-XQM24JMOLI68TATIO6GS/6037f6281fac1803a8dc9866_image.jpeg</image:loc>
      <image:title>Archive - THERE ARE MORE THAN FOUR - Make it stand out</image:title>
      <image:caption>obert Flack, Etheric Double, 1990. Courtesy Cooper Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652120090080-ZR7X0NW7K7MEE5KTPHYI/6037f62e797292d92246502b_image.jpeg</image:loc>
      <image:title>Archive - THERE ARE MORE THAN FOUR - Make it stand out</image:title>
      <image:caption>Chrysanne Stathacos, 1-900 Mirror Mirror, 1993–2020. Courtesy Cooper Cole Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/commercial-art-acquisitions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652121083350-XKZ6A1L6FU49ZRAA093X/6037f7512d0f188164caf338_image.jpeg</image:loc>
      <image:title>Archive - Commercial Art Acquisitions - Make it stand out</image:title>
      <image:caption>A work from the Roswell Park Art Collection. Shasti O’Leary-Soudant, Wish Field, 2016. Powder-coated rigidized stainless steel, 40x15 feet. Photo by Shasti O’Leary Soudant. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652121192379-P7WWB2E4N9ML4B3PLLD0/6037f766f00733724570d7d4_image.jpeg</image:loc>
      <image:title>Archive - Commercial Art Acquisitions - Make it stand out</image:title>
      <image:caption>A work from the Roswell Park Art Collection. Virocode (Peter D’Auria &amp; Andrea Mancuso), AutoMobius, 2006. Photograph. Photo by Charles Albanese. Courtesy of the Artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652121253447-8SG6TN3285HZDDG0MU08/6037f769652f7db185266146_image.jpeg</image:loc>
      <image:title>Archive - Commercial Art Acquisitions - Make it stand out</image:title>
      <image:caption>Work by Zsolt Bodoni, purchased for the Dent Neurologic Institute. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652121386588-5DXPVY9XHGJG5A042MNF/6037f76ced7a6d3314655527_image.jpeg</image:loc>
      <image:title>Archive - Commercial Art Acquisitions - Make it stand out</image:title>
      <image:caption>Lazlo Mechtler with work by Zsolt Bodoni, purchased for the Dent Neurologic Institute. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/re-writing-the-real-speculative-fiction-as-cultural-criticism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652124155688-VOH02TEEQC7K50NS54M0/6037f9ee1db65be4d1faaf9a_image.jpeg</image:loc>
      <image:title>Archive - Re-Writing the Real: Speculative Fiction as Cultural Criticism - Make it stand out</image:title>
      <image:caption>Syrus Marcus Ware: Ancestors, Can You Read Us? (Dispatches From The Future) (installation view), 2019 © Larissa Issler, Ryerson Image Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652124272748-ZA33ID5D2T069GWU4XHJ/6037f9f2568a7a35c859380e_image.jpeg</image:loc>
      <image:title>Archive - Re-Writing the Real: Speculative Fiction as Cultural Criticism - Make it stand out</image:title>
      <image:caption>Lisa Jackson, Biidaaban, 2018, VR. Photo courtesy MOCA Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652124383993-Z8BNTEIKRUNHR1CHEJD4/6037fa1a22fed30f2b4c3e83_image.jpeg</image:loc>
      <image:title>Archive - Re-Writing the Real: Speculative Fiction as Cultural Criticism - Make it stand out</image:title>
      <image:caption>Laure Prouvost and Jonas Staal: Obscure Union.Commissioned by Mercer Union, Toronto,2019.Installation view:Mercer Union, 2020. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652124445046-A8SQ4ZYLNCXF9XJMEYH4/6037fa1ced7a6d7d53655f76_image.jpeg</image:loc>
      <image:title>Archive - Re-Writing the Real: Speculative Fiction as Cultural Criticism - Make it stand out</image:title>
      <image:caption>Bambitchell: Bugs and Beasts Before the Law.Commissioned by Mercer Union, Toronto, 2019.Installation view:Mercer Union, 2019. Photo: Toni Hafkenscheid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/letter-from-the-editor-issue-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652461068172-7UX2H4UBLN7FP1QIC7P7/6038112b7df06d85079d86e5_Cover.png</image:loc>
      <image:title>Archive - Letter from the Editor: Issue 4 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/why-public-art-now-a-meditation-in-three-acts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652292851910-J3VP29ZSFKQFJJSRHSR4/6037fb4afd7ba373a0a984a6_image.jpeg</image:loc>
      <image:title>Archive - Why Public Art Now - Make it stand out</image:title>
      <image:caption>Niagara Square 5/31/20. Photograph: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652293154918-OADEQK6DINWEWY27QI3A/6037fb4da82b9daf193556bb_image.jpeg</image:loc>
      <image:title>Archive - Why Public Art Now - Make it stand out</image:title>
      <image:caption>Alexa Joan Wajed’s proposed menu for Mezaland. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652293648300-1OOOAFA5MN0FR7G4KWR0/6037fc8015b8ed7b7f5051c6_image.jpeg</image:loc>
      <image:title>Archive - Why Public Art Now - Make it stand out</image:title>
      <image:caption>Alexa Joan Wajed. Photograph: Edreys Wajed</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-remembering-kenn-morgan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652478610706-QWZKUWGN0IX4HQT6TKU1/60678eecd243875a2ccdfa5d_hero.jpg</image:loc>
      <image:title>Archive - Remembering Kenn Morgan - Make it stand out</image:title>
      <image:caption>Kenn Morgan, image courtesy of Dave Corbett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652478441934-LFIIRHJELUZ1QL4MTCEE/60678ef03978c8b44d815a07_1.jpg</image:loc>
      <image:title>Archive - Remembering Kenn Morgan - Make it stand out</image:title>
      <image:caption>Photo by Kenn Morgan. Courtesy Locust Street Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-bruce-adams-in-proximity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652395036660-E9TOIQU1OF496K718UE8/Bruce+Adams+in+Proximity2.jpg</image:loc>
      <image:title>Archive - Bruce Adams in Proximity - Make it stand out</image:title>
      <image:caption>Bruce Adams, Stay Safe, 2020. Courtesy of the artist and Resource:Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-everything-looks-distorted-already-joan-linder-interviewed-by-becky-brown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652467232964-W6CK2SV7OC4BH0QTBG9F/606a69021e205c0c3ea92222_image.jpeg</image:loc>
      <image:title>Archive - Everything Looks Distorted Already: Joan Linder Interviewed by Becky Brown - Make it stand out</image:title>
      <image:caption>Brood, a solo exhibition of new drawings by Joan Linder at Nina Freudenheim Gallery, 2020. Courtesy of the artist. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652467408050-6UWDSHID0GR0IIEWAQI3/606a6906981fe68858b85971_image.jpeg</image:loc>
      <image:title>Archive - Everything Looks Distorted Already: Joan Linder Interviewed by Becky Brown - Make it stand out</image:title>
      <image:caption>Joan Linder, wegmans grade aa, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652467818688-2DHUQE2NURO4FW5EGCND/606a69098255e424f0f0e998_image.jpeg</image:loc>
      <image:title>Archive - Everything Looks Distorted Already: Joan Linder Interviewed by Becky Brown - Make it stand out</image:title>
      <image:caption>Joan Linder, zig zag, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652468038312-IU1NHMUAC41WVB9DZ4RD/606a690b4f1ab8558e6adef1_image.jpeg</image:loc>
      <image:title>Archive - Everything Looks Distorted Already: Joan Linder Interviewed by Becky Brown - Make it stand out</image:title>
      <image:caption>Joan Linder, the pink (detail), 2007. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652468198106-ZTEGIEPG3SC25LI5SVAC/606a6911fb08b4b4f37610fb_image.jpeg</image:loc>
      <image:title>Archive - Everything Looks Distorted Already: Joan Linder Interviewed by Becky Brown - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-remembering-john-pfahl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652474737925-8FCLX032OMZ4NTYDPRZS/606a67351cff2c7262f02f13_image.jpeg</image:loc>
      <image:title>Archive - Remembering John Pfahl - Make it stand out</image:title>
      <image:caption>John Pfahl, Turbulent Water Near Whirlpool, 1985.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652475220745-SP7N22PKYJBTAN6A1Z4E/606a673a044730ddf03e3f09_image.jpeg</image:loc>
      <image:title>Archive - Remembering John Pfahl - Make it stand out</image:title>
      <image:caption>Nina Freudenheim Gallery booth at Echo Art Fair, 2012.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-stephanie-temma-hier-at-franz-kaka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652729089719-SR9YJ2L22GSTX4JIEQH0/606a67ca8255e487b7f0e619_image.jpeg</image:loc>
      <image:title>Archive - Stephanie Temma Hier at Franz Kaka - Make it stand out</image:title>
      <image:caption>Stephanie Temma Heir, Spring now comes unheralded, 2020. Courtesy of the artist and Franz Kaka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652729342080-DN7QZC8UDN691M0V0K0T/606a67cffb08b46b34760bc6_image.jpeg</image:loc>
      <image:title>Archive - Stephanie Temma Hier at Franz Kaka - Make it stand out</image:title>
      <image:caption>Stephanie Temma Heir, 2020. Courtesy of the artist and Franz Kaka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652729410455-AX0T6JW54OV0NG19UBM1/606a67d3f6f460287526f733_image.jpeg</image:loc>
      <image:title>Archive - Stephanie Temma Hier at Franz Kaka - Make it stand out</image:title>
      <image:caption>Stephanie Temma Heir, An oyster may be crossed in love, 2020. Courtesy of the artist and Franz Kaka.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-remembering-jonathan-casey-jnxf5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652475851263-G9YHUIPB67RWW2CVYB06/606a68519386fcc52eb1df96_image.jpeg</image:loc>
      <image:title>Archive - Remembering Jonathan Casey - Make it stand out</image:title>
      <image:caption>Ryan Arthurs,Onward And Upward, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652476568526-C0H8KPU7JEW8LE70QMIF/606a6855f45cd369867201b6_image.jpeg</image:loc>
      <image:title>Archive - Remembering Jonathan Casey - Make it stand out</image:title>
      <image:caption>Ryan Arthurs. Plug That Big Gaping Hole And I'm Not Talking About Your Mouth, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652476642310-NWJAQOZLIC2WSSG43Y4R/606a6857ee6c278f9207ff1c_image.jpeg</image:loc>
      <image:title>Archive - Remembering Jonathan Casey - Make it stand out</image:title>
      <image:caption>Ryan Arthurs, Oh Shit…Watch Out Boys, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652477452617-T3VVJ7V33DKIKI25S8LD/606a685a73e522108befde0d_image.jpeg</image:loc>
      <image:title>Archive - Remembering Jonathan Casey - Make it stand out</image:title>
      <image:caption>Ryan Arthurs, Twerk Bitches, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652477498520-UN963D3FJ0RGBBEK24UM/606a685ca7e782805e358f14_image.jpeg</image:loc>
      <image:title>Archive - Remembering Jonathan Casey - Make it stand out</image:title>
      <image:caption>Ryan Arthurs, OMG Let's Have Six Packs By Spring, 2020. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652477594924-PL7NQVQWZGI5EN42M5KN/606a685ee5289d1522ce1365_image.jpeg</image:loc>
      <image:title>Archive - Remembering Jonathan Casey - Make it stand out</image:title>
      <image:caption>Ryan Arthurs, Oh Lord It's Like The Longest Goodbye Ever, 2020. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-emily-tucker-on-adapting-to-new-circumstances-and-the-importance-of-supporting-arts-organizations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652466437295-WOBHXYNNGADMOR4N4X32/606a6b659a08b69da2535008_image.jpeg</image:loc>
      <image:title>Archive - Emily Tucker on Adapting to New Circumstances and the Importance of Supporting Arts Organizations - Make it stand out</image:title>
      <image:caption>This interview took place on May 15th, 2020, and has been edited for clarity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652466596792-Q9486BN6RZ6QRRI0WS1J/606a6b743013aa48a80d6181_image.jpeg</image:loc>
      <image:title>Archive - Emily Tucker on Adapting to New Circumstances and the Importance of Supporting Arts Organizations - Make it stand out</image:title>
      <image:caption>Three Toma Yovanovich prints.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652466687170-C5WIX8DQW48NZO7OSDME/606a6b77af2d3ef04e968320_image.jpeg</image:loc>
      <image:title>Archive - Emily Tucker on Adapting to New Circumstances and the Importance of Supporting Arts Organizations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-remember-when-we-were-together-forever-at-cassandra-cassandra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652473819720-XF519ZC5MD1MNY1UDMBX/606a6c1905ece0e820e1a83f_image.jpeg</image:loc>
      <image:title>Archive - remember when we were together forever at Cassandra Cassandra - Make it stand out</image:title>
      <image:caption>remember when we were together forever, 2020. Installation documentation altered by Jillian Kay Ross. Courtesy of Cassandra Cassandra, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652473874618-O2N0458PEKNSF4R0G2CK/606a6c1f9386fc3f3ab1eaec_image.jpeg</image:loc>
      <image:title>Archive - remember when we were together forever at Cassandra Cassandra - Make it stand out</image:title>
      <image:caption>remember when we were together forever, 2020. Installation documentation altered by Jillian Kay Ross. Courtesy of Cassandra Cassandra, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652473946194-A8U8CEP2F2P8IJW6Y8VJ/606a6c23e5289d52cace2121_image.jpeg</image:loc>
      <image:title>Archive - remember when we were together forever at Cassandra Cassandra - Make it stand out</image:title>
      <image:caption>remember when we were together forever, 2020. Installation documentation altered by Jillian Kay Ross. Courtesy of Cassandra Cassandra, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652474037507-VHEKMZKBCDDDJLL2IH2A/606a6c2635ae6e165facac6d_image.jpeg</image:loc>
      <image:title>Archive - remember when we were together forever at Cassandra Cassandra - Make it stand out</image:title>
      <image:caption>remember when we were together forever, 2020. Installation documentation altered by Jillian Kay Ross. Courtesy of Cassandra Cassandra, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652474073384-COF7IV8KTDGS91WOGGYC/606a6c2825efbe04fcc9aa05_image.jpeg</image:loc>
      <image:title>Archive - remember when we were together forever at Cassandra Cassandra - Make it stand out</image:title>
      <image:caption>remember when we were together forever, 2020. Installation documentation altered by Jillian Kay Ross. Courtesy of Cassandra Cassandra, Toronto.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-tatum-dooley-on-selling-art-on-instagram-to-benefit-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652730013986-M0C85YYKVH63HRS9PF0M/606a6d4616f3742aa90f61d5_image.jpeg</image:loc>
      <image:title>Archive - Tatum Dooley on selling art on Instagram to benefit artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652730158164-CLFF94SJ1XIFXZE3BGTG/606a6d631e21c73b43f05753_image.jpeg</image:loc>
      <image:title>Archive - Tatum Dooley on selling art on Instagram to benefit artists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-jatovia-gary-at-memorial-art-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652469591100-O7N7K6WOQVJYH9RQ277V/5f2c22e1662c32b7b950cd15_1.jpg</image:loc>
      <image:title>Archive - Ja’Tovia Gary at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>Ja'Tovia Gary (American, b. 1984) Giverny I (NÉGRESSE IMPÉRIALE), 2017, single-channel video, HD and SD video footage, 1920 x 1080, 16:9 aspect ratio. Memorial Art Gallery, Marion Stratton Gould and Herdle-Moore Funds. Still courtesy of Paula Cooper Gallery, New York. © Ja’Tovia Gary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652469675057-9GCOF3350PKDFVBXZ6C2/5f2c22fba79ac52b81576d67_2.jpg</image:loc>
      <image:title>Archive - Ja’Tovia Gary at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>View of “Giverny I (NÉGRESSE IMPÉRIALE),” 2017.Memorial Art Gallery, Rochester. ©Andy Olenick, Fotowerks, Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652469767771-RH0YN72T9JR4ZPNAJHNQ/5f2c23006ed03d337a2675e8_3.jpg</image:loc>
      <image:title>Archive - Ja’Tovia Gary at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>Ja'Tovia Gary (American, b. 1984) Giverny I (NÉGRESSE IMPÉRIALE), 2017, single-channel video, HD and SD video footage, 1920 x 1080, 16:9 aspect ratio. Memorial Art Gallery, Marion Stratton Gould and Herdle-Moore Funds. Still courtesy of Paula Cooper Gallery, New York. © Ja’Tovia Gary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-remembering-nina-freudenheim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652479306762-411DPJWLWRKNBB90VDED/606a7080f6f4608a7b270be2_image.jpeg</image:loc>
      <image:title>Archive - Remembering Nina Freudenheim - Make it stand out</image:title>
      <image:caption>kc kratt, 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-judith-schaechter-at-memorial-art-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652470500881-YWMNOTAWT8PK1RV12ZKN/606a6f5e8255e41349f106ac_image.jpeg</image:loc>
      <image:title>Archive - Judith Schaechter at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>Judith Schaechter, The Battle of Carnival and Lent, 2010-2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652470586158-P89LREXB3SE1RQ66HQ7K/5ebb3b8f39593c5c6021cac1_2.jpg</image:loc>
      <image:title>Archive - Judith Schaechter at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>Judith Schaechter, The Birth of Eve, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652470664925-4382IZLWYHCB5CN54S4W/5ebb3b913ee6456bbfd57990_3.jpg</image:loc>
      <image:title>Archive - Judith Schaechter at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>Judith Schaechter, The Path to Paradise, 2020. Installation view: Memorial Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652470779407-VC4ZSAQ42S6832N0E49B/606a6f81e139de6b5170d403_image.jpeg</image:loc>
      <image:title>Archive - Judith Schaechter at Memorial Art Gallery - Make it stand out</image:title>
      <image:caption>Judith Schaechter, Virtue Triumphs (When the Devil Sleeps), 1991.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-shawn-kuruneru-walter-scott-at-cooper-cole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652480695102-RQCVH21PSHRK0XS5BVAT/606a71cf35ae6e757cacb966_image.jpeg</image:loc>
      <image:title>Archive - Shawn Kuruneru &amp;amp; Walter Scott at Cooper Cole - Make it stand out</image:title>
      <image:caption>Shawn Kuruneru, Emanata, 2020. Installation view: Cooper Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652480760564-HFPCYHBJ9DVK5SEBP296/606a71d3e5289d4024ce43ba_image.jpeg</image:loc>
      <image:title>Archive - Shawn Kuruneru &amp;amp; Walter Scott at Cooper Cole - Make it stand out</image:title>
      <image:caption>Shawn Kuruneru, Fool’s Wish issue 2 page 12, 2019. Courtesy Cooper Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652480976600-BLEUGPYL5XLJZSJC1DCR/606a71ec2bd9d5d38c647b59_image.jpeg</image:loc>
      <image:title>Archive - Shawn Kuruneru &amp;amp; Walter Scott at Cooper Cole - Make it stand out</image:title>
      <image:caption>Shawn Kuruneru, Emanata, 2020. Installation view: Cooper Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652481047983-KKSAYDW7C4EDBEZ3IJ37/606a71f289ad7fde95b61a26_image.jpeg</image:loc>
      <image:title>Archive - Shawn Kuruneru &amp;amp; Walter Scott at Cooper Cole - Make it stand out</image:title>
      <image:caption>Walter Scott, Extension of Doubt, 2019. Courtesy Cooper Cole Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652481092724-QBVSLU6XVO41KN7OCU1R/606a71ffbd1846ec60f41bc6_image.jpeg</image:loc>
      <image:title>Archive - Shawn Kuruneru &amp;amp; Walter Scott at Cooper Cole - Make it stand out</image:title>
      <image:caption>Walter Scott, The Writer’s Table, 2019. Courtesy Cooper Cole Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-sara-m-zak-at-peter-a-and-mary-lou-vogt-gallery-canisius-college</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652479798555-IIMGK0115P8OL1K5KLAS/606a716858182502bb825e99_image.jpeg</image:loc>
      <image:title>Archive - Sara M. Zak at Peter A. and Mary Lou Vogt Gallery, Canisius College - Make it stand out</image:title>
      <image:caption>Sara M. Zak, Forget-me-nots, 2019. Installation view: Peter A. and Mary Lou Vogt Gallery, Canisius College</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652479907755-9RCF83Q1WMJT7511SAMB/606a716e05ece0c1a7e1b619_image.jpeg</image:loc>
      <image:title>Archive - Sara M. Zak at Peter A. and Mary Lou Vogt Gallery, Canisius College - Make it stand out</image:title>
      <image:caption>Sara M. Zak, Forget-me-nots, 2019. Installation view: Peter A. and Mary Lou Vogt Gallery, Canisius College</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-rashid-johnson-at-the-power-plant</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652473189620-BS36BNEJJB91I7V0AFMR/5eb4976503a71a80b1329371_1.jpg</image:loc>
      <image:title>Archive - Rashid Johnson at The Power Plant - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652473272232-0T706HA3XJQU5N023FUV/5eb4976ae66840016796d012_2.jpg</image:loc>
      <image:title>Archive - Rashid Johnson at The Power Plant - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652473351563-7AHVC4NQMX4Q2PLAAWIF/5eb4976c4c8c0c3ffc2a9a3a_3.jpg</image:loc>
      <image:title>Archive - Rashid Johnson at The Power Plant - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-jacob-kassay-at-hallwalls-center-for-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652468602327-K7IS7HX9KPJ9H1BZMQR1/5eb4a083a982c32e7c9e8203_1.png</image:loc>
      <image:title>Archive - Jacob Kassay at Hallwalls Center for Contemporary Art - Make it stand out</image:title>
      <image:caption>Jacob Kassay, Footage, 2019. Installation view: Hallwalls Contemporary Art Center, 2019. Photograph: Natalie Dienno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652468683245-WC37GPDEUU4ZVOIZDK4M/5eb4a0876e4d29c0f9813d85_2.png</image:loc>
      <image:title>Archive - Jacob Kassay at Hallwalls Center for Contemporary Art - Make it stand out</image:title>
      <image:caption>Jacob Kassay, Footage, 2019. Installation view: Hallwalls Contemporary Art Center, 2019. Photograph: Natalie Dienno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652468801027-B6FGQJCVAUJ7IP1Z7BLP/5eb4a08ac01e0c564e9bc080_3.png</image:loc>
      <image:title>Archive - Jacob Kassay at Hallwalls Center for Contemporary Art - Make it stand out</image:title>
      <image:caption>Jacob Kassay, Footage, 2019. Installation view: Hallwalls Contemporary Art Center, 2019. Photograph: Natalie Dienno</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/3-open-house-domestic-thresholds-by-heather-hart-edra-soto-and-rodney-taylor-at-albright-knox-northland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652472377488-VRSBQXOQB1LWJMFN9998/5eb3428d04ebabf45f08e053_aknorth-1.jpg</image:loc>
      <image:title>Archive - Open House: Domestic Thresholds by Heather Hart, Edra Soto, and Rodney Taylor at Albright-Knox Northland - Make it stand out</image:title>
      <image:caption>Heather Heart, Oracle of Conduction, 2019. Installation views of Open House: Domestic Thresholds by Heather Hart, Edra Soto, and Rodney Taylor. Photograph by Brenda Bieger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652472697092-TWBN2RF2BIUGMFWLIQ1D/5eb4a81ca982c338039eb34a_2.jpg</image:loc>
      <image:title>Archive - Open House: Domestic Thresholds by Heather Hart, Edra Soto, and Rodney Taylor at Albright-Knox Northland - Make it stand out</image:title>
      <image:caption>Rodney Taylor, Home Series. Installation views of Open House: Domestic Thresholds by Heather Hart, Edra Soto, and Rodney Taylor. Photograph by Brenda Bieger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652472808154-3IFUQPRWUJGE0M7SM6SZ/5eb4a821c01e0c39c39bf041_3.jpg</image:loc>
      <image:title>Archive - Open House: Domestic Thresholds by Heather Hart, Edra Soto, and Rodney Taylor at Albright-Knox Northland - Make it stand out</image:title>
      <image:caption>Edra Soto, Open 24 Hours, 2018. Installation views of Open House: Domestic Thresholds by Heather Hart, Edra Soto, and Rodney Taylor. Photograph by Brenda Bieger.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-current-seen-a-small-venue-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652471839445-CVJK2SQ78DW621J1RBP9/606a7982a382c1f4a8acd8a3_letter+from+the+editor.png</image:loc>
      <image:title>Archive - Letter from the Editor, Issue 3 - Make it stand out</image:title>
      <image:caption>Socially distant and masks on for a walk. Photo: John Opera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-take-five-at-ub-anderson-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653006342332-BOZF1Q123OQMLA8KLS67/606a897373bd5e4841c5d84f_image.jpeg</image:loc>
      <image:title>Archive - Take Five at UB Anderson Gallery - Make it stand out</image:title>
      <image:caption>Take Five, 2019. Installation photos: Nick Ostness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653006408766-I6WT2FNW0GOQXEU31W55/606a897b9a08b62cd753a8d8_image.jpeg</image:loc>
      <image:title>Archive - Take Five at UB Anderson Gallery - Make it stand out</image:title>
      <image:caption>Take Five, 2019. Installation photos: Nick Ostness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653006483392-9QCSN2UUBEDROD8GSJ4O/606a8990af2d3e699296f0a2_image.jpeg</image:loc>
      <image:title>Archive - Take Five at UB Anderson Gallery - Make it stand out</image:title>
      <image:caption>Take Five, 2019. Installation photos: Nick Ostness.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-undomesticated-at-koffler-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653005605247-LFW38YNTZU0XJUHJHMLC/606a88a3a7e78257a035fd3e_image.jpeg</image:loc>
      <image:title>Archive - Undomesticated at Koffler Gallery - Make it stand out</image:title>
      <image:caption>Gwenaël Bélanger, Breakdown, 2008–13. Photo credit: © Sébastien Lapointe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653005807101-2ETBZPTDWF4KUHCW4B1A/606a88ab8b6c205c18d7848e_image.jpeg</image:loc>
      <image:title>Archive - Undomesticated at Koffler Gallery - Make it stand out</image:title>
      <image:caption>Undomesticated, 2019. Koffler Gallery installation photo: Toni Hafkenscheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653005847254-HNG35GNB67KGA91DPIYN/606a88b309bea483681646eb_image.jpeg</image:loc>
      <image:title>Archive - Undomesticated at Koffler Gallery - Make it stand out</image:title>
      <image:caption>Shellie Zhang, Undomesticated, 2019. Koffler Gallery. Installation photo: Toni Hafkenscheid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-tina-rivers-ryan-on-falling-in-love-with-art-history-navigating-audiences-and-motherhood-in-the-art-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653004812776-DNWI1SYAHUU5KB9Q6YMP/606a845abd18468739f4561e_image.jpeg</image:loc>
      <image:title>Archive - Tina Rivers Ryan on falling in love with Art History, Navigating Audiences, and Motherhood in the Art World - Make it stand out</image:title>
      <image:caption>Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653004995527-MV4979I5E87Z6ONZ7RT0/606a8462f6487831ab4c6f3f_image.jpeg</image:loc>
      <image:title>Archive - Tina Rivers Ryan on falling in love with Art History, Navigating Audiences, and Motherhood in the Art World - Make it stand out</image:title>
      <image:caption>Installation view of Kawita Vatanajyankur: Foul Play, curated by Tina Rivers Ryan. Courtesy Albright-Knox Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653005084106-0KE4U4Q2CA2NPZXQ6H41/606a846baf2d3eb27796dd7f_image.jpeg</image:loc>
      <image:title>Archive - Tina Rivers Ryan on falling in love with Art History, Navigating Audiences, and Motherhood in the Art World - Make it stand out</image:title>
      <image:caption>Installation view of Aria Dean, curated by Tina Rivers Ryan. Courtesy Albright-Knox Art Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-shoreline-remembering-a-waterfront-vision-at-el-museo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/d0b4b234-0abe-4318-aea9-9d735a0eb646/Reparations+Art2+%281%29.jpeg</image:loc>
      <image:title>Archive - Shoreline: Remembering a Waterfront Vision at El Museo - Make it stand out</image:title>
      <image:caption>Shoreline at El Museo. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/4485886e-bdc3-48b3-b9b2-c7faad95314d/Reparations+Art3+%281%29.jpeg</image:loc>
      <image:title>Archive - Shoreline: Remembering a Waterfront Vision at El Museo - Make it stand out</image:title>
      <image:caption>Shoreline at El Museo. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b862f018-f1e7-4f44-9021-115a7b2e24ae/Reparations+Art5.jpeg</image:loc>
      <image:title>Archive - Shoreline: Remembering a Waterfront Vision at El Museo - Make it stand out</image:title>
      <image:caption>Kurt Treeby, Exploded View. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b0aaa7a6-081a-4f0b-be4a-8f125650cbe1/Reparations+Art4+%281%29.jpeg</image:loc>
      <image:title>Archive - Shoreline: Remembering a Waterfront Vision at El Museo - Make it stand out</image:title>
      <image:caption>Kurt Treeby, Disposable. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-reparations-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6595afd9-6607-402a-b436-afa043bc1eb5/Reparations+Art2.jpeg</image:loc>
      <image:title>Archive - Reparations Art - Make it stand out</image:title>
      <image:caption>AA Bronson, A Public Apology to Siksika Nation; and Adrian Stimson, Iini Sookumapii: Guess who’s coming to dinner?. Commissioned by the Toronto Biennial of Art. Photo: Toni Hafkenscheid. Courtesy the Toronto Biennial of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/aa745c22-c88b-4510-8c4b-bf1916033eaa/Reparations+Art3.jpeg</image:loc>
      <image:title>Archive - Reparations Art - Make it stand out</image:title>
      <image:caption>AA Bronson, A Public Apology to Siksika Nation, 2019, multi-media project with publication, installation, and performative components in several stages. Commissioned by the Toronto Biennial of Art. Photo: Toni Hafkenscheid. Courtesy the Toronto Biennial of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cbb3a1c-e4c0-4020-b7af-4c57e312e496/Reparations+Art4.jpeg</image:loc>
      <image:title>Archive - Reparations Art - Make it stand out</image:title>
      <image:caption>Adrian Stimson, Iini Sookumapii: Guess who’s coming to dinner?, 2019, mixed-media installation, dimensions variable. Commissioned by the Toronto Biennial of Art. Photo: Toni Hafkenscheid. Courtesy Toronto Biennial of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-rebecca-wing-at-big-orbit-project-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b8978177-9c98-4b25-871a-e9c3e83137e2/Rebecca+Wing2.jpeg</image:loc>
      <image:title>Archive - Rebecca Wing at Big Orbit Project Space - Make it stand out</image:title>
      <image:caption>Rebecca Wing, Vehicularish, 2019. Installation view. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/f90c68af-8661-4404-9913-fd50f4e09193/Rebecca+Wing3.jpeg</image:loc>
      <image:title>Archive - Rebecca Wing at Big Orbit Project Space - Make it stand out</image:title>
      <image:caption>Rebecca Wing, 2 Roads, 2019. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/079aad4d-ce3d-414d-a332-60e47f538b9e/Rebecca+Wing4.jpeg</image:loc>
      <image:title>Archive - Rebecca Wing at Big Orbit Project Space - Make it stand out</image:title>
      <image:caption>Rebecca Wing, Plow, 2019. Photo: Nando Alvarez-Perez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-caitlin-cass-at-western-new-york-book-arts-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652732985349-MZ2YK0FTHR44NTZAOPPN/606a8ddda382c1699ead1ae3_image.jpeg</image:loc>
      <image:title>Archive - Caitlin Cass at Western New York Book Arts Center - Make it stand out</image:title>
      <image:caption>Caitlin Cass, The Great Moments in Western Civilization Postal Constituent: a Ten Year Study at Western New York Book Arts Center. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652733150098-EFKKQQVVRY8L8LA55596/606a8de8a382c1a2baad1ae5_image.jpeg</image:loc>
      <image:title>Archive - Caitlin Cass at Western New York Book Arts Center - Make it stand out</image:title>
      <image:caption>Caitlin Cass, The Great Moments in Western Civilization Postal Constituent: a Ten Year Study at Western New York Book Arts Center. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652733243434-QLW4AHJYKBGN8LJ8J4WU/606a8deec984666971c59a9f_image.jpeg</image:loc>
      <image:title>Archive - Caitlin Cass at Western New York Book Arts Center - Make it stand out</image:title>
      <image:caption>Caitlin Cass, The Great Moments in Western Civilization Postal Constituent: a Ten Year Study at Western New York Book Arts Center. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-bethany-krull-the-canary-is-long-dead</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652731794765-ANAT7VU3KSJ80F4D8AF6/606a8742981fe64b87b8cb9a_image.jpeg</image:loc>
      <image:title>Archive - Bethany Krull, The Canary is Long Dead - Make it stand out</image:title>
      <image:caption>Bethany Krull, The Canary is Long Dead, 2019, mixed media. Installation view, PLAY/GROUND, 2019. Photo: KC Kratt, courtesy Resource:Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652731848828-DR19RGNUCLPRGWHIVQZ0/606a877589ad7f4b26b65b29_image.jpeg</image:loc>
      <image:title>Archive - Bethany Krull, The Canary is Long Dead - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-anthony-mccall-at-the-albright-knox-art-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652731283076-LV6XC3TLWQPZUZP7AIK8/606a88f5c984661f76c58c65_image.jpeg</image:loc>
      <image:title>Archive - Anthony McCall at the Albright Knox Art Gallery - Make it stand out</image:title>
      <image:caption>Anthony McCall, installation view, Between You and I at Albright-Knox Art Gallery. Photograph by Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652731340018-15CXOF23MT0MHKOBJTFE/606a88fc05ece0f002e20434_image.jpeg</image:loc>
      <image:title>Archive - Anthony McCall at the Albright Knox Art Gallery - Make it stand out</image:title>
      <image:caption>Anthony McCall, installation view, Throes II at Albright-Knox Art Gallery. Photograph by Nando Alvarez-Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652731438149-04X1FW6P75G1URS7UPGG/606a8903f6f46055a3276458_image.jpeg</image:loc>
      <image:title>Archive - Anthony McCall at the Albright Knox Art Gallery - Make it stand out</image:title>
      <image:caption>Anthony McCall, installation view, Between You and I at Albright-Knox Art Gallery. Photograph by Nando Alvarez-Perez.</image:caption>
    </image:image>
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  <url>
    <loc>https://corneliamagazine.com/article-set/2-ann-moody-no-end-of</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652730947368-0P2Q1UGFOMIKWARYT1TZ/606a86e7f45cd334a9725f61_image.jpeg</image:loc>
      <image:title>Archive - Ann Moody, No End Of - Make it stand out</image:title>
      <image:caption>Ann Moody, No End Of, 2019, mixed media, installation dimensions variable. Photo: Ann Moody.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652731005666-KPIE9EGHTHA3QUBHDNPJ/606a86f61e205c5fe2a9873e_image.jpeg</image:loc>
      <image:title>Archive - Ann Moody, No End Of - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/adrian-villar-rojas-today-we-reboot-the-planet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1652730652165-FLUBI4R1CALQ6BBEW0HN/606a86a5981fe64d31b8c957_image.jpeg</image:loc>
      <image:title>Archive - Adrián Villar Rojas, Today We Reboot the Planet - Make it stand out</image:title>
      <image:caption>Adrián Villar Rojas. From the series Today We Reboot the Planet, 2013, Glass, steel, bricks, unfired native clay (unfired), cement, soil, wood, metal, stained glass, soap, seeds, shoes, bread, plants, potatoes, carrots, grass, wheels, jewels, stones, candles, watercolour, markers, pencils, seashells, glasses, bones, butterflies, soccer ball, plastic, Shelves (each): 195 × 66 × 360 cm. Installed dimensions variable. © Adrián Villar Rojas / Courtesy the artist and Marian Goodman Gallery. Photo: Art Gallery of Ontario 2016/38</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/playground-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b935d692-2f06-42c9-a924-d853e2490c45/PLAYGROUND2.jpeg</image:loc>
      <image:title>Archive - PLAY/GROUND 2019 - Make it stand out</image:title>
      <image:caption>Christa Trautman, Into the Void, 2019. Meccay Photography, courtesy Resource:Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/af1693cc-8b4a-44d5-b3a6-ff6de76feb4d/PLAYGROUND3.jpeg</image:loc>
      <image:title>Archive - PLAY/GROUND 2019 - Make it stand out</image:title>
      <image:caption>Claire Ashley, Celestial Boulders (Unseen Organs), 2019. Meccay Photography, courtesy Resource:Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/a54b46d9-09ec-41aa-bf51-7dacca6ab814/PLAYGROUND4.jpeg</image:loc>
      <image:title>Archive - PLAY/GROUND 2019 - Make it stand out</image:title>
      <image:caption>Kyla Kegler, Do You Think My Head is Too Big?, 2019. Meccay Photography, courtesy Resource:Art.</image:caption>
    </image:image>
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  <url>
    <loc>https://corneliamagazine.com/article-set/marlene-mccarty-anabolic-steroids-corn-cob</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/89601be3-b6e1-487a-a0ea-794c87800ad1/Marlene+McCarty2.jpeg</image:loc>
      <image:title>Archive - Marlene McCarty, Anabolic Steroids, Corn Cob... - Make it stand out</image:title>
      <image:caption>Marlene McCarty, Marlene McCarty, Anabolic Steroids, Corn Cob, Privy, Sculptural Disintegration, Free Catheter with Intermittent Liberator, Monkshood, Mockingbird, Gingham and Arthritis, 2019, graphite and ink on paper. 94 x 70.5”. Courtesy UB Arts Collaboratory.</image:caption>
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    <loc>https://corneliamagazine.com/article-set/hito-steyerl-hell-yeah-we-fuck-die</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/27deabf4-b1ac-4071-b161-2ccb77b87c07/Hell+Yah+We+Fuck+Die1.png</image:loc>
      <image:title>Archive - Hito Steyerl, Hell Yeah We Fuck Die - Make it stand out</image:title>
      <image:caption>Hito Steyerl, Hell Yeah We Fuck Die, 2016. Installed at the Art Gallery of Ontario, 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-caitlin-cass-at-western-new-york-book-arts-center-pwbb9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3806297d-6df3-4d1e-b782-482bbc872966/Current+Seen2.jpeg</image:loc>
      <image:title>Archive - Current Seen - A Small Venue Biennial - Make it stand out</image:title>
      <image:caption>Installation view of Michael Goldman’s Urban Pictograms. Photo: Bleu Cease</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2390ceb9-ccb2-49b7-85bd-e62300870e46/Current+Seen5.jpeg</image:loc>
      <image:title>Archive - Current Seen - A Small Venue Biennial - Make it stand out</image:title>
      <image:caption>Kyle Butler, Reconfigured Ends. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8d75fd89-22f8-4cea-a215-999686596f21/Current+Seen4.jpeg</image:loc>
      <image:title>Archive - Current Seen - A Small Venue Biennial - Make it stand out</image:title>
      <image:caption>Rachel Fein-Smolinski, Seeing Change. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/43530438-075f-4531-b73b-c9f00655e3a6/Current+Seen3.jpeg</image:loc>
      <image:title>Archive - Current Seen - A Small Venue Biennial - Make it stand out</image:title>
      <image:caption>Rachel Fein-Smolinski, Seeing Change. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3192f3a5-216f-45b3-b5b2-460154b70a9d/Current+Seen6.jpeg</image:loc>
      <image:title>Archive - Current Seen - A Small Venue Biennial - Make it stand out</image:title>
      <image:caption>Installation view, Best Foot Forward. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/2-letter-from-the-editor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2508512d-8d54-41ce-a8b1-60ca5773f95e/Cover1.png</image:loc>
      <image:title>Archive - Letter from the Editor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-chantal-calato-mount-cecos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653007990175-A4BGOB8A1RMCDR7R5OI2/60775efbc0ce8aaddb838040_056A5485+%281%29.jpg</image:loc>
      <image:title>Archive - Chantal Calato, Mount CECOS - Make it stand out</image:title>
      <image:caption>Chantal Calato, Mount CECOS (2019). Photo: JP Piret/Courtesy BOX Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-carlos-llobet-montealegre-urban-composition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653007430199-RXTNYZH8OSMTJWPIURQG/60775feb327a541148d84c72_carlos-llobet-2.jpg</image:loc>
      <image:title>Archive - Carlos Llobet Montealegre, Urban Composition - Make it stand out</image:title>
      <image:caption>Carlos Llobet Montealegre, Urban Composition (2019). Photo: Bryan Lee/El Museo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-bronwyn-keenan-on-opening-a-gallery-buying-art-and-impressions-of-buffalo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653006981422-UEKR6JTXS6QC9Z5JP93O/606a9b9425efbe38feca5b29_image.jpeg</image:loc>
      <image:title>Archive - Bronwyn Keenan On Opening a Gallery, Buying Art, and Impressions of Buffalo - Make it stand out</image:title>
      <image:caption>Bronwyn Keenan at her home. Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-yuji-agematsu-untitled</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653081291808-DL9MHPFEQN3BYWDQ2N2Y/607760193437283877eb24e7_Agematsu.jpg</image:loc>
      <image:title>Archive - Yuji Agematsu, Untitled - Make it stand out</image:title>
      <image:caption>Yuji Agematsu (American and Japanese, born 1956). Untitled, 1993. Leather shoes on cobblestone. Collection Albright-Knox Art Gallery, Buffalo, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-western-new-york-collects-allan-darcangelo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653080256978-I0185SC5A0NXJ30WNV82/607760d82c36e532e5d48249_castellanidoc-6.jpg</image:loc>
      <image:title>Archive - Western New York Collects: Allan D’Arcangelo - Make it stand out</image:title>
      <image:caption>Allan D’Arcangelo, American Madonna #1 (1978). Photo: Nando Alvarez-Perez/Courtesy the photographer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653080410087-Z947FPQCSGPLW844A0IE/6070e386d2f9220569a1f9d7_image.jpeg</image:loc>
      <image:title>Archive - Western New York Collects: Allan D’Arcangelo - Make it stand out</image:title>
      <image:caption>Allan D’Arcangelo, Western New York Collects (2019). Photo: Nando Alvarez-Perez/Courtesy the photographer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653080493668-P9O076UI4EARIAA4VXMC/607760f46bb2932deb824031_castellanidoc-5.jpg</image:loc>
      <image:title>Archive - Western New York Collects: Allan D’Arcangelo - Make it stand out</image:title>
      <image:caption>Allan D’Arcangelo, Western New York Collects (2019). Photo: Nando Alvarez-Perez/Courtesy the photographer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653080557288-ZRLS72BKP6096P2J2KG3/60776100bc90bc13dd5322e9_castellanidoc-2.jpg</image:loc>
      <image:title>Archive - Western New York Collects: Allan D’Arcangelo - Make it stand out</image:title>
      <image:caption>Allan D’Arcangelo, Western New York Collects (2019). Photo: Nando Alvarez-Perez/Courtesy the photographer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653080592842-K3I2D6JHJQUGI5Z5QAP1/60776108c0ce8a6bbe855793_castellanidoc-7.jpg</image:loc>
      <image:title>Archive - Western New York Collects: Allan D’Arcangelo - Make it stand out</image:title>
      <image:caption>Allan D’Arcangelo, American Madonna #1 (1978). Photo: Nando Alvarez-Perez/Courtesy the photographer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-war-and-consequences-julian-chinana-brendan-bannon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653079655492-168IS4SS12854H29E635/6070e4cc06d75f82835e4d9d_image.jpeg</image:loc>
      <image:title>Archive - War and Consequences, Julian Chinana &amp;amp; Brendan Bannon - Make it stand out</image:title>
      <image:caption>Fatima, Untitled (2019). Photo: Fatima/Courtesy The Most Important Picture Project The photographer’s accompanying text reads: "My family will play and have fun. We will go further. Even if thousands of people are too lazy to help the refugees we will make it through these critical days. A brighter future awaits."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-stephanie-rohlfs-penis-fingers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653079178397-5Q31382KWUP0KQM59GBT/60775d2fc95715f321a3d418_stephaniedoc-7.jpg</image:loc>
      <image:title>Archive - Stephanie Rohlfs, Penis Fingers - Make it stand out</image:title>
      <image:caption>Stephanie Rohlfs, Penis Fingers (2016-2019). Photo: Nando Alvarez-Perez/Courtesy the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-sally-cook-city-of-dreams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653073122948-WBW1J3QA4YZUJKVVLITY/6070e5ef672f3c489bf0c322_image.jpeg</image:loc>
      <image:title>Archive - Sally Cook, City of Dreams - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-reinhard-reitzenstein-wtf-wheres-the-forest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653072797365-Z34F88ASYJJJMSGND31T/6070e541206a0837d8da9b44_image.jpeg</image:loc>
      <image:title>Archive - Reinhard Reitzenstein, WTF (Where’s the Forest) - Make it stand out</image:title>
      <image:caption>Reinhardt Ritzenstein, WTF: Where’s the Forest? (2019). Photo: Natalie DiIennio/Courtesy Buffalo Arts Studio</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/1-objets-darte</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653072136163-3Z0SWVEZSN0NXG7F3TN0/606a989b4f1ab810136b6d9c_image.jpeg</image:loc>
      <image:title>Archive - Objets d’arte - Make it stand out</image:title>
      <image:caption>Stephanie Rohlfs, Candleholder (2019). Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
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      <image:title>Archive - Objets d’arte - Make it stand out</image:title>
      <image:caption>Stephanie Rohlfs, Flat as a Board (2019). Photo: Nando Alvarez-Perez</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653056382619-DM8J77SRZOIO7DNI26SM/6077604b27e638b91583a282_Untitled+%28Tucson%29+2013.jpg</image:loc>
      <image:title>Archive - Nathan Lyons, Untitled (Tucson) - Make it stand out</image:title>
      <image:caption>Nathan Lyons, Untitled (Tucson) (2013). Photo: Nathan Lyons/Courtesy George Eastman Museum</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/1-kevin-beasley-untitled-hollow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
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      <image:title>Archive - Kevin Beasley, Untitled (hollow) - Make it stand out</image:title>
      <image:caption>Kevin Beasley (American, born 1985). Untitled (hollow), 2016. Resin, housedresses, and kaftans. Collection Albright-Knox Art Gallery, Buffalo, New York.</image:caption>
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  <url>
    <loc>https://corneliamagazine.com/article-set/1-joshua-stein-access</loc>
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    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653055290872-L4KM0QGVY8F8EQBBNMP4/60775f44a5497f7a260c5888_stein-1.jpg</image:loc>
      <image:title>Archive - Joshua Stein, Access - Make it stand out</image:title>
      <image:caption>Joshua G. Stein, Access (2019). Photo: Nando Alvarez-Perez/Courtesy the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-felipe-pantone-optichromie-buff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-17</lastmod>
    <image:image>
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      <image:title>Archive - Felipe Pantone, Optichromie–Buff - Make it stand out</image:title>
      <image:caption>Felipe Pantone's Optichromie—BUF, 2019, on Washington Street between East Tupper and East Chippewa Streets (back of Town Ballroom) in Buffalo, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/1-double-take-lindsay-preston-zappas-i-forgot-my-shoes-2</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653054123740-J6I20WDEGYDFHU6K6PB1/606a9a140447304c3f3ed949_image.jpeg</image:loc>
      <image:title>Archive - Double Take: Lindsay Preston Zappas, I Forgot My Shoes - Make it stand out</image:title>
      <image:caption>Lindsay Preston Zappas, I Forgot My Shoes, installation views from the Buffalo Institute for Contemporary Art. Photos: Nando Alvarez-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1653054203709-3Z3D3HL1C86OACV1ZOB3/606a9a1f8255e4fea2f1968c_image.jpeg</image:loc>
      <image:title>Archive - Double Take: Lindsay Preston Zappas, I Forgot My Shoes - Make it stand out</image:title>
      <image:caption>Lindsay Preston Zappas, Painted Props (Hand Symbols). Photo: Nando Alvarez-Perez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/article-set/category/Issue+09</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+07</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/category/Issue+18</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/category/Issue+08</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+19</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+16</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+17</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+12</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+13</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/category/Issue+10</loc>
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    <loc>https://corneliamagazine.com/article-set/category/Issue+11</loc>
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    <loc>https://corneliamagazine.com/article-set/tag/Issue+15</loc>
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    <loc>https://corneliamagazine.com/article-set/tag/Issue+10</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/tag/Issue+11</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/tag/Issue+20</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/tag/Issue+9</loc>
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  <url>
    <loc>https://corneliamagazine.com/article-set/tag/Issue+7</loc>
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    <loc>https://corneliamagazine.com/about</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-04-30</lastmod>
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  <url>
    <loc>https://corneliamagazine.com/write</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-01</lastmod>
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  <url>
    <loc>https://corneliamagazine.com/advertise</loc>
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    <loc>https://corneliamagazine.com/style-guide</loc>
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    <lastmod>2025-06-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Style Guide - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/136d6db1-29d9-4de4-ba7b-872f8daf1f3f/Cornelia+Magazine+Issue+8-14.jpg</image:loc>
      <image:title>Style Guide - Make it stand out</image:title>
      <image:caption>Iris Häussler Archivio Milano, 1991, 2021, installation view, Daniel Faria Gallery, Toronto. Courtesy of the artist and Daniel Faria Gallery. Photo: LF Documentation. (Paragraph 3)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue8</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/6ed219a2-111a-456d-b541-4bd0169ab205/Issue+8+PNG.png</image:loc>
      <image:title>Issue 8 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 8 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-7</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/3737b2e6-0d12-4747-971a-f3b849699642/Issue+7.png</image:loc>
      <image:title>Issue 7 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 7 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-6</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 6 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/79d149bc-44c4-4604-8fe3-f9e98290d023/IMG_4788.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b6f1265c-dd85-49b8-82bd-9b2660b54a9e/issue+20.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c89bab24-5ca4-44a0-bfa1-0999606ac114/Asset+1%401080x.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/75b2ae3f-7820-4f40-b0a6-615ef441b1ee/issue+18.png</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-9</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/7182b9bb-e3a6-4765-b381-205c98b939e7/Issue9-08.png</image:loc>
      <image:title>Issue 9 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 9 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-10</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/91be4443-f90d-469b-9456-41e7d7558207/Issue10.png</image:loc>
      <image:title>Issue 10 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 10 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-11</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/bf7d8fc0-767b-498b-a374-2d330192324d/Issue+11.png</image:loc>
      <image:title>Issue 11 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 11 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-12</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/9560a9da-48aa-4cd9-b6c3-ebac903d7a30/issue+12.png</image:loc>
      <image:title>Issue 12 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 12 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-13</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5a3bc243-ef89-4d4a-8daf-f5bb17ba5e60/Icon_13.png</image:loc>
      <image:title>Issue 13 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 13 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-14</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/8cfbc598-8360-4290-b761-c18fc973f153/Untitled+%286%29.png</image:loc>
      <image:title>Issue 14 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 14 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-15</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5d9cc6ab-30ec-469a-99d7-41d4ca381b18/Issue+15+Graphic.png</image:loc>
      <image:title>Issue 15 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 15 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/find</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-27</lastmod>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-16</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/61bc5c10-aa0a-4990-b441-294125a4ed4d/ArtToronto24_728x90.gif</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/0f2c0758-8451-4c80-ab84-2325fbdf7a32/Asset+2.png</image:loc>
      <image:title>Issue 16 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 16 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/shop</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1b60fa6d-c9f7-45a1-b68d-1a16b6d24bc1/corneliamisc-10.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/1716480313862-FIQAZ9WI21S38UOX0JT6/Cover+Shot.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/2926e8a5-419e-4c7b-8fd8-e1cab214ea16/IMG_2335.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-17</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/011c5fc2-4fef-45c8-94c5-296368fc3f83/Issue+17.png</image:loc>
      <image:title>Issue 17 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 17 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-18</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/336f13c3-9ad4-4382-bcf0-3403389a7131/Issue+18+Icon.png</image:loc>
      <image:title>Issue 18 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 18 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-19</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/c89bab24-5ca4-44a0-bfa1-0999606ac114/Asset+1%401080x.png</image:loc>
      <image:title>Issue 19 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 19 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://corneliamagazine.com/issue-20</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/b6f1265c-dd85-49b8-82bd-9b2660b54a9e/issue+20.png</image:loc>
      <image:title>Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61ef0efbd786c75eda8176f9/5fa22fcc-09ab-49d0-9f1c-dd088753f8b1/published+by+BICA.png</image:loc>
      <image:title>Issue 20 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

